Exploring Cultural Identity through Language - Quiz Quiz Answers

Read the excerpt from “Take the Tortillas Out of Your Poetry.” In other cases, the censoring has been direct and brutal. On February 28, 1981 the morning newspaper carried a story about the burning of my novel, Bless Me, Ultima . The book was banned from high school classes in Bloomfield, New Mexico, and a school board member was quoted as saying: “We took the books out and personally saw that they were burned.” Which best describes the rhetorical appeal used to illustrate the destructive nature of censorship?

Read the excerpt from “Take the Tortillas Out of Your Poetry.” For me, reading has always been a path toward liberation and fulfillment. To learn to read is to start down the road of liberation, a road which should be accessible to everyone. No one has the right to keep you from reading, and yet that is what is happening in many areas in this country today. There are those who think they know best what we should read. These censors are at work in all areas of our daily lives. Which best describes the rhetoric used in this excerpt to increase the reader’s awareness of censorship?

Read the excerpt from “Take the Tortillas Out of Your Poetry.” In other cases, the censoring has been direct and brutal. On February 28, 1981 the morning newspaper carried a story about the burning of my novel, Bless Me, Ultima . The book was banned from high school classes in Bloomfield, New Mexico, and a school board member was quoted as saying: “We took the books out and personally saw that they were burned.” Which best describes the rhetorical appeal used to illustrate the destructive nature of censorship?

Read the excerpts from “Take the Tortillas Out of Your Poetry” and “Speaking Arabic.” My friend had concluded that if he took his language and culture out of his poetry, he stood a better chance of receiving a fellowship. He took out his native language, the poetic patois of our reality, the rich mixture of Spanish, English, pachuco and street talk which we know so well. In other words, he took the tortillas out of his poetry, which is to say he took the soul out of his poetry. At a neighborhood fair in Texas, somewhere between the German Oom-pah Sausage Stand and the Mexican Gorditas booth, I overheard a young man say to his friend, “I wish I had a heritage. Sometimes I feel—so lonely for one.” And the tall American trees were dangling their thick branches right down over his head. Which best states how the structures of both excerpts engage the reader?

Read the excerpt from “Take the Tortillas Out of Your Poetry.” I do not believe we should have to leave out the crucial elements of our language and culture to contribute to American literature, but, unfortunately, this is a conclusion I am forced to reach. I have been writing for a quarter century, and have been a published author for eighteen years. As a writer, I was part of the Chicano Movement which created a new literature in this country. Which type of rhetoric is used most in the excerpt to convince readers that Anaya’s conclusion is accurate?

Read the excerpt from “Take the Tortillas Out of Your Poetry.” For me, reading has always been a path toward liberation and fulfillment. To learn to read is to start down the road of liberation, a road which should be accessible to everyone. No one has the right to keep you from reading, and yet that is what is happening in many areas in this country today. There are those who think they know best what we should read. These censors are at work in all areas of our daily lives. Which best describes the rhetoric used in this excerpt to increase the reader’s awareness of censorship?

Read the excerpt from “Take the Tortillas Out of Your Poetry.” For me, reading has always been a path toward liberation and fulfillment. To learn to read is to start down the road of liberation, a road which should be accessible to everyone. No one has the right to keep you from reading, and yet that is what is happening in many areas in this country today. There are those who think they know best what we should read. These censors are at work in all areas of our daily lives. Which type of rhetoric is used most in this excerpt to convince readers that censors have unjust motives?

Read the excerpt from “Take the Tortillas Out of Your Poetry.” In other cases, the censoring has been direct and brutal. On February 28, 1981 the morning newspaper carried a story about the burning of my novel, Bless Me, Ultima . The book was banned from high school classes in Bloomfield, New Mexico, and a school board member was quoted as saying: “We took the books out and personally saw that they were burned.” Which best describes how Anaya effectively uses rhetorical appeal to convince readers that censorship is a tool of the powerful?

Read the excerpt from “Take the Tortillas Out of Your Poetry.” My friend had concluded that if he took his language and culture out of his poetry, he stood a better chance of receiving a fellowship. He took out his native language, the poetic patois of our reality, the rich mixture of Spanish, English, pachuco and street talk which we know so well. In other words, he took the tortillas out of his poetry, which is to say he took the soul out of his poetry. Which best explains how Anaya’s text structure establishes his voice in the excerpt?

Read the excerpts from “Take the Tortillas Out of Your Poetry” and “Speaking Arabic.” My friend had concluded that if he took his language and culture out of his poetry, he stood a better chance of receiving a fellowship. He took out his native language, the poetic patois of our reality, the rich mixture of Spanish, English, pachuco and street talk which we know so well. In other words, he took the tortillas out of his poetry, which is to say he took the soul out of his poetry. At a neighborhood fair in Texas, somewhere between the German Oom-pah Sausage Stand and the Mexican Gorditas booth, I overheard a young man say to his friend, “I wish I had a heritage. Sometimes I feel—so lonely for one.” And the tall American trees were dangling their thick branches right down over his head. Which best states how the structures of both excerpts engage the reader?

Read the excerpts from “Take the Tortillas Out of Your Poetry” and “Speaking Arabic.” My friend had concluded that if he took his language and culture out of his poetry, he stood a better chance of receiving a fellowship. He took out his native language, the poetic patois of our reality, the rich mixture of Spanish, English, pachuco and street talk which we know so well. In other words, he took the tortillas out of his poetry, which is to say he took the soul out of his poetry. At a neighborhood fair in Texas, somewhere between the German Oom-pah Sausage Stand and the Mexican Gorditas booth, I overheard a young man say to his friend, “I wish I had a heritage. Sometimes I feel—so lonely for one.” And the tall American trees were dangling their thick branches right down over his head. Which best states how the structures of the excerpts are similar?

Read the excerpt from “Take the Tortillas Out of Your Poetry.” I do not believe we should have to leave out the crucial elements of our language and culture to contribute to American literature, but, unfortunately, this is a conclusion I am forced to reach. I have been writing for a quarter century, and have been a published author for eighteen years. As a writer, I was part of the Chicano Movement which created a new literature in this country. Which type of rhetoric is used most in the excerpt to convince readers that Anaya’s conclusion is accurate?

Read the excerpt from “Take the Tortillas Out of Your Poetry.” In other cases, the censoring has been direct and brutal. On February 28, 1981 the morning newspaper carried a story about the burning of my novel, Bless Me, Ultima . The book was banned from high school classes in Bloomfield, New Mexico, and a school board member was quoted as saying: “We took the books out and personally saw that they were burned.” Which best describes the rhetorical appeal used to illustrate the destructive nature of censorship?

Read the excerpt from “Take the Tortillas Out of Your Poetry.” For me, reading has always been a path toward liberation and fulfillment. To learn to read is to start down the road of liberation, a road which should be accessible to everyone. No one has the right to keep you from reading, and yet that is what is happening in many areas in this country today. There are those who think they know best what we should read. These censors are at work in all areas of our daily lives. Which best describes the rhetoric used in this excerpt to increase the reader’s awareness of censorship?

Read the excerpt from “Take the Tortillas Out of Your Poetry.” I do not believe we should have to leave out the crucial elements of our language and culture to contribute to American literature, but, unfortunately, this is a conclusion I am forced to reach. I have been writing for a quarter century, and have been a published author for eighteen years. As a writer, I was part of the Chicano Movement which created a new literature in this country. Which best describes how Anaya effectively uses rhetoric in the excerpt to convince readers that his conclusion is justified?

Read the excerpts from “Take the Tortillas Out of Your Poetry” and “Speaking Arabic.” My friend had concluded that if he took his language and culture out of his poetry, he stood a better chance of receiving a fellowship. He took out his native language, the poetic patois of our reality, the rich mixture of Spanish, English, pachuco and street talk which we know so well. In other words, he took the tortillas out of his poetry, which is to say he took the soul out of his poetry. At a neighborhood fair in Texas, somewhere between the German Oom-pah Sausage Stand and the Mexican Gorditas booth, I overheard a young man say to his friend, “I wish I had a heritage. Sometimes I feel—so lonely for one.” And the tall American trees were dangling their thick branches right down over his head. Which best states how the structures of the excerpts are similar?

Read the excerpt from “Take the Tortillas Out of Your Poetry.” For me, reading has always been a path toward liberation and fulfillment. To learn to read is to start down the road of liberation, a road which should be accessible to everyone. No one has the right to keep you from reading, and yet that is what is happening in many areas in this country today. There are those who think they know best what we should read. These censors are at work in all areas of our daily lives. Which type of rhetoric is used most in this excerpt to convince readers that censors have unjust motives?

Read the excerpts from “Take the Tortillas Out of Your Poetry” and “Speaking Arabic.” My friend had concluded that if he took his language and culture out of his poetry, he stood a better chance of receiving a fellowship. He took out his native language, the poetic patois of our reality, the rich mixture of Spanish, English, pachuco and street talk which we know so well. In other words, he took the tortillas out of his poetry, which is to say he took the soul out of his poetry. At a neighborhood fair in Texas, somewhere between the German Oom-pah Sausage Stand and the Mexican Gorditas booth, I overheard a young man say to his friend, “I wish I had a heritage. Sometimes I feel—so lonely for one.” And the tall American trees were dangling their thick branches right down over his head. Which best states how the structures of the excerpts are similar?

Read the excerpts from “Take the Tortillas Out of Your Poetry” and “Speaking Arabic.” My friend had concluded that if he took his language and culture out of his poetry, he stood a better chance of receiving a fellowship. He took out his native language, the poetic patois of our reality, the rich mixture of Spanish, English, pachuco and street talk which we know so well. In other words, he took the tortillas out of his poetry, which is to say he took the soul out of his poetry. At a neighborhood fair in Texas, somewhere between the German Oom-pah Sausage Stand and the Mexican Gorditas booth, I overheard a young man say to his friend, “I wish I had a heritage. Sometimes I feel—so lonely for one.” And the tall American trees were dangling their thick branches right down over his head. Which structural element is used in the excerpt by Anaya but not in the excerpt by Nye?

Read the excerpt from “Take the Tortillas Out of Your Poetry.” I do not believe we should have to leave out the crucial elements of our language and culture to contribute to American literature, but, unfortunately, this is a conclusion I am forced to reach. I have been writing for a quarter century, and have been a published author for eighteen years. As a writer, I was part of the Chicano Movement which created a new literature in this country. Which type of rhetoric is used most in the excerpt to convince readers that Anaya’s conclusion is accurate?

Read the excerpts from “Take the Tortillas Out of Your Poetry” and “Speaking Arabic.” My friend had concluded that if he took his language and culture out of his poetry, he stood a better chance of receiving a fellowship. He took out his native language, the poetic patois of our reality, the rich mixture of Spanish, English, pachuco and street talk which we know so well. In other words, he took the tortillas out of his poetry, which is to say he took the soul out of his poetry. At a neighborhood fair in Texas, somewhere between the German Oom-pah Sausage Stand and the Mexican Gorditas booth, I overheard a young man say to his friend, “I wish I had a heritage. Sometimes I feel—so lonely for one.” And the tall American trees were dangling their thick branches right down over his head. Which structural element is used in the excerpt by Anaya but not in the excerpt by Nye?

Read the excerpt from “Take the Tortillas Out of Your Poetry.” My friend had concluded that if he took his language and culture out of his poetry, he stood a better chance of receiving a fellowship. He took out his native language, the poetic patois of our reality, the rich mixture of Spanish, English, pachuco and street talk which we know so well. In other words, he took the tortillas out of his poetry, which is to say he took the soul out of his poetry. Which best explains how Anaya’s text structure establishes his voice in the excerpt?

Read the excerpts from “Take the Tortillas Out of Your Poetry” and “Speaking Arabic.” My friend had concluded that if he took his language and culture out of his poetry, he stood a better chance of receiving a fellowship. He took out his native language, the poetic patois of our reality, the rich mixture of Spanish, English, pachuco and street talk which we know so well. In other words, he took the tortillas out of his poetry, which is to say he took the soul out of his poetry. At a neighborhood fair in Texas, somewhere between the German Oom-pah Sausage Stand and the Mexican Gorditas booth, I overheard a young man say to his friend, “I wish I had a heritage. Sometimes I feel—so lonely for one.” And the tall American trees were dangling their thick branches right down over his head. Which best states how the structures of both excerpts engage the reader?

Read the excerpt from “Take the Tortillas Out of Your Poetry.” In other cases, the censoring has been direct and brutal. On February 28, 1981 the morning newspaper carried a story about the burning of my novel, Bless Me, Ultima . The book was banned from high school classes in Bloomfield, New Mexico, and a school board member was quoted as saying: “We took the books out and personally saw that they were burned.” Which best describes how Anaya effectively uses rhetorical appeal to convince readers that censorship is a tool of the powerful?

Read the excerpt from “Take the Tortillas Out of Your Poetry.” I do not believe we should have to leave out the crucial elements of our language and culture to contribute to American literature, but, unfortunately, this is a conclusion I am forced to reach. I have been writing for a quarter century, and have been a published author for eighteen years. As a writer, I was part of the Chicano Movement which created a new literature in this country. Which best describes how Anaya effectively uses rhetoric in the excerpt to convince readers that his conclusion is justified?

Read the excerpt from “Take the Tortillas Out of Your Poetry.” I do not believe we should have to leave out the crucial elements of our language and culture to contribute to American literature, but, unfortunately, this is a conclusion I am forced to reach. I have been writing for a quarter century, and have been a published author for eighteen years. As a writer, I was part of the Chicano Movement which created a new literature in this country. Which best describes how Anaya effectively uses rhetoric in the excerpt to convince readers that his conclusion is justified?

Read the excerpt from “Take the Tortillas Out of Your Poetry.” For me, reading has always been a path toward liberation and fulfillment. To learn to read is to start down the road of liberation, a road which should be accessible to everyone. No one has the right to keep you from reading, and yet that is what is happening in many areas in this country today. There are those who think they know best what we should read. These censors are at work in all areas of our daily lives. Which type of rhetoric is used most in this excerpt to convince readers that censors have unjust motives?

Read the excerpt from “Take the Tortillas Out of Your Poetry.” In other cases, the censoring has been direct and brutal. On February 28, 1981 the morning newspaper carried a story about the burning of my novel, Bless Me, Ultima . The book was banned from high school classes in Bloomfield, New Mexico, and a school board member was quoted as saying: “We took the books out and personally saw that they were burned.” Which best describes how Anaya effectively uses rhetorical appeal to convince readers that censorship is a tool of the powerful?

Read the excerpt from “Take the Tortillas Out of Your Poetry.” My friend had concluded that if he took his language and culture out of his poetry, he stood a better chance of receiving a fellowship. He took out his native language, the poetic patois of our reality, the rich mixture of Spanish, English, pachuco and street talk which we know so well. In other words, he took the tortillas out of his poetry, which is to say he took the soul out of his poetry. Which best explains how Anaya’s text structure establishes his voice in the excerpt?