Read the excerpt from Julius Caesar, act 1, scene 2.CASCA. Why, there was a crown offered him: and beingoffered him, he put it by with the back of his hand,thus; and then the people fell a-shouting.230BRUTUS. What was the second noise for?CASCA. Why, for that too.CASSIUS. They shouted thrice. What was the last cry for?CASCA. Why, for that too.BRUTUS. Was the crown offered him thrice?235CASCA. Ay, marry, was’t; and he put it by thrice, everytime gentler than other; and at every putting by,mine honest neighbours shouted.
Which details should be included in a paraphrase of the passage? Select three options.
Read the excerpt from "The Role of Social Media in the Arab Uprisings" by Heather Brown, Emily Guskin, and Amy Mitchell.Now, research is emerging that reexamines in a more detailed way the role that social media played in the Arab uprisings.In July 2012 a report was published by the United States Institute of Peace based on an extensive content analysis of bit.ly links from the uprisings in Tunisia, Egypt, Libya, and Bahrain. Bit.ly links, or short URLs, are predominantly used in social media such as Twitter. The authors came to some conclusions that countered the initial assumption that social media was a causal mechanism in the uprisings.Instead, the study suggests that the importance of social media was in communicating to the rest of the world what was happening on the ground during the uprisings.
Read the excerpt from "A Genetics of Justice” by Julia Alvarez.My mother must have been intrigued. She knew nothing of the horrid crimes of the dictatorship, for her parents were afraid to say anything—even to their own children—against the regime. So, as a young girl, my mother must have thought of El Jefe as a kind of movie star. She must have wanted to meet the great man.
Examine the public service ad.

When analyzing an argument, which element should you identify first?
Read the sentence from an interpretive literary analysis.Amy Tan describes Jing-mei's mother's efforts to get her to become a prodigy: "I soon found out why Old Chong had retired from teaching piano. He was deaf."
Read the excerpt from "A Genetics of Justice” by Julia Alvarez.My father and mother were once again trapped in a police state. They laid low as best they could. Now that they had four young daughters, they could not take any chances. For a while, that spark which has almost cost my father his life and which he had lighted in my mother seemed to have burnt out. Periodically, Trujillo would demand a tribute, and they would acquiesce. A tax, a dummy vote, a portrait on the wall. To my father and other men in the country, the most humiliating of these tributes was the occasional parade in which women were made to march and turn their heads and acknowledge the great man as they passed the review stand.
Read Mireille's rebuttal to the counterclaim that Bob Dylan's lyrics cannot be considered literature.Although it is true that Bob Dylan is primarily a songwriter, I consider his lyrics to be just as good as any poetry.
Which statements provide the best evidence to support his claim? Select two options.
Which ideas from the excerpt would be most appropriate to include in a summary? Select two options.
Read the passage from act 5, scene 3, of The Tragedy of Julius Caesar.[TITINIUS.] Why didst thou send me forth, brave Cassius?Did I not meet thy friends, and did not theyPut on my brows this wreath of victory,And bid me give it thee? Didst thou not hear their shouts?Alas, thou hast misconstrued everything!But hold thee, take this garland on thy brow. Thy Brutus bid me give it thee, and IWill do his bidding. Brutus, come apace,And see how I regarded Caius Cassius.By your leave, gods,—this is a Roman’s part:Come, Cassius’ sword, and find Titinius’ heart.
Which evidence from the text supports the conclusion that Cassius and Brutus have reconciled? Select two options.
Read the two excerpts from act 3, scene 2, of Julius Caesar.SECOND PLEBEIAN. Peace, silence! Brutus speaks.FIRST PLEBEIAN. Peace, ho!BRUTUS. Good countrymen, let me depart alone,And, for my sake, stay here with Antony.Do grace to Caesar’s corpse, and grace his speechTending to Caesar’s glories, which Mark Antony,By our permission, is allowed to make.I do entreat you, not a man departSave I alone till Antony have spoke.[Exit]SECOND PLEBEIAN. Most noble Caesar! We’ll revenge his death.THIRD PLEBEI
Read the excerpt from act 2, scene 1, of Julius Caesar.BRUTUS. Our course will seem too bloody, Caius Cassius,To cut the head off and then hack the limbs,Like wrath in death and envy afterwards—For Antony is but a limb of Caesar.Let us be sacrificers, but not butchers, Caius.We all stand up against the spirit of Caesar,And in the spirit of men there is no blood.O, that we then could come by Caesar’s spirit,And not dismember Caesar! But, alas,Caesar must bleed for it. And, gentle friends,Let’s kill him boldly, but not wrathfully.Let’s carve him as a dish fit for the gods,Not hew him as a carcass fit for hounds.And let our hearts, as subtle masters do,Stir up their servants to an act of rage,And after seem to chide 'em. This shall makeOur purpose necessary, and not envious;Which so appearing to the common eyes,We shall be called purgers, not murderers.And for Mark Antony, think not of him,For he can do no more than Caesar’s armWhen Caesar’s head is off.
Read the excerpt from act 2, scene 1, of The Tragedy of Julius Caesar.BRUTUS. It must be by his death: and for my part I know no personal cause to spurn at himBut for the general. He would be crowned:How that might change his nature, there's the question.It is the bright day that brings forth the adder,And that craves wary walking. Crown him that, And then I grant we put a sting in himThat at his will he may do danger with.Th' abuse of greatness is when it disjoinsRemorse from power. And to speak truth of Caesar,I have not known when his affections swayed More than his reason. But 'tis a common proofThat lowliness is young ambition’s ladder,Whereto the climber-upward turns his face;But when he once attains the upmost round,He then unto the ladder turns his back, Looks in the clouds, scorning the base degreesBy which he did ascend. So Caesar may.Then lest he may, prevent. And since the quarrelWill bear no colour for the thing he is,Fashion it thus: that what he is, augmented, Would run to these and these extremities;And therefore think him as a serpent's eggWhich, hatched, would as his kind grow mischievous,And kill him in the shell.
In a play, which element related to theme is introduced in act 1, built up in act 2, and resolved in act 3?
Read the excerpt from act 5, scene 1, of Julius Caesar.MESSENGER. Prepare you, generals.The enemy comes on in gallant show.Their bloody sign of battle is hung out,And something to be done immediately.ANTONY. Octavius, lead your battle softly on,Upon the left hand of the even field.OCTAVIUS. Upon the right hand, I; keep thou the left.
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