Which of these were challenges in England during the fifteenth and sixteenth centuries? Select 3 options.
Read the excerpt from Act III of Hamlet.For who would bear the whips and scorns of time, The oppressor’s wrong, the proud man’s contumely, The pangs of dispriz’d love, the law’s delay, The insolence of office, and the spurns That patient merit of the unworthy takes, When he himself might his quietus make With a bare bodkin?
Read the passage from Hamlet, Act III, Scene iv.Gertrude: What wilt thou do? thou wilt not murder me? Help, help, ho!Polonius: [Behind.] What, ho! help! help! help!Hamlet: [Draws.] How now! a rat? Dead, for a ducat, dead! [Makes a pass through the arras.]Polonius: [Behind.] O! I am slain.Gertrude: O me! what hast thou done?Hamlet: Nay, I know not: is it the king?Gertrude: O! what a rash and bloody deed is this!
Read the excerpt from The Time Traveler's Guide to Elizabethan England.There is no concept of "health and safety" in Elizabethan England, so you will inevitably feel vulnerable when you arrive. Nauseating smells and sights will assail your senses; contemporary standards of cleanliness will worry you. People die every day from unknown ailments, the young as often as the old. Infectious diseases periodically kill thousands within a few weeks. Even when plague is not in town, it lurks as an anxiety in the back of people’s minds and, when it does strike, their worry turns to terror. On top of the illnesses, the chances of being attacked and hurt are much higher than in the modern world, and workplace injuries are far more common.
Read this conclusion.When people carelessly discard plastic, the world’s oceans suffer. Marine life must share space with water bottles and sandwich bags. Sea creatures often mistake plastic waste for food, and they suffer dire consequences. Do not contribute to this growing problem.
Which phrases provide clues that sepulchre means "grave”? Choose three answers.
Read the excerpt from "An Image of Africa: Racism in Conrad’s Heart of Darkness.”The earth seemed unearthly. We are accustomed to look upon the shackled form of a conquered monster, but there—there you could look at a thing monstrous and free. It was unearthly, and the men were—No, they were not inhuman. Well, you know, that was the worst of it—this suspicion of their not being inhuman. It would come slowly to one. They howled and leaped, and spun, and made horrid faces; but what thrilled you was just the thought of their humanity—like yours—the thought of your remote kinship with this wild and passionate uproar.Read the passage from Frank Willett, a British art historian.Gauguin had gone to Tahiti, the most extravagant individual act of turning to a non-European culture in the decades immediately before and after 1900, when European artists were avid for new artistic experiences, but it was only about 1904–5 that African art began to make its distinctive impact. One piece is still identifiable; it is a mask that had been given to Maurice Vlaminck in 1905. He records that Derain was "speechless" and "stunned" when he saw it, bought it from Vlaminck and in turn showed it to Picasso and Matisse, who were also greatly affected by it. Ambroise Vollard then borrowed it and had it cast in bronze . . . The revolution of twentieth century art was under way!
Read the haiku by Buson.Lighting the lantern—the yellow chrysanthemumslose their color.
Which words contain an affix? Select 4 options.strengthunhappyinchwormrereadrestlesscomfortable
Which details from the excerpt provide more information about Shelley’s idea that poetry "makes immortal all that is best and most beautiful in the world”? Select 3 options.
Read the sentences.The wind whipped the branches into a frenzy. It looked like the tree was doing a crazy dance.
Which sentence uses a subjective pronoun correctly?
Read the excerpt from The Republic by Plato. But is war an art so easily acquired that a man may be a warrior who is also a husbandman, or shoemaker, or other artisan; although no one in the world would be a good dice or draught player who merely took up the game as a recreation, and had not from his earliest years devoted himself to this and nothing else? No tools will make a man a skilled workman, or master of defence, nor be of any use to him who has not learned how to handle them, and has never bestowed any attention upon them.
How does the play-within-a-play in Act III of Hamlet represent Elizabethan drama?
A reader using a historical lens to analyze a text will be most concerned with
Read the excerpt from Utopia by Sir Thomas More.So it is everywhere the common course of life amongst all mechanics except the Utopians: but they, dividing the day and night into twenty-four hours, appoint six of these for work, three of which are before dinner and three after; they then sup, and at eight o’clock, counting from noon, go to bed and sleep eight hours: the rest of their time, besides that taken up in work, eating, and sleeping, is left to every man’s discretion.
Read the sentence.The brash seagull swooped over the divers before they plunged into the water.
Read the excerpt from Act II of Hamlet.Guildenstern: Which dreams, indeed, are ambition, for the very substance of the ambitious is merely the shadow of a dream.Hamlet: A dream itself is but a shadow.Rosencrantz: Truly, and I hold ambition of so airy and light a quality that it is but a shadow’s shadow.
Read the excerpt from Pride and Prejudice by Jane Austen.The manner in which they spoke of the Meryton assembly was sufficiently characteristic. Bingley had never met with pleasanter people or prettier girls in his life; every body had been most kind and attentive to him, there had been no formality, no stiffness, he had soon felt acquainted with all the room; and as to Miss Bennet, he could not conceive an angel more beautiful. Darcy, on the contrary, had seen a collection of people in whom there was little beauty and no fashion, for none of whom he had felt the smallest interest, and from none received either attention or pleasure. Miss Bennet he acknowledged to be pretty, but she smiled too much.
Read the passage.Contemporary historian Ian Mortimer showcases his historical expertise in the nonfiction book The Time Traveler’s Guide to Elizabethan England. Other people have created monotonous historical essays, but Mortimer has written an amusing and engrossing book.
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