Which details of daily life in coastal Maine hint that the story takes place in a past era? Select two answers.
Read the excerpt from Lizzie Bright and the Buckminster Boy.[Mr. Stonecrop] draped his arm around Turner's shoulders and drew him in, into his strength and power and presence. Turner felt as if he were moving in close to a mountain. But when he looked up into Mr. Stonecrop's face, he shuddered. Mr. Stonecrop was laughing, and his mouth was pulled into a grin, but his eyes were as dead as marbles, almost as if there were nothing behind them. He was like someone out of a ghost story, and Turner tried to draw away.
Read the excerpt from Lizzie Bright and the Buckminster Boy."Gentlemen," said Reverend Buckminster slowly, "there clearly are real dangers I had not anticipated." He looked at Turner, and Turner saw in his eyes—distrust. "Perhaps the Lord is leading you in your efforts. And if so, then what else could the minister of First Congregational say but that he is with you in this?""That, Reverend, is what we came to ask," said Mr. Stonecrop. "And it will not be long before Phippsburg is free from this sordidness, and we can start to rebuild ourselves. Someday soon, the settlement on Malaga Island will be no more.
A conflict is a struggle between forces in a story.
At which point does the author develop the conflict between the people of Phippsburg and those of Malaga Island in Lizzie Bright and the Buckminster Boy?
Read this description of Phippsburg from Lizzie Bright and the Buckminster Boy.So [Turner] went on toward the sea. He passed the yellow-shuttered house, half wishing that Mrs. Hurd were on the porch. He passed the picket fence of Mrs. Cobb's, steering as clear of it as if it were the wall of Jericho about to fall. He kept his face to the sea breeze as the line of white houses at the end of Parker Head sputtered, revived in a solid row, and finally gave out and let the road twist by itself up into cedars.Turner held himself to a slow walk, his hands politely out of his pockets. (Who knew if Mrs. Cobb might still be watching him from some murky spot where dark things lurked?) But as he climbed into the thicket of trees and the air grew cooler, and as the road thinned to a path, and as the cedars gave way to birches, then aspens, then pines, Turner felt as though he were taking off the black robes that enveloped his father.
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At the end of Lizzie Bright and the Buckminster Boy, why does Reverend Buckminster side with the Phippsburg townspeople against the people of Malaga Island?
Read the excerpt from Lizzie Bright and the Buckminster Boy.And that was when Turner suddenly knew that he was late for dinner, that Reverend Buckminster would be figuring that he'd fallen into some rocky chasm or drowned in the sea, or worse yet, that he'd come up with some other way to embarrass the new minister. And he figured that when he showed up alive after all, his father would stand on the porch and look at him in a way that said Turner would never be the kind of son he had hoped for—it
Read the excerpt from Lizzie Bright and the Buckminster Boy."It's not his fault, Reverend," said Mr. Stonecrop smoothly. "It's not his fault at all. That's how they are. They're sly and crafty, making out all the time that they're dumb. But they're thinking, thinking, plotting, plotting. Here's the minister's son, they think, and if we can just get him on our side, we'll get the minister. And if we get the minister, we get the church. And if we get the church—you see how it goes. That's how they used your son. And it wasn't the old Preacher Griffin that they sent out to you, boy, was it? No, sir. It wasn't the old preacher. Why don't you go on ahead and tell your father who you were with today.""Lizzie."
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Historical Context and Conflict in Lizzie Bright and the Buckminster Boy, Part 1
8.1 Historical Context and Conflict in Lizzie Bright and the Buckminster Boy, Part 1
Historical Context and Conflict in Lizzie Bright and the Buckminster Boy, Part 1