Evaluating an Argument - Quiz Quiz Answers

Which sentences would be effective thesis statements for a paragraph evaluating an argument? Choose two correct answers.

What is the function of a claim in an argument?

What elements should be included in a paragraph that evaluates a writer’s argument? Choose three correct answers.

Which claims are supported by relevant evidence? Choose two correct answers.

This question has two parts. First, answer Part 1. Then, answer Part 2. Part 1 Read the excerpt from “Dylan's Nobel prize settles debate: Rock lyrics are poetry.” Bob Dylan is the songwriter who opened up the doors of possibility to all who followed. He was the mysterious bard with a guitar who sent out a clarion call - first as the acoustic Voice of His Generation, then as the plugged-in rocker who remained a master of the unexpected for five decades - that the words pop singers sang were worthy of being taken seriously. “Dylan was a revolutionary,” Bruce Springsteen said in his 1988 speech inducting Dylan into the Rock and Roll Hall of Fame. “The way that Elvis freed your body, Bob freed your mind.” Early masterpieces such as “A Hard Rain’s A-Gonna Fall” and “Visions Of Johanna” and “Like A Rolling Stone” fueled a debate: Are rock lyrics poetry? The answer must be yes, because on Thursday, Dylan was awarded the highest honor for a writer: the Nobel Prize in literature. The Swedish Academy, in making him the first American winner since novelist Toni Morrison in 1993, cited him for "having created new poetic expressions within the great American song tradition.” Which statement best summarizes the author’s claim?

Part 2 Which sentence best supports the correct answer to Part 1?

What would be the best thesis statement for an evaluation of Dan DeLuca's argument in "Dylan's Nobel Prize Settles Debate: Rock Lyrics Are Poetry"?

Read this excerpt from Ani's evaluation of Dan DeLuca's argument in his article "Dylan's Nobel Prize Settles Debate: Rock Lyrics Are Poetry." DeLuca offers a haphazard patchwork of reasoning and evidence that leaves the reader wondering whether he believes his own claim. He remains focused on Dylan's body of work, quoting not only supporters of the Nobel committee's choice, but also detractors. DeLuca also includes a liberal sampling of Dylan's song lyrics, but he largely leaves them to speak for themselves. What evidence from the article best supports Ani’s evaluation? Choose two correct answers.

Which option presents a complete and effective evaluation of Dan DeLuca's argument in his article "Dylan's Nobel Prize Settles Debate: Rock Lyrics Are Poetry"?

Which statement would best conclude an evaluation of Dan DeLuca's argument in "Dylan's Nobel Prize Settles Debate: Rock Lyrics Are Poetry"?

This question has two parts. First, answer Part 1. Then, answer Part 2. Part 1 Read the excerpt from “Dylan's Nobel prize settles debate: Rock lyrics are poetry.” Many of Dylan’s most fervently loved songs - some of which actually are love songs - date from the 1960s, and his being honored at age 75 can be seen as an ultimate affirmation for the baby boomer generation. There was a movie about the Beatles in theaters this fall, and now Dylan has won the Nobel Prize. They have lasted. On one end of Dylan's songwriting spectrum is the vengeful, resolute, and timeless “Masters Of War,” which he sang last weekend in his slot opening for the Rolling Stones at the Desert Trip festival-otherwise known as “Oldchella” - in Indio, Calif. It’s high dudgeon at its finest: “Let me ask you one question: Is your money that good? / Will it buy you forgiveness? Do you think that it could? / I think you will find when your death takes its toll / All the money you made will never buy back your soul.” On the other end are Dylan’s love songs, some of them also vengeful, such as "Don’t Think Twice, It’s Alright” (from 1963‘s The Freewheelin’ Bob Dylan) or “Idiot Wind” (from 1975‘s brilliant Blood On The Tracks), or morose, like “Love Sick,” from the 1997’s late career tour de force Time Out Of Mind. A personal favorite is the uncharacteristically tender and humble “To Ramona,” from 1964’s Another Side Of Bob Dylan. “Ramona come closer, shut softly your watery eyes / The pangs of your sadness will pass as your sense will rise / The flowers of the city, though breathlike, get deathlike at times / Though there’s no use in trying to deal with the dying / Though I cannot explain that in lines.” Dylan is of course enormously influential. Springsteen, who referred to him as “The Father Of My Country” in his new Born To Run memoir, is one of many who were once known as “New Dylans.” Every singer songwriter with a personal story to tell owes him a debt, and hearing the above lines read or sung aloud, with their knack for internal rhyme, call up inevitable parallels to the dense playful language of rap. Which statement summarizes the author’s claim in these paragraphs?