Experiencing and Reliving Vietnam Answers

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1
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Which best describes the central conflict in “Ambush”?

A
The narrator is bothered by the fact that he lied to his daughter.
B
The narrator is haunted by the experience of killing another man.
C
The narrator is tormented by the grave dangers he once faced.
D
The narrator is frustrated by the empty assurances of Kiowa.
2
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Which excerpt from “Ambush” best reflects the story’s central conflict?

A
He was a short, slender young man of about twenty.
B
I had already pulled the pin on a grenade.
C
Almost certainly the young man would have passed me by.
D
Sometime I forgive myself, other times I don’t.
3

Which pair of sentences from “Ambush” best reflects that a flashback, or a shift in time, has occurred?

A
She knew about the war; she knew I’d been a soldier. “You keep writing these war stories,” she said, “so I guess you must’ve killed somebody.”
B
Even now, I haven’t finished sorting it out. Sometime I forgive myself, other times I don’t.
C
When she was, nine, my daughter Kathleen asked if I had ever killed anyone.I reached out and found three grenades and lined them up in front of me; the pins had already been straightened for quick throwing.
D
I did not hate the young man; I did not see him as the enemy; I did not ponder issues of morality or politics or military duty. I crouched and kept my head low.
4

In the story “Ambush,” what is revealed to the reader through the frame-story structure?

A
The narrator is never able to discuss the event with his fellow troops.
B
The narrator feels deep regret that he did not tell his daughter the truth.
C
The narrator continues to feel haunted by the events in Vietnam.
D
The narrator has been able to forgive himself for what happened.
5

How does the author’s use of free verse allow him to effectively express his feelings about the memorial in the poem “Facing It”?

A
The use of free verse allows him to use personification.
B
The use of free verse allows him to use a traditional rhyme scheme.
C
The use of free verse allows him to use similes and metaphors.
D
The use of free verse allows him to use unconventional rhythm.
6

Which best describes a theme of both “Ambush” and “Facing It”?

A
Even people who have experienced brutal events have hope for the future.
B
Only by telling the truth can people be absolved of the guilt they feel.
C
Soldiers were not given enough respect during the Vietnam War.
D
War and violence leave a lasting impact on people, especially soldiers.
7

The first paragraph of “Ambush” contains a conversation that takes place

A
before the narrator killed a man in Vietnam.
B
before the birth of the narrator’s daughter.
C
after the narrator’s experiences in the Vietnam War.
D
after the narrator told his daughter the truth about war.
8

In “Ambush,” which line signals the beginning of the narrative within the frame story?

A
When she was nine, my daughter Kathleen asked if I had ever killed anyone.
B
“You keep writing these war stories,” she said, “so I guess you must’ve killed somebody.”
C
It was a difficult moment, but I did what seemed right, which was to say, “Of course not,” and then to take her onto my lap and hold her for a while.
D
He was a short, slender young man of about twenty.
9

Read the excerpt from “Ambush.” He was a short, slender young man of about twenty. I was afraid of him—afraid of something—and as he passed me on the trail I threw a grenade that exploded at his feet and killed him.The excerpt is an example of

A
flashback, because the narrator is remembering a conversation with his daughter.
B
flashback, because the narrator is recalling an event that occurred during the Vietnam war.
C
frame story, because the narrator is describing an action that he deeply regrets.
D
frame story, because the narrator is explaining why he feels he must tell his daughter what he did.
10

Which element is used in both “Ambush” and “Facing It” to create tension and conflict?

A
the minimal use of descriptive words
B
the addition of several fictional elements
C
the conflicted thoughts of the narrators
D
the insertion of frequent flashbacks

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