Read the excerpt from Act I of Hamlet. Bernardo: Who’s there? Francisco: Nay, answer me; stand, and unfold yourself. Which is the best adaptation of the underlined part of the excerpt?
Which statement best explains why Shakespeare alludes to Hecuba throughout Act II, Scene ii of Hamlet ?
Which is an example of a dependent clause?
Which sentence correctly uses a coordinating conjunction?
Read the excerpt from Act I of Hamlet . Bernardo: ’Tis now struck twelve; get thee to bed , Francisco. Francisco: For this relief much thanks; ’tis bitter cold, Which is the best adaptation of the underlined part of the excerpt?
A student analyzing the appearance of the ghost in Act I of Hamlet includes this sentence in the analysis. Death conquers everyone. The student identified a
Read the excerpt from Act I of Hamlet . Horatio: Our last king, Whose image even but now appear’d to us, Was, as you know, by Fortinbras of Norway, Thereto prick’d on by a most emulate pride, Dar’d to the combat; in which our valiant Hamlet— For so this side of our known world esteem’d him— Did slay this Fortinbras; who, by a seal’d compact, Well ratified by law and heraldry, Did forfeit with his life all those his lands To view the excerpt through a historical lens, which questions should the reader ask? Choose two correct answers.
Read the excerpt from Act I of Hamlet. Bernardo: ’ Tis now struck twelve ; get thee to bed, Francisco. What is the meaning of the underlined phrase?
Read the excerpt from Act III of Hamlet . Hamlet: Thus conscience does make cowards of us all; And thus the native hue of resolution Is sicklied o’er with the pale cast of thought, And enterprises of great pith and moment With this regard their currents turn awry, And lose the name of action. Which phrase from the excerpt most adds a tone of self-loathing to the speech?
Read the excerpt from Hamlet . Hamlet: The fair Ophelia! Nymph, in thy orisons Be all my sins remember’d.
apostrophe
Read the excerpt from an analysis of Hamlet’s "To be or not to be” speech in Act III of Hamlet . Shakespeare begins the speech with the line "To be, or not to be: that is the question” and then proceeds to ask multiple questions throughout the speech. When viewed through a formalist lens, the point of Shakespeare’s structure is to
Read the excerpt from Hamlet . Hamlet: Follow him, friends: we’ll hear a play to-morrow. [Exit POLONIUS, with all the Players but the First.] Dost thou hear me, old friend; can you play the Murder of Gonzago? First Player: Ay, my lord. Hamlet: We’ll ha ’t to-morrow night. You could, for a need, study a speech of some dozen or sixteen lines, which I would set down and insert in ’t, could you not? First Player: Ay, my lord. To make the First Player a complex character, Shakespeare would need to make him
Read the excerpt from Act II of Hamlet . Hamlet: I’ll observe his looks; I’ll tent him to the quick: if he but blench I know my course. The spirit that I have seen May be the devil: and the devil hath power To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy— As he is very potent with such spirits— Abuses me to damn me. I’ll have grounds More relative than this: the play’s the thing Wherein I’ll catch the conscience of the king. Which accurately and objectively summarizes the theme that is developed by Hamlet’s thought process in this passage?
Read the excerpt from Hamlet . Hamlet: No, faith, not a jot; but to follow him thither with modesty enough, and likelihood to lead it; as thus: Alexander died, Alexander was buried, Alexander returneth into dust; the dust is earth; of earth we make loam, and why of that loam, whereto he was converted, might they not stop a beer-barrel? Imperious Caesar, dead and turn’d to clay, Might stop a hole to keep the wind away Shakespeare makes allusions to the great rulers Alexander and Caesar to
Read the excerpt from Hamlet . Hamlet: Let me see.—[ Takes the skull .]—Alas! poor Yorick. I knew him, Horatio; a fellow of infinite jest, of most excellent fancy; he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! my gorge rises at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock your own grinning? Which analysis is most justified by the excerpt?
Read the excerpt from Act V of Hamlet . Gertrude: Sweets to the sweet: farewell! [ Scattering flowers .] I hop'd thou shouldst have been my Hamlet's wife; I thought thy bride-bed to have deck'd, sweet maid, And not have strew'd thy grave. Shakespeare included this plot event to help show that Gertrude, over the course of the play, has changed from
Read the excerpt from Act II of Hamlet . Ophelia: Alas! my lord, I have been so affrighted. Polonius: With what, in the name of God? Ophelia: My lord, as I was sewing in my closet, Lord Hamlet, with his doublet all unbrac'd; No hat upon his head; his stockings foul'd, Ungarter'd, and down-gyved to his ancle; Pale as his shirt; his knees knocking each other; And with a look so piteous in purport As if he had been loosed out of hell To speak of horrors, he comes before me. What is the most likely reason Shakespeare included this passage?
Which passage from Hamlet, Act II, Scene i is an example of setting?
Read the passage from Hamlet, Act IV, Scene v. Laertes: How came he dead? I’ll not be juggled with. To hell, allegiance! vows, to the blackest devil! Conscience and grace, to the profoundest pit! I dare damnation. To this point I stand, That both the worlds I give to negligence, Let come what comes; only I’ll be reveng’d Most throughly for my father. Based on the passage, which best describes how Laertes feels about his father’s death?
Read the excerpt from Act IV of Hamlet . Danes: [ Within .] Let her come in. Laertes: How now! what noise is that? Re-enter OPHELIA. O heat, dry up my brains! tears seven times salt, Burn out the sense and virtue of mine eye! By heaven, thy madness shall be paid by weight, Till our scale turn the beam. O rose of May! Dear maid, kind sister, sweet Ophelia! O heavens! is 't possible a young maid's wits Should be as mortal as an old man’s life? Nature is fine in love, and where 'tis fine It sends some precious instance of itself After the thing it loves. Which statement best describes how this plot event shapes Laertes?
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