Read this description of Phippsburg from Lizzie Bright and the Buckminster Boy . So [Turner] went on toward the sea. He passed the yellow-shuttered house, half wishing that Mrs. Hurd were on the porch. He passed the picket fence of Mrs. Cobb's, steering as clear of it as if it were the wall of Jericho about to fall. He kept his face to the sea breeze as the line of white houses at the end of Parker Head sputtered, revived in a solid row, and finally gave out and let the road twist by itself up into cedars. Turner held himself to a slow walk, his hands politely out of his pockets. (Who knew if Mrs. Cobb might still be watching him from some murky spot where dark things lurked?) But as he climbed into the thicket of trees and the air grew cooler, and as the road thinned to a path, and as the cedars gave way to birches, then aspens, then pines, Turner felt as though he were taking off the black robes that enveloped his father. What aspect of Phippsburg contributes to Turner’s internal conflict at this point in the story?
Read the excerpt from Lizzie Bright and the Buckminster Boy . "Gentlemen," said Reverend Buckminster slowly, "there clearly are real dangers I had not anticipated." He looked at Turner, and Turner saw in his eyes—distrust. "Perhaps the Lord is leading you in your efforts. And if so, then what else could the minister of First Congregational say but that he is with you in this?" "That, Reverend, is what we came to ask," said Mr. Stonecrop. "And it will not be long before Phippsburg is free from this sordidness, and we can start to rebuild ourselves. Someday soon, the settlement on Malaga Island will be no more. What conflict is developing in this excerpt?
Which is an example of external conflict in Lizzie Bright and the Buckminster Boy ?
Which best describes Turner’s conflict with himself at the end of Lizzie Bright and the Buckminster Boy ?
At the end of Lizzie Bright and the Buckminster Boy , why does Reverend Buckminster side with the Phippsburg townspeople against the people of Malaga Island?
At which point does the author develop the conflict between the people of Phippsburg and those of Malaga Island in Lizzie Bright and the Buckminster Boy ?
In Lizzie Bright and the Buckminster Boy , which setting detail makes the Phippsburg townspeople most nervous about allowing African Americans to stay on Malaga Island?
Read the excerpts from Lizzie Bright and the Buckminster Boy. Excerpt 1: Turner shifted the pail of clams to his other hand, and they followed the curve of the beach past the schoolhouse—the trimmest building on the island—past more shingled one-room homes . . . Excerpt 2: "We tried educating them. We built a school and hired a teacher, all at the town's expense. But that didn't do a single bit of good. . . . There will be those in town who insist that we should keep the school up, that we should spend even more money than we have from the town treasury on other schemes well-intentioned but foolish.” The schoolhouse reveals that the story takes place in the distant past because it is
Read the excerpt from Lizzie Bright and the Buckminster Boy. And that was how Lizzie saw him as she came up the coast: his back to her, wearing a white shirt fit for glory, throwing rocks up into the air and swinging at them with a piece of driftwood If she had figured he had come for a place to breathe, she might have been more understanding—even if she had wondered about him some. If she had figured he was absolutely and completely crazy, she would have let him be. But as far as she knew, he was standing with his left leg forward on her shore, in a place where she had come to clam and to breathe. It was as if he were telling her to move on. And she had had enough of that. How does the setting in this excerpt contribute to Lizzie’s internal conflict?
Read the excerpt from Lizzie Bright and the Buckminster Boy. Together they climbed up to the center of the island, where the trees were thick and high. She showed him the graves, and they stood quietly together and were careful where they set their feet. Then back up the shore and to the south end of the island, where shingled one- and two-room houses clamped themselves to the rocks like oysters, glad to be there and not needing anyone's say-so. In front of almost all of them was a dory or two, some overturned, some pulled up long ago for caulking or patching. Near them, half-moon lobster traps bleached under the heat of the sun, the salt dried to white streaks along their boards, their rope netting stiff and a bit ragged. High dune grass hid the paths up to the houses—in fact, almost hid the chopping block one man was using to split his cordwood. Which details of the setting hint that the story takes place long ago? Choose three correct answers.
Read the excerpt from Lizzie Bright and the Buckminster Boy. "It's not his fault, Reverend," said Mr. Stonecrop smoothly. "It's not his fault at all. That's how they are. They're sly and crafty, making out all the time that they're dumb. But they're thinking, thinking, plotting, plotting. Here's the minister's son, they think, and if we can just get him on our side, we'll get the minister. And if we get the minister, we get the church. And if we get the church—you see how it goes. That's how they used your son. And it wasn't the old Preacher Griffin that they sent out to you, boy, was it? No, sir. It wasn't the old preacher. Why don't you go on ahead and tell your father who you were with today." "Lizzie." Mr. Stonecrop builds a case against the people of Malaga Island by
Did you find these answers helpful?