"By the Waters of Babylon," Part 2: Analyzing Theme Answers

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1
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Which resolutions connect to the theme that real friends will usually do the right thing? Select two options.

A
Amaya passes the most difficult test with the help of Keiko’s notes.
B
Keiko confronts Amaya directly, which leads to Amaya apologizing.
C
Amaya hands the papers back to Keiko and promises to tell the teacher.
D
Keiko catches Amaya in the act, but Amaya denies any wrongdoing.
E
Amaya blames Keiko for making it hard to live up to Keiko’s reputation.
2
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Read the passage from "By the Waters of Babylon.”After a while, I knew that my belly was hungry. I could have hunted for my meat, but I did not hunt. It is known that the gods did not hunt as we do—they got their food from enchanted boxes and jars. Sometimes these are still found in the Dead Places—once, when I was a child and foolish, I opened such a jar and tasted it and found the food sweet. But my father found out and punished me for it strictly, for, often, that food is death. Now, though, I had long gone past what was forbidden, and I entered the likeliest towers, looking for the food of the gods.I found it at last in the ruins of a great temple in the mid-city. A mighty temple it must have been, for the roof was painted like the sky at night with its stars—that much I could see, though the colors were faint and dim. It went down into great caves and tunnels—perhaps they kept their slaves there. But when I started to climb down, I heard the squeaking of rats, so I did not go—rats are unclean, and there must have been many tribes of them, from the squeaking. But near there, I found food, in the heart of a ruin, behind a door that still opened. I ate only the fruits from the jars—they had a very sweet taste.

A
When the narrator decides not to hunt, he recognizes that the rules of the gods were better than the rules of his people.
B
When the narrator enters the temple, he recognizes that he no longer fears the gods, regardless of what the rules of his people say.
C
When the narrator avoids the rats, he realizes that he is going against the teachings of his people, but also doing what is necessary for his survival.
D
When the narrator decides to ignore his father’s words and eat the food of the gods, he realizes that he is learning to make his own choices.
3

Read the passage from "By the Waters of Babylon.”Then I saw the dead god. He was sitting in his chair, by the window, in a room I had not entered before and, for the first moment, I thought that he was alive. Then I saw the skin on the back of his hand—it was like dry leather. The room was shut, hot and dry—no doubt that had kept him as he was. At first I was afraid to approach him—then the fear left me. He was sitting looking out over the city—he was dressed in the clothes of the gods. His age was neither young nor old—I could not tell his age. But there was wisdom in his face and great sadness. You could see that he would have not run away. He had sat at his window, watching his city die—then he himself had died. But it is better to lose one's life than one's spirit—and you could see from the face that his spirit had not been lost. I knew, that, if I touched him, he would fall into dust—and yet, there was something unconquered in the face.

A
The narrator thinks that the gods are weak for having died like humans.
B
The narrator feels a greater fear than before, now that he has seen a dead god.
C
The narrator would have run away if he had been in the place of the god.
D
The narrator has learned to respect the gods, even in death, rather than fear them.
4

Read the passage from "By the Waters of Babylon.”When I woke, the sun was low. Looking down from where I lay, I saw a dog sitting on his haunches. His tongue was hanging out of his mouth; he looked as if he were laughing. He was a big dog, with a gray-brown coat, as big as a wolf. I sprang up and shouted at him but he did not move—he just sat there as if he were laughing. I did not like that. When I reached for a stone to throw, he moved swiftly out of the way of the stone. He was not afraid of me; he looked at me as if I were meat. No doubt I could have killed him with an arrow, but I did not know if there were others. Moreover, night was falling.

A
The narrator expresses sympathy toward the coyote because of its living situation.
B
The narrator feels embarrassed because the coyote seems to be mocking him.
C
The narrator remains calm and levelheaded as he tries to flee from the coyote.
D
The narrator becomes paranoid and fearful of the coyote as he considers how to protect himself.
5

Read the passage from "By the Waters of Babylon.”When I saw my father again, I prayed and was purified. He touched my lips and my breast, he said, "You went away a boy. You come back a man and a priest." I said, "Father, they were men! I have been in the Place of the Gods and seen it! Now slay me, if it is the law—but still I know they were men."He looked at me out of both eyes. He said, "The law is not always the same shape—you have done what you have done. I could not have done it my time, but you come after me. Tell!"

A
“When I saw my father again, I prayed and was purified”
B
“You went away a boy. You came back a man and a priest”
C
“Now slay me, if it is the law—but still I know they were men”
D
“I could not have done it my time, but you come after me”
6

How do conflicts throughout a story most affect the plot?

A
Conflicts help describe settings and characters in great detail.
B
Conflicts are a way to share characters’ thoughts and feelings.
C
Conflicts are used to introduce the resolution of the story.
D
Conflicts lead to more plot events as well as character reactions.
7

Read the passage from "By the Waters of Babylon.”Nevertheless, we make a beginning. It is not for the metal alone we go to the Dead Places now—there are the books and the writings. They are hard to learn. And the magic tools are broken—but we can look at them and wonder. At least, we make a beginning. And, when I am chief priest we shall go beyond the great river. We shall go to the Place of the Gods—the place newyork—not one man but a company. We shall look for the images of the gods and find the god ASHING and the others—the gods Lincoln and Biltmore and Moses. But they were men who built the city, not gods or demons. They were men. I remember the dead man's face. They were men who were here before us. We must build again.

A
"They were men. I remember the dead man's face."
B
"At least, we make a beginning."
C
“And the magic tools are broken—but we can look at them and wonder.”
D
“But they were men who built the city, not gods or demons.”
8

Read the passage from "By the Waters of Babylon.”Now I tell what is very strong magic. I woke in the midst of the night. When I woke, the fire had gone out and I was cold. It seemed to me that all around me there were whisperings and voices. I closed my eyes to shut them out. Some will say that I slept again, but I do not think that I slept. I could feel the spirits drawing my spirit out of my body as a fish is drawn on a line.Why should I lie about it? I am a priest and the son of a priest. If there are spirits, as they say, in the small Dead Places near us, what spirits must there not be in that great Place of the Gods? And would not they wish to speak? After such long years? I know that I felt myself drawn as a fish is drawn on a line. I had stepped out of my body—I could see my body asleep in front of the cold fire, but it was not I. I was drawn to look out upon the city of the gods.

A
The narrator takes control of his spirit by using his priesthood.
B
The narrator accepts that his spirit is being drawn out of his body.
C
The narrator acts passively to the removal of his spirit because he is in denial.
D
The narrator questions whether his spirit was really drawn from his body or if he imagined it.
9

Read the passage from "By the Waters of Babylon.”Why should I lie about it? I am a priest and the son of a priest. If there are spirits, as they say, in the small Dead Places near us, what spirits must there not be in that great Place of the Gods? And would not they wish to speak? After such long years? I know that I felt myself drawn as a fish is drawn on a line. I had stepped out of my body—I could see my body asleep in front of the cold fire, but it was not I. I was drawn to look out upon the city of the gods.

A
Sons must try to follow their fathers.
B
Men strive to speak to the spirit world.
C
Maturity is a result of being courageous.
D
Spiritual experiences can lead to greater understanding.
10

Read the passage from "By the Waters of Babylon.”Then I saw their fate come upon them and that was terrible past speech. It came upon them as they walked the streets of their city. I have been in the fights with the Forest People—I have seen men die. But this was not like that. When gods war with gods, they use weapons we do not know. It was fire falling out of the sky and a mist that poisoned. It was the time of the Great Burning and the Destruction. They ran about like ants in the streets of their city—poor gods, poor gods! Then the towers began to fall. A few escaped—yes, a few. The legends tell it. But, even after the city had become a Dead Place, for many years the poison was still in the ground. I saw it happen, I saw the last of them die. It was darkness over the broken city and I wept.

A
Advances in technology can lead to devastation.
B
War is an unfortunate but necessary path to growth.
C
Those who come before us determine the future.
D
Coming of age requires risk-taking and bravery.

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