Other Costs of Buying a Home — Unit test Answers

Read the excerpt from Early Victorian Tea Set.In the eighteenth century Josiah Wedgwood had made some of the most expensive stoneware ceramics – in jasper and basalt – in Britain, but this tea set shows that by the 1840s, when Wedgwood produced it, the company was aiming at a much wider market. This is quite clearly mid-range pottery, simple earthenware of a sort that many quite modest British households were then able to afford. But the owners of this particular set must have had serious social aspirations, because all three pieces have been decorated with a drape of lacy hallmarked silver.

Read the excerpt from Early Victorian Tea Set.Among the upper classes, tea had been popular since before 1700. It received celebrity endorsement from Charles II’s queen, Catherine of Braganza, and from Queen Anne. It came from China, it was expensive, refreshingly bitter and drunk in tiny cups without milk or sugar. People kept their tea in locked tea caddies, as if it were a drug; for those who could afford it, it often was. In the 1750s Samuel Johnson confessed himself a happy addict:A hardened and shameless tea drinker, who has for twenty years diluted his meals with only the infusion of this fascinating plant, whose kettle scarcely has time to cool, who with Tea amuses the evening, with Tea solaces the midnights, and with Tea welcomes the morning.

Look at the picture of John Harrison painted by artist Philippe Joseph Tassaert.

Which line would be best to include in a summary of "Early Victorian Tea Set”?

Read the excerpt from "Early Victorian Tea Set.”But a loving, tranquil cup of tea has a violent hinterland. When all tea came into Europe from China, the British East India Company traded opium for silver and used that silver to buy tea. The trade was so important that it brought the two countries to war. The first of the conflicts, which we still refer to as the Opium Wars – they were in fact just as much about tea – broke out more or less as our teapot was leaving the Wedgwood factory. Partly because of these difficulties with China, in the 1830s the British set up plantations in the area around Calcutta and Indian tea was exempted from import duty to encourage demand.

What type of context clue offers information about the function, features, or appearance of an unfamiliar word?

What factors affect an author’s viewpoint? Select 4 options.the author’s knowledgethe author’s publisherthe author’s opinionthe author’s worldviewthe author’s experiencethe author’s illustrations

Read the excerpt from A History of the World in 100 Objects. Power is usually not willingly given, but forcefully taken; and in both Europe and America the nineteenth century was punctuated by political protest, with periodic revolutions on the continent, the Civil War in America and, in Britain, a steady struggle to widen the suffrage.

Read the excerpt from A History of the World in 100 Objects.This object has on it the image of a king, but this particular example has been appropriated by women – disfigured by a slogan as an act of female protest against the laws of the state. It is a British penny with King Edward VII in elegant profile, but his image has been defaced in what was then a criminal act. Stamped all over the king’s head in crude capitals are the words VOTES FOR WOMEN.

Read the excerpt from "Benin Plaque: The Oba with Europeans” and consider the accompanying photo.There are several hundred Benin plaques now in European and American museums, and they offer us a remarkable picture of the structure of this West African kingdom. Their main subject is the glorification of the Oba and of his prowess as a hunter and soldier, but they also tell us how the people of Benin saw their first European trading partners.

Read the excerpt from "Hokusai's The Great Wave.”So The Great Wave, far from being the quintessence of Japan, is a hybrid work, a fusion of European materials and conventions with a Japanese sensibility. No wonder this image has been so loved in Europe: it is an exotic relative, not a complete stranger.It also, I think, shows a peculiarly Japanese ambivalence. As a viewer, you have no place to stand, no footing. You too must be in a boat, under the Great Wave, and in danger. The dangerous sea over which European things and ideas travelled has, however, been drawn with a profound ambiguity.

Read the paragraph.Each year between April and October, millions of baseball fans head out to fields across America to watch their favorite teams compete against each other. But how and when did baseball become recognized as the national sport of the United States?

In the future, which method of communication will be considered culturally significant as a representation of the 2020s?

Read the excerpt from "Ship's Chronometer from HMS Beagle."These were enormous and belief-shattering ideas for many people in the nineteenth century, but time was also changing in a much more day-to-day, or rather hour-to-hour, way. Thanks to clockmakers like Earnshaw, precise and reliable clocks and watches became ever more affordable. Before long the whole of Britain was running by the clock, and the measurement of time had been severed from the natural cycle of days and seasons. The clock ruled every aspect of life – shops and schools, pleasure and work. As Charles Dickens wrote, ‘There was even railway time observed in clocks, as if the sun itself had given in.’

What does pausing before a certain word in the middle of a sentence provide for the listener?

When do listeners benefit from listening? Select three options.when the narrator emphasizes key wordswhen they analyze text features on their ownwhen the narrator pauses for effectwhen they reread text for claritywhen sound effects are used

Read the excerpt from A History of the World in 100 Objects.The drum was found by Kitchener’s army near Khartoum after the Anglo-Egyptian reconquest of the city. Once again it was re-carved – or re-branded – to make a political statement: near the tail of the bush calf Kitchener added the emblem of the British Crown. It was then presented to Queen Victoria.

Read the excerpt from "Benin Plaque: The Oba with Europeans.”Many wild theories were put forward. It was thought that the plaques must have come from ancient Egypt, or perhaps that the people of Benin were one of the lost tribes of Israel. Or the sculptures must have derived from European influence (after all, these were the contemporaries of Michelangelo, Donatello and Cellini). But research quickly established that the Benin plaques were entirely West African creations, made without European influence. The Europeans had to revisit, and to overhaul, their assumptions of easy cultural superiority.

Read the excerpt from "Hokusai's The Great Wave.”Hokusai has taken more than colour from the West – he has also borrowed the conventions of European perspective to push Mount Fuji far into the distance. It is clear that Hokusai must have studied European prints, which the Dutch had imported into Japan and which circulated among artists and collectors. So The Great Wave, far from being the quintessence of Japan, is a hybrid work, a fusion of European materials and conventions with a Japanese sensibility. No wonder this image has been so loved in Europe: it is an exotic relative, not a complete stranger.

Read the excerpt from A History of the World in 100 Objects.The process of redefining the British political nation was a slow one. It began in the 1820s, and by the 1880s roughly 60 per cent of the male population had the right to vote – but no women. The campaign for women's suffrage had begun shortly after the Great Reform Act of 1832, but the battle only really got going at the start of the twentieth century, when the suffragette movement was born and with it a new level of female assertiveness, indeed violence. Here are the words of Dame Ethel Smyth, who composed the song ‘March of the Women’, which was a battle hymn of the suffragettes.