This question has two parts. First, answer Part 1. Then, answer Part 2. Part 1 Read the excerpt from “Dylan's Nobel prize settles debate: Rock lyrics are poetry.” Many of Dylan’s most fervently loved songs - some of which actually are love songs - date from the 1960s, and his being honored at age 75 can be seen as an ultimate affirmation for the baby boomer generation. There was a movie about the Beatles in theaters this fall, and now Dylan has won the Nobel Prize. They have lasted. On one end of Dylan's songwriting spectrum is the vengeful, resolute, and timeless “Masters Of War,” which he sang last weekend in his slot opening for the Rolling Stones at the Desert Trip festival-otherwise known as “Oldchella” - in Indio, Calif. It’s high dudgeon at its finest: “Let me ask you one question: Is your money that good? / Will it buy you forgiveness? Do you think that it could? / I think you will find when your death takes its toll / All the money you made will never buy back your soul.” On the other end are Dylan’s love songs, some of them also vengeful, such as "Don’t Think Twice, It’s Alright” (from 1963‘s The Freewheelin’ Bob Dylan) or “Idiot Wind” (from 1975‘s brilliant Blood On The Tracks), or morose, like “Love Sick,” from the 1997’s late career tour de force Time Out Of Mind. A personal favorite is the uncharacteristically tender and humble “To Ramona,” from 1964’s Another Side Of Bob Dylan. “Ramona come closer, shut softly your watery eyes / The pangs of your sadness will pass as your sense will rise / The flowers of the city, though breathlike, get deathlike at times / Though there’s no use in trying to deal with the dying / Though I cannot explain that in lines.” Dylan is of course enormously influential. Springsteen, who referred to him as “The Father Of My Country” in his new Born To Run memoir, is one of many who were once known as “New Dylans.” Every singer songwriter with a personal story to tell owes him a debt, and hearing the above lines read or sung aloud, with their knack for internal rhyme, call up inevitable parallels to the dense playful language of rap. Which statement summarizes the author’s claim in these paragraphs?