When writers adapt their writing, they should adapt it to
When adapting a Shakespearean speech for a modern audience, what should the writer focus on changing? Choose three answers.common nouns and verbsfigurative words and phrasesmodern slangunfamiliar or outdated wordsunusual syntax
Read the excerpt from Act IV, scene iii of Romeo and Juliet.Juliet: Farewell! God knows when we shall meet again. I have a faint cold fear thrills through my veins, That almost freezes up the heat of life:
connotationsdenotationsfigurative languageliteral meaning
Read the excerpt from Act II, scene ii of Romeo and Juliet.Juliet: Well, do not swear. Although I joy in thee,I have no joy of this contract to-night:It is too rash, too unadvis’d, too sudden;Too like the lightning, which doth cease to beEre one can say it lightens.
Read the passage from Romeo and Juliet, Act I, Scene v.Benvolio: Away, be gone; the sport is at the best.Now read the adaptation.Benvolio: Let’s go; the best part of the party is over.
Read the dialogue from Act I, scene iv of Romeo and Juliet.Romeo: Is love a tender thing? it is too rough,Too rude, too boisterous; and it pricks like thorn.
The feeling, attitude, or mood created by a text is called the text’s
Read the excerpt from Act I, scene v of Romeo and Juliet.Romeo: What lady is that which doth enrich the handOf yonder knight?Now read the adaptation.Romeo: Who is that lady that knight is stuck with?
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