In his adaptation of Hamlet, Jonathan Price plays both Hamlet and the ghost. Which methods might Jonathan Price use to make it clear to the audience that he is playing both characters? Choose three answers.
Read the excerpt from Act III of Hamlet.Thus conscience does make cowards of us all; And thus the native hue of resolution Is sicklied o’er with the pale cast of thought, And enterprises of great pith and moment With this regard their currents turn awry, And lose the name of action
Read the excerpt from Act III of Hamlet. Hamlet: To be, or not to be: that is the question: Whether ’tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them? To die: to sleep; No more; and, by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to, ’tis a consummation Devoutly to be wish’d. To die, to sleep; To sleep: perchance to dream: ay, there’s the rub; For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause
Read the excerpt from Act III of Hamlet.To die, to sleep; To sleep: perchance to dream: ay, there’s the rub; For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause.
How does an adaptation where the ghost and Hamlet are played by the same actor differ from an adaptation where the ghost and Hamlet are played by two separate actors?
Read the excerpt from Act III of Hamlet. Hamlet: To be, or not to be: that is the question: Whether ’tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them? To die: to sleep; No more; and, by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to, ’tis a consummation Devoutly to be wish’d. To die, to sleep; To sleep: perchance to dream: ay, there’s the rub; For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause.
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Which best describes a change an adaptation would make if Hamlet was set in modern times?
Read the excerpt from Act III of Hamlet.. . . who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover’d country from whose bourn No traveller returns, puzzles the will, And makes us rather bear those ills we have Than fly to others that we know not of?
Take a look at these images from Sir Laurence Olivier’s adaptation of Hamlet.

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