AnswersIS11100 CA-English 11 09Latin American Magic Realist Voices

Latin American Magic Realist Voices Answers

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Draya is a student who does not understand the following sentence from Dreaming in Cuban.She reads the newspapers page by page for leftist conspiracies, jams her finger against imagined evidence and says, “See. What did I tell you?”Which previous segment should Draya reread to make the excerpt easier to understand?

A
I take all my money out of the bank, $120, money I earned slaving away at my mother’s bakery, and buy a one-way bus ticket to Miami.
B
Mom tried to pull me away but I clung to the Abuela and screamed at the top of my lungs.
C
I was only two years old when I left Cuba but I remember everything that’s happened to me since I was a baby, even word-for-word conversations.
D
Mom says “Communist” the way some people says “cancer,” low and fierce. ✓ Correct
2
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Read the excerpt from Cristina Garcia’s Dreaming in Cuban.Lourdes considers herself lucky. Immigration has redefined her, and she is grateful. Unlike her husband, she welcomes her adopted language, its possibilities for reinvention. Lourdes relishes winter most of all—the cold scraping sounds on sidewalks and windshields, the ritual of scarves and gloves, hats and zip-in coat linings. Its layers protect her. She wants no part of Cuba, no part of its wretched carnival floats creaking with lies, no part of Cuba at all, which Lourdes claims never possessed her.Which sentence is an example of magic realism?

A
Unlike her husband, she welcomes her adopted language, its possibilities for reinvention.
B
Lourdes relishes winter most of all—the cold scraping sounds on sidewalks and windshields, the ritual of scarves and gloves, hats and zip-in coat linings.
C
Its layers protect her.
D
She wants no part of Cuba, no part of its wretched carnival floats creaking with lies, no part of Cuba at all, which Lourdes claims never possessed her.
3

What is the advantage of reading from three different perspectives in Cristina Garcia’s Dreaming in Cuban?

I
It breaks up the narrative and prevents the plot line from becoming bogged down in one particular place or time.
I
It allows the writer to experiment with a variety of different writing styles, as every speaker sounds distinctively different.
T
The different perspectives underscore the larger idea that immigrants or exiles must shed their native traditions.
I
It provides the reader with multiple perspectives on the Cuban Revolution and on the differences between life in Cuba and exile in the US.
4

Read the excerpt from Cristina Garcia’s Dreaming in Cuban.My mother says that Abuela Celia’s had plenty of chances to leave Cuba but that she’s stubborn and got her head turned around by El Líder. Mom says “Communist” the way some people says “cancer,” low and fierce.Which element from this excerpt best characterizes Garcia’s story as one of magic realism?

A
linking the words “communist” and “cancer”
B
presenting the idea of leaving Cuba as an extraordinary event
C
using El Líder as an additional narrator from Cuba
D
connecting Celia with Latin American history ✓ Correct
5

Look at the diagram.This diagram is best used for helping a reader

Question illustration
A
relate personally to a text.
B
define hard vocabulary words in a text.
C
monitor comprehension of a text.
D
better understand the theme of a text.
6

Read the two excerpts about Jorge del Pino from Dreaming in Cuban.Excerpt 1: My grandfather came running and said, “Celia, let the girl go. She belongs with Lourdes.” Excerpt 2: “Pilar doesn’t hate you, hija. She just hasn’t learned to love you yet.”Which statement best synthesizes the ideas in these two excerpts?

A
Jorge understands that mother-daughter relationships can be complex.
B
Jorge values his relationship with his daughter more than the one with his wife.
C
Jorge wants more than anything to build a closer relationship with his granddaughter.
D
Jorge wants his family to value their Cuban background and stay together.
7

I was only two years old when I left Cuba but I remember everything that’s happened to me since I was a baby, even word-for-word conversations. I was sitting in my grandmother’s lap, playing with her drop pearl earrings, when my mother told her we were leaving the country. Abuela Celia called her a traitor to the revolution. Mom tried to pull me away but I clung to the Abuela and screamed at the top of my lungs. My grandfather came running and said, “Celia, let the girl go. She belongs with Lourdes.” This was the last time I saw her.

I
It uses several narrators to provide conflicting points of view.
I
It provides characterization for Celia as it reveals her physical appearance.
I
It uses a flashback to reveal the difficult relationship between Lourdes and Celia.
I
It includes dialogue to indicate that the characters in the nonfiction account are real people.
8

Which sentence from Cristina Garcia’s Dreaming in Cuban is an example of magic realism?

A
Abuela Celia and I write to each other sometimes, but mostly I hear her speaking to me at night just before I fall asleep.
A
At night, especially in the summer when the sound carries, I hear the low whistles of the ships as they leave New York harbor.
L
Lourdes imagines these pieces, broken and bruised in unspeakable places, on piers and in alleyways, drifting down the river to the sea.
O
One girl left with a broken leg after slipping on a bar of soap Pilar dropped while the nanny was bathing her in the sink.
9

Which complex narrative structure is underutilized by Cristina Garcia in Dreaming in Cuban?

A
the attention given to presenting the work as fiction
B
the use of unconventional textual features
C
the representation of several narrators
D
the manipulation of the chronological order of events
10

Read the excerpt from Cristina Garcia’s Dreaming in Cuban.If it were up to me, I’d record other things. Like the time there was a freak hailstorm in the Congo and the women took it as a sign that they should rule . . . Why don’t I know anything about them? Who chooses what we should know or what’s important? I know I have to decide these things for myself. Most of what I’ve learned that’s important I’ve learned on my own, or from my grandmother.What does the excerpt reveal about Cristina Garcia?

A
Her background in journalism has made the writing of realistic fiction more difficult for her.
B
Her background in journalism has helped her research and use realistic details in her fiction.
C
Her background in journalism has prevented her from using magic realism in her fiction.
D
Her background in journalism has caused her to become an efficient and thorough editor.

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