AnswersMO-English Language Arts 10 B-CRRecognizing Rhetorical Techniques in a Speech

Analyzing and Evaluating Arguments Answers

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Which excerpt from the poem "Girl Powdering Her Neck” by Cathy Song is an example of a simile?

A
“her legs folded beneath her / as she sits on a buckwheat pillow”
B
“Morning begins the ritual / wheel of the body”
C
“The peach-dyed kimono / patterned with maple leaves”
D
“She dips a corner of her sleeve / like a brush into water”
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Read the excerpt from act 3 of A Doll’s House.Nora: In all these eight years—longer than that—from the very beginning of our acquaintance, we have never exchanged a word on any serious subject.Helmer: Was it likely that I would be continually and forever telling you about worries that you could not help me to bear?Nora: I am not speaking about business matters. I say that we have never sat down in earnest together to try and get at the bottom of anything.Helmer: But, dearest Nora, would it have been any good to you?Nora: That is just it; you have never understood me. I have been greatly wronged, Torvald—first by papa and then by you.

A
The conflict between Nora and Helmer shows how men and women could not agree on issues or successfully work together to solve important problems.
B
The conflict between Nora and Helmer shows how gender roles were defined, as Helmer has complete control over everything, including what the couple discusses.
C
The conflict between Nora and Helmer shows how men attempted to limit women’s economic freedoms, causing Nora to lie about how she obtained money.
D
The conflict between Nora and Helmer shows how women who ended marriages had no rights, leading Nora to have to hide her true feelings in order to stay married.
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Read the passage from A Doll’s House.Nora: But it was absolutely necessary that he should not know! My goodness, can't you understand that? It was necessary he should have no idea what a dangerous condition he was in. It was to me that the doctors came and said that his life was in danger, and that the only thing to save him was to live in the south. Do you suppose I didn't try, first of all, to get what I wanted as if it were for myself? I told him how much I should love to travel abroad like other young wives; I tried tears and entreaties with him; I told him that he ought to remember the condition I was in, and that he ought to be kind and indulgent to me; I even hinted that he might raise a loan. That nearly made him angry, Christine. He said I was thoughtless, and that it was his duty as my husband not to indulge me in my whims and caprices—as I believe he called them. Very well, I thought, you must be saved—and that was how I came to devise a way out of the difficulty— Mrs. Linde: And did your husband never get to know from your father that the money had not come from him? Nora: No, never. Papa died just at that time. I had meant to let him into the secret and beg him never to reveal it. But he was so ill then—alas, there never was any need to tell him.Mrs. Linde: And since then have you never told your secret to your husband?Nora: Good Heavens, no! How could you think so? A man who has such strong opinions about these things! And besides, how painful and humiliating it would be for Torvald, with his manly independence, to know that he owed me anything! It would upset our mutual relations altogether; our beautiful happy home would no longer be what it is now.

A
“no idea what a dangerous condition he was in”
B
“how I came to devise a way out of the difficulty”
C
“I had meant to let him in on the secret”
D
“It would upset our mutual relations altogether”
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Read the passage from Amy Tan's "Rules of the Game."One day, after we left a shop I said under my breath, "I wish you wouldn’t do that, telling everybody I’m your daughter.” My mother stopped walking. Crowds of people with heavy bags pushed past us on the sidewalk, bumping into first one shoulder, then another."Aiii-ya. So shame be with mother?” She grasped my hand even tighter as she glared at me.I looked down. "It’s not that, it’s just so obvious. It’s just so embarrassing.”"Embarrass you be my daughter?” Her voice was cracking with anger."That’s not what I meant. That’s not what I said.”"What you say?”I knew it was a mistake to say anything more, but I heard my voice speaking, "Why do you have to use me to show off? If you want to show off, then why don’t you learn to play chess?”My mother’s eyes turned into dangerous black slits. She had no words for me, just sharp silence.I felt the wind rushing around my hot ears. I jerked my hand out of my mother’s tight grasp and spun around, knocking into an old woman. Her bag of groceries spilled to the ground."Aii-ya! Stupid girl!” my mother and the woman cried. Oranges and tin cans careened down the sidewalk. As my mother stooped to help the old woman pick up the escaping food, I took off.

A
an internal conflict within the mother, who wants her daughter to grow up but does not want to let her go
B
an internal conflict within the daughter, who wants to be a grand master but does not want anyone to know about it
C
an external conflict between the mother, who wants to show off her famous daughter, and the daughter, who feels used
D
an external conflict between the mother and the neighborhood over the social pressure on the mother to be successful
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Read the excerpt from act 3 of A Doll's House.Mrs. Linde: We have a great deal to talk about.Krogstad: I shouldn't have thought so.Mrs. Linde: No, you have never properly understood me.Krogstad: Was there anything else to understand except what was obvious to all the world—a heartless woman jilts a man when a more lucrative chance turns up?Mrs. Linde: Do you believe I am as absolutely heartless as all that? And do you believe that I did it with a light heart?Krogstad: Didn't you?Mrs. Linde: Nils, did you really think that?Krogstad: If it were as you say, why did you write to me as you did at the time?Mrs. Linde: I could do nothing else. As I had to break with you, it was my duty also to put an end to all that you felt for me.Krogstad [wringing his hands]. So that was it. And all this—only for the sake of money!Mrs. Linde: You must not forget that I had a helpless mother and two little brothers. We couldn't wait for you, Nils; your prospects seemed hopeless then.Krogstad: That may be so, but you had no right to throw me over for anyone else's sake.Mrs. Linde: Indeed, I don't know. Many a time did I ask myself if I had the right to do it.

A
Mrs. Linde knows that she has always loved Krogstad, and so does the audience, but Krogstad does not know this at the beginning of the scene.
B
Mrs. Linde knows that she is taking Krogstad's job, and so does the audience, but Krogstad does not know that this will happen.
C
Krogstad has always been in love with Mrs. Linde, and the audience knows it, but Mrs. Linde does not know this at the beginning of the scene.
D
Krogstad is going to try to take his job back from Mrs. Linde, and the audience knows it, but Mrs. Linde does not know that this will happen.
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Read the excerpt from act 1 of A Doll's House.Helmer: Nora! [Goes up to her and takes her playfully by the ear.] The same little featherhead! Suppose, now, that I borrowed fifty pounds today, and you spent it all in the Christmas week, and then on New Year's Eve a slate fell on my head and killed me, and—Nora: [putting her hands over his mouth]. Oh! don't say such horrid things.Helmer: Still, suppose that happened, —what then?Nora: If that were to happen, I don't suppose I should care whether I owed money or not.Helmer: Yes, but what about the people who had lent it?Nora: They? Who would bother about them? I should not know who they were.Helmer: That is like a woman! But seriously, Nora, you know what I think about that. No debt, no borrowing. There can be no freedom or beauty about a home life that depends on borrowing and debt. We two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle.Nora: [moving towards the stove]. As you please, Torvald.

A
Nora realizes that Helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him.
B
Nora realizes that she and Helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play.
C
Helmer realizes that Nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play.
D
Nora realizes that Helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.
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Read the passage from A Doll’s House.Nora: Nurse, I want you to tell me something I have often wondered about—how could you have the heart to put your own child out among strangers?Nurse: I was obliged to, if I wanted to be little Nora's Nurse.Nora: Yes, but how could you be willing to do it?Nurse: What, when I was going to get such a good place by it? A poor girl who has got into trouble should be glad to. Besides, that wicked man didn't do a single thing for me.Nora: But I suppose your daughter has quite forgotten you.Nurse: No, indeed she hasn't. She wrote to me when she was confirmed, and when she was married.

A
The nurse’s willingness to take care of Nora when Nora was little demonstrates a woman’s ability to do difficult work.
B
The nurse’s need to give up a child in order to have a job demonstrates a woman’s inability to support herself.
C
The fact that the nurse’s child wrote to her as a young girl and as an adult demonstrates a woman’s ability to keep friends forever.
D
The nurse’s assurance to Nora that her children ask for her often demonstrates women’s role in health care.
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Read the excerpt from act 2 of A Doll's House.Mrs. Linde: [goes on sewing. A short silence] Does Doctor Rank come here everyday?Nora: Everyday regularly. He is Torvald's most intimate friend, and a great friend of mine too. He is just like one of the family.Mrs. Linde: But tell me this—is he perfectly sincere? I mean, isn't he the kind of man that is very anxious to make himself agreeable?Nora: Not in the least. What makes you think that?Mrs. Linde: When you introduced him to me yesterday, he declared he had often heard my name mentioned in this house; but afterwards I noticed that your husband hadn't the slightest idea who I was. So how could Doctor Rank—?Nora: That is quite right, Christine. Torvald is so absurdly fond of me that he wants me absolutely to himself, as he says. At first he used to seem almost jealous if I mentioned any of the dear folk at home, so naturally I gave up doing so. But I often talk about such things with Doctor Rank, because he likes hearing about them.Mrs. Linde: Listen to me, Nora. You are still very like a child in many things, and I am older than you in many ways and have a little more experience. Let me tell you this—you ought to make an end of it with Doctor Rank.

A
It has no impact, because Doctor Rank is a minor character in the plot and is not involved with Nora.
B
It has little impact, because Nora and Doctor Rank only interact with each other in one scene.
C
It has an important impact, because Nora decides that she should leave Helmer for the doctor.
D
It has a major impact, because it hints at the doctor's feelings for Nora and her attempt at manipulation.
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Which cultural differences are revealed through this conflict? Select two options.

A
The daughter resents being asked to work hard all the time, which her mother sees as laziness.
B
The daughter does not value talent or intelligence, whereas her mother believes that they are the two most important qualities a person can have.
C
The daughter wants to be valued for what she is, while the mother believes that the girl should always strive to be more.
D
The daughter believes that her mother should accept and love her, but the mother believes that she should help her daughter succeed.
E
The daughter thinks that her parents owe her love and support, but the mother thinks that the daughter owes them gratitude for providing for her.

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