What line from Act III of Hamlet supports the conclusion that Shakespeare is critical of actors?
Read the excerpt from Act III of Hamlet.Hamlet: Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue; but if you mouth it, as many of your players do, I had as lief the town-crier spoke my lines. Nor do not saw the air too much with your hand, thus; but use all gently: for in the very torrent, tempest, and—as I may say—whirlwind of passion, you must acquire and beget a temperance, that may give it smoothness. O! it offends me to the soul to hear a robustious periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings, who for the most part are capable of nothing but inexplicable dumb-shows and noise: I would have such a fellow whipped for o’er-doing Termagant; it out-herods Herod: pray you, avoid it.
How are Shakespeare’s characters examples of Elizabethan drama? Select two answers.They are variations on familiar Biblical figures.They grow and change throughout the play.They display a wide range of human emotion.They represent a single allegorical concept.They express their reverence for Christian saints.
Read the excerpt from the play within a play in Act III of Hamlet.Player Queen:O! confound the rest; Such love must needs be treason in my breast: In second husband let me be accurst; None wed the second but who kill’d the first.Hamlet:[Aside.] Wormwood, wormwood.Player Queen:The instances that second marriage move, Are base respects of thrift, but none of love; A second time I kill my husband dead, When second husband kisses me in bed.
Which statement best describes why Shakespeare’s Hamlet is a complex character?
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