Read the excerpt from "A Defence of Poetry.”And this springs from the nature itself of language, which is a more direct representation of the actions and passions of our internal being, and is susceptible of more various and delicate combinations, than colour, form, or motion, and is more plastic and obedient to the control of that faculty of which it is the creation. For language is arbitrarily produced by the imagination and has relation to thoughts alone; but all other materials, instruments and conditions of art, have relations among each other, which limit and interpose between conception and expression.
Read the first stanza from "Mutability.”We are as clouds that veil the midnight moon;How restlessly they speed, and gleam, and quiver, Streaking the darkness radiantly!—yet soon Night closes round, and they are lost for ever
Read the fourth stanza from "Mutability.”It is the same!—For, be it joy or sorrow, The path of its departure still is free: Man’s yesterday may ne’er be like his morrow; Nought may endure but Mutability.
Which statements best describe how "Mutability” reflects the idea in this excerpt? Select 2 options.
Read the excerpt from "A Defence of Poetry.”These and corresponding conditions of being are experienced principally by those of the most delicate sensibility and the most enlarged imagination; and the state of mind produced by them is at war with every base desire. The enthusiasm of virtue, love, patriotism, and friendship, is essentially linked with such emotions; and whilst they last, self appears as what it is, an atom to a universe. Poets are not only subject to these experiences as spirits of the most refined organization, but they can colour all that they combine with the evanescent hues of this ethereal world; a word, a trait in the representation of a scene or a passion, will touch the enchanted chord, and reanimate, in those who have ever experienced these emotions, the sleeping, the cold, the buried image of the past.
Read the passages."A Defence of Poetry”Poetry thus makes immortal all that is best and most beautiful in the world; it arrests the vanishing apparitions which haunt the interlunations of life, and veiling them, or in language or in form, sends them forth among mankind."Mutability”We are as clouds that veil the midnight moon;How restlessly they speed, and gleam, and quiver,Streaking the darkness radiantly!—yet soonNight closes round, and they are lost for everHow does the first stanza of "Mutability” reflect the idea expressed in this excerpt from "A Defence of Poetry”?
Read the second stanza from "Mutability.”Or like forgotten lyres, whose dissonant strings Give various response to each varying blast, To whose frail frame no second motion brings One mood or modulation like the last.
Read the excerpt from "A Defence of Poetry.”A poem is the very image of life expressed in its eternal truth. There is this difference between a story and a poem, that a story is a catalogue of detached facts, which have no other connexion than time, place, circumstance, cause and effect; the other is the creation of actions according to the unchangeable forms of human nature, as existing in the mind of the Creator, which is itself the image of all other minds.
Read the excerpt from "A Defence of Poetry,”We are aware of evanescent visitations of thought and feeling sometimes associated with place or person, sometimes regarding our own mind alone, and always arising unforeseen and departing unbidden.
In "A Defence of Poetry,” Shelley suggests that thoughts and feelings in life are "always arising unforeseen and departing unbidden.” Which lines from "Mutability” also reflect the idea that life is fleeting?
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