Read the passage from "Two Kinds.” She walked over and stood in front of the TV. I saw her chest was heaving up and down in an angry way. "No!” I said, and I now felt stronger, as if my true self had finally emerged. So this was what had been inside me all along. "No! I won’t!” I screamed. She yanked me by the arm, pulled me off the floor, snapped off the TV. She was frighteningly strong, half pulling, half carrying me toward the piano as I kicked the throw rugs under my feet. She lifted me up and onto the hard bench. I was sobbing by now, looking at her bitterly. Her chest was heaving even more and her mouth was open, smiling crazily as if she were pleased I was crying. "You want me to be something that I’m not!” I sobbed. "I’ll never be the kind of daughter you want me to be!” "Only two kinds of daughters,” she shouted in Chinese. "Those who are obedient and those who follow their own mind! Only one kind of daughter can live in this house. Obedient daughter!” Which statement best explains the motivation for the actions of the narrator’s mother?
Read the excerpt from Pygmalion and Galatea by Josephine Preston Peabody. He drew near in wonder and delight, and felt, instead of the chill air that was wont to wake him out of his spell, a gentle warmth around her, like the breath of a plant. He touched her hand, and it yielded like the hand of one living! Doubting his senses, yet fearing to reassure himself, Pygmalion kissed the statue. In an instant the maiden’s face bloomed like a waking rose, her hair shone golden as returning sunlight; she lifted her ivory eyelids and smiled at him. The statue herself had awakened, and she stepped down from the pedestal, into the arms of her creator, alive! There was a dream that came true. Read the excerpt from Pygmalion by George Bernard Shaw. LIZA: [defiantly non-resistant]. . . . Aha! Now I know how to deal with you. What a fool I was not to think of it before! You can’t take away the knowledge you gave me. You said I had a finer ear than you. And I can be civil and kind to people, which is more than you can. Aha! That’s done you, Henry Higgins, it has. Now I don’t care that [snapping her fingers] for your bullying and your big talk. I’ll advertize it in the papers that your duchess is only a flower girl that you taught, and that she’ll teach anybody to be a duchess just the same in six months for a thousand guineas. Oh, when I think of myself crawling under your feet and being trampled on and called names, when all the time I had only to lift up my finger to be as good as you, I could just kick myself. HIGGINS: [wondering at her]. . . . By George, Eliza, I said I’d make a woman of you; and I have. I like you like this. LIZA: Yes: you turn round and make up to me now that I’m not afraid of you, and can do without you. How does Eliza differ from Galatea in these excerpts?
Read the passage from "Marriage Is a Private Affair” by Chinua Achebe. "I shall never see her,” was the reply. From that night the father scarcely spoke to his son. He did not, however, cease hoping that he would realize how serious was the danger he was heading for. Day and night he put him in his prayers. Nnaemeka, for his own part, was very deeply affected by his father’s grief. But he kept hoping that it would pass away. If it had occurred to him that never in the history of his people had a man married a woman who spoke a different tongue, he might have been less optimistic. "It has never been heard,” was the verdict of an old man speaking a few weeks later. In that short sentence he spoke for all of his people. This man had come with others to commiserate with Okeke when news went round about his son’s behaviour. By that time the son had gone back to Lagos. "It has never been heard,” said the old man again with a sad shake of his head. "What did Our Lord say?” asked another gentleman. "Sons shall rise against their fathers; it is there in the Holy Book.” "It is the beginning of the end,” said another. How does this passage reinforce the traditional social hierarchy?
Read the passage from "Marriage Is a Private Affair” by Chinua Achebe. This passage is a conversation between a father named Okeke and his adult son, Nnaemeka. In the passage, Okeke speaks first. "Whose daughter is she, anyway?” "She is Nene Atang.” "What!” All the mildness was gone again. "Did you say Neneataga, what does that mean?” "Nene Atang from Calabar. She is the only girl I can marry.” This was a very rash reply and Nnaemeka expected the storm to burst. But it did not. His father merely walked away into his room. This was most unexpected and perplexed Nnaemeka. His father’s silence was infinitely more menacing than a flood of threatening speech. That night the old man did not eat. When he sent for Nnaemeka a day later he applied all possible ways of dissuasion. But the young man’s heart was hardened, and his father eventually gave him up as lost. "I owe it to you, my son, as a duty to show you what is right and what is wrong. Whoever put this idea into your head might as well have cut your throat. It is Satan’s work.” He waved his son away. Which statement best describes how Nnaemeka challenges patriarchy?
Read the sentence. The English poet and playwright William Shakespeare was born in Stratford-upon-Avon in the mid-1500s. Which terms describe the underlined portion of the sentence? Choose three correct answers.
What is the definition of perspective?
Which motivators are examples of extrinsic motivation? Choose three correct answers.
Amira is writing a literary analysis of Amy Tan's "Two Kinds," Maxine Hong Kingston's The Woman Warrior , and Jade Snow Wong’s Fifth Chinese Daughter . Which thesis statement is the most effective?
How are prefixes and suffixes alike? Choose two correct answers.
Which most likely helps you infer a character’s perspective?
Which sentence includes a nonrestrictive clause?
Read the definitions. bio = life anthrop = human micro- = small meteoro = high in the air -logy = study of Which word is spelled correctly?
In an interpretive literary essay, what is the purpose of commentary in body paragraphs?
Read the poem "Sonnet in Primary Colors” by Rita Dove. How does this poem resemble an Elizabethan sonnet?
Read the stanza from "Sonnet in Primary Colors” by Rita Dove. Each night she lay down in pain and rose to the celluloid butterflies of her Beloved Dead, Lenin and Marx and Stalin arrayed at the footstead. And rose to her easel, the hundred dogs panting like children along the graveled walks of the garden, Diego’s love a skull in the circular window of the thumbprint searing her immutable brow. How does the underlined figurative language contribute to the meaning of the poem?
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