Which excerpt from the poem "Girl Powdering Her Neck” by Cathy Song is an example of a simile?
Read the excerpt from act 3 of A Doll’s House.Nora: In all these eight years—longer than that—from the very beginning of our acquaintance, we have never exchanged a word on any serious subject.Helmer: Was it likely that I would be continually and forever telling you about worries that you could not help me to bear?Nora: I am not speaking about business matters. I say that we have never sat down in earnest together to try and get at the bottom of anything.Helmer: But, dearest Nora, would it have been any good to you?Nora: That is just it; you have never understood me. I have been greatly wronged, Torvald—first by papa and then by you.
Read the passage from A Doll’s House.Nora: But it was absolutely necessary that he should not know! My goodness, can't you understand that? It was necessary he should have no idea what a dangerous condition he was in. It was to me that the doctors came and said that his life was in danger, and that the only thing to save him was to live in the south. Do you suppose I didn't try, first of all, to get what I wanted as if it were for myself? I told him how much I should love to travel abroad like other young wives; I tried tears and entreaties with him; I told him that he ought to remember the condition I was in, and that he ought to be kind and indulgent to me; I even hinted that he might raise a loan. That nearly made him angry, Christine. He said I was thoughtless, and that it was his duty as my husband not to indulge me in my whims and caprices—as I believe he called them. Very well, I thought, you must be saved—and that was how I came to devise a way out of the difficulty— Mrs. Linde: And did your husband never get to know from your father that the money had not come from him? Nora: No, never. Papa died just at that time. I had meant to let him into the secret and beg him never to reveal it. But he was so ill then—alas, there never was any need to tell him.Mrs. Linde: And since then have you never told your secret to your husband?Nora: Good Heavens, no! How could you think so? A man who has such strong opinions about these things! And besides, how painful and humiliating it would be for Torvald, with his manly independence, to know that he owed me anything! It would upset our mutual relations altogether; our beautiful happy home would no longer be what it is now.
Read the excerpt from act 1 of A Doll’s House.Mrs. Linde: Yes, but your father gave you the necessary funds.Nora: [smiling] Yes, that is what Torvald and all the others think, but—Mrs. Linde: But—Nora: Papa didn't give us a shilling. It was I who procured the money.Mrs. Linde: You? All that large sum?Nora: Two hundred and fifty pounds. What do you think of that?Mrs. Linde: But, Nora, how could you possibly do it? Did you win a prize in the Lottery?Nora: [contemptuously] In the Lottery? There would have been no credit in that.Mrs. Linde: But where did you get it from, then?Nora: [humming and smiling with an air of mystery]. Hm, hm! Aha!Mrs. Linde: Because you couldn't have borrowed it.Nora: Couldn't I? Why not?Mrs. Linde: No, a wife cannot borrow without her husband's consent.Nora: [tossing her head] Oh, if it is a wife who has any head for business—a wife who has the wit to be a little bit clever—
Read the passage from Amy Tan's "Rules of the Game.”My parents made many concessions to allow me to practice. One time I complained that the bedroom I shared was so noisy that I couldn’t think. Thereafter, my brothers slept in a bed in the living room facing the street. I said I couldn’t finish my rice; my head didn’t work right when my stomach was too full. I left the table with half-finished bowls and nobody complained. But there was one duty I couldn’t avoid. I had to accompany my mother on Saturday market days when I had no tournament to play. My mother would proudly walk with me, visiting many shops, buying very little. "This my daughter Wave-ly Jong,” she said to whoever looked her way.One day after we left a shop I said under my breath, "I wish you wouldn’t do that, telling everybody I’m your daughter.” My mother stopped walking. Crowds of people with heavy bags pushed past us on the sidewalk, bumping into first one shoulder, then another.
Read the passage from Amy Tan's "Rules of the Game."One day, after we left a shop I said under my breath, "I wish you wouldn’t do that, telling everybody I’m your daughter.” My mother stopped walking. Crowds of people with heavy bags pushed past us on the sidewalk, bumping into first one shoulder, then another."Aiii-ya. So shame be with mother?” She grasped my hand even tighter as she glared at me.I looked down. "It’s not that, it’s just so obvious. It’s just so embarrassing.”"Embarrass you be my daughter?” Her voice was cracking with anger."That’s not what I meant. That’s not what I said.”"What you say?”I knew it was a mistake to say anything more, but I heard my voice speaking, "Why do you have to use me to show off? If you want to show off, then why don’t you learn to play chess?”My mother’s eyes turned into dangerous black slits. She had no words for me, just sharp silence.I felt the wind rushing around my hot ears. I jerked my hand out of my mother’s tight grasp and spun around, knocking into an old woman. Her bag of groceries spilled to the ground."Aii-ya! Stupid girl!” my mother and the woman cried. Oranges and tin cans careened down the sidewalk. As my mother stooped to help the old woman pick up the escaping food, I took off.
Read the passage from A Doll’s House.Helmer: [calls out from his room]. Is that my little lark twittering out there?Nora: [busy opening some of the parcels]. Yes, it is!Helmer: Is it my little squirrel bustling about?Nora: Yes!Helmer: When did my squirrel come home?Nora: Just now. [Puts the bag of macaroons into her pocket and wipes her mouth.] Come in here, Torvald, and see what I have bought.Helmer: Don't disturb me. [A little later, he opens the door and looks into the room, pen in hand.] Bought, did you say? All these things? Has my little spendthrift been wasting money again?Nora: Yes but, Torvald, this year we really can let ourselves go a little. This is the first Christmas that we have not needed to economize.
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Read the excerpt from act 3 of A Doll's House.Mrs. Linde: We have a great deal to talk about.Krogstad: I shouldn't have thought so.Mrs. Linde: No, you have never properly understood me.Krogstad: Was there anything else to understand except what was obvious to all the world—a heartless woman jilts a man when a more lucrative chance turns up?Mrs. Linde: Do you believe I am as absolutely heartless as all that? And do you believe that I did it with a light heart?Krogstad: Didn't you?Mrs. Linde: Nils, did you really think that?Krogstad: If it were as you say, why did you write to me as you did at the time?Mrs. Linde: I could do nothing else. As I had to break with you, it was my duty also to put an end to all that you felt for me.Krogstad [wringing his hands]. So that was it. And all this—only for the sake of money!Mrs. Linde: You must not forget that I had a helpless mother and two little brothers. We couldn't wait for you, Nils; your prospects seemed hopeless then.Krogstad: That may be so, but you had no right to throw me over for anyone else's sake.Mrs. Linde: Indeed, I don't know. Many a time did I ask myself if I had the right to do it.
Read the excerpt from act 3 of A Doll's House.Helmer: How unreasonable and how ungrateful you are, Nora! Have you not been happy here?Nora: No, I have never been happy. I thought I was, but it has never really been so.Helmer: Not—not happy!Nora: No, only merry. And you have always been so kind to me. But our home has been nothing but a playroom. I have been your doll-wife, just as at home I was papa's doll-child; and here the children have been my dolls. I thought it great fun when you played with me, just as they thought it great fun when I played with them. That is what our marriage has been, Torvald.
Read the excerpt from act 1 of A Doll's House.Helmer: Nora! [Goes up to her and takes her playfully by the ear.] The same little featherhead! Suppose, now, that I borrowed fifty pounds today, and you spent it all in the Christmas week, and then on New Year's Eve a slate fell on my head and killed me, and—Nora: [putting her hands over his mouth]. Oh! don't say such horrid things.Helmer: Still, suppose that happened, —what then?Nora: If that were to happen, I don't suppose I should care whether I owed money or not.Helmer: Yes, but what about the people who had lent it?Nora: They? Who would bother about them? I should not know who they were.Helmer: That is like a woman! But seriously, Nora, you know what I think about that. No debt, no borrowing. There can be no freedom or beauty about a home life that depends on borrowing and debt. We two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle.Nora: [moving towards the stove]. As you please, Torvald.
Read the excerpt from act 2 of A Doll’s House.Nurse: Oh well, young children easily get accustomed to anything. Nora: Do you think so? Do you think they would forget their mother if she went away altogether?Nurse: Good heavens!—went away altogether?Nora: Nurse, I want you to tell me something I have often wondered about—how could you have the heart to put your own child out among strangers?Nurse: I was obliged to, if I wanted to be little Nora's Nurse.Nora: Yes, but how could you be willing to do it?Nurse: What, when I was going to get such a good place by it? A poor girl who has got into trouble should be glad to. Besides, that wicked man didn't do a single thing for me.
Read the passage from A Doll’s House.Nora: Nurse, I want you to tell me something I have often wondered about—how could you have the heart to put your own child out among strangers?Nurse: I was obliged to, if I wanted to be little Nora's Nurse.Nora: Yes, but how could you be willing to do it?Nurse: What, when I was going to get such a good place by it? A poor girl who has got into trouble should be glad to. Besides, that wicked man didn't do a single thing for me.Nora: But I suppose your daughter has quite forgotten you.Nurse: No, indeed she hasn't. She wrote to me when she was confirmed, and when she was married.
Read the excerpt from act 3 of A Doll’s House.Nora: Alas, Torvald, you are not the man to educate me into being a proper wife for you.Helmer: And you can say that!Nora: And I—how am I fitted to bring up the children?Helmer: Nora!Nora: Didn't you say so yourself a little while ago—that you dare not trust me to bring them up?Helmer: In a moment of anger! Why do you pay any heed to that?Nora: Indeed, you were perfectly right. I am not fit for the task. There is another task I must undertake first. I must try and educate myself—you are not the man to help me in that. I must do that for myself. And that is why I am going to leave you now.Helmer [springing up]: What do you say?Nora: I must stand quite alone, if I am to understand myself and everything about me. It is for that reason that I cannot remain with you any longer.
Read the excerpt from act 2 of A Doll's House.Mrs. Linde: [goes on sewing. A short silence] Does Doctor Rank come here everyday?Nora: Everyday regularly. He is Torvald's most intimate friend, and a great friend of mine too. He is just like one of the family.Mrs. Linde: But tell me this—is he perfectly sincere? I mean, isn't he the kind of man that is very anxious to make himself agreeable?Nora: Not in the least. What makes you think that?Mrs. Linde: When you introduced him to me yesterday, he declared he had often heard my name mentioned in this house; but afterwards I noticed that your husband hadn't the slightest idea who I was. So how could Doctor Rank—?Nora: That is quite right, Christine. Torvald is so absurdly fond of me that he wants me absolutely to himself, as he says. At first he used to seem almost jealous if I mentioned any of the dear folk at home, so naturally I gave up doing so. But I often talk about such things with Doctor Rank, because he likes hearing about them.Mrs. Linde: Listen to me, Nora. You are still very like a child in many things, and I am older than you in many ways and have a little more experience. Let me tell you this—you ought to make an end of it with Doctor Rank.
Read the excerpt from act 2 of A Doll's House.Nora: [putting her arms round her neck] Dear old Anne, you were a good mother to me when I was little.Nurse: Little Nora, poor dear, had no other mother but me.Nora: And if my little ones had no other mother, I am sure you would—What nonsense I am talking! [Opens the box.] Go in to them. Now I must—. You will see tomorrow how charming I shall look.Nurse: I am sure there will be no one at the ball so charming as you, ma'am. [Goes into the room on the left.]Nora: [begins to unpack the box, but soon pushes it away from her]. If only I dared go out. If only no one would come. If only I could be sure nothing would happen here in the meantime. Stuff and nonsense! No one will come. Only I mustn't think about it. I will brush my muff. What lovely, lovely gloves! Out of my thoughts, out of my thoughts! One, two, three, four, five, six— [Screams.] Ah! there is someone coming—. [Makes a movement towards the door, but stands irresolute.]
Read the passage from A Room of One’s Own.The history of men's opposition to women's emancipation is more interesting perhaps than the story of that emancipation itself. An amusing book might be made of it if some young student at Girton or Newnham would collect examples and deduce a theory,—but she would need thick gloves on her hands, and bars to protect her of solid gold.
Which cultural differences are revealed through this conflict? Select two options.
Read the passage from A Doll’s House.Nora: Well, then I have found other ways of earning money. Last winter I was lucky enough to get a lot of copying to do; so I locked myself up and sat writing every evening until quite late at night. Many a time I was desperately tired; but all the same it was a tremendous pleasure to sit there working and earning money. It was like being a man.Read the passage from A Room of One’s Own.She stood at the stage door; she wanted to act, she said. Men laughed in her face. The manager—a fat, looselipped man—guffawed. He bellowed something about poodles dancing and women acting—no woman, he said, could possibly be an actress. He hinted—you can imagine what. She could get no training in her craft.
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