Read the excerpt from act 1, scene 3, of Julius Caesar.[CASSIUS.] Now know you, Casca, I have moved alreadySome certain of the noblest-minded RomansTo undergo with me an enterpriseOf honourable dangerous consequence.And I do know by this, they stay for meIn Pompey’s Porch. For now this fearful nightThere is no stir or walking in the streets;And the complexion of the elementIn favour’s like the work we have in hand,Most bloody, fiery, and most terrible.
Which situation is an example of dramatic irony?
Read the excerpt from act 1, scene 3, of Julius Caesar.CASSIUS. Am I not stayed for? Tell me.CINNA. Yes, you are.O Cassius, if you couldBut win the noble Brutus to our party—CASSIUS. Be you content. Good Cinna, take this paperAnd look you lay it in the praetor’s chair,Where Brutus may but find it. And throw thisIn at his window. Set this up with waxUpon old Brutus’ statue. All this done,Repair to Pompey’s Porch, where you shall find us.Is Decius Brutus and Trebonius there?CINNA. All but Metellus Cimber, and he’s goneTo seek you at your house. Well, I will hie,And so bestow these papers as you bade me.CASSIUS. That done, repair to Pompey’s Theatre.
How does Cinna's request to get Brutus involved affect Cassius? Select two options.
Why do authors use causal relationships in plays? Select three options.
Read the excerpt from act 2, scene 1, of Julius Caesar.[BRUTUS.] Let us be sacrificers, but not butchers, Caius.We all stand up against the spirit of Caesar,And in the spirit of men there is no blood.O, that we then could come by Caesar’s spirit,And not dismember Caesar!Why is this passage an example of verbal irony?
Which statement best describes a cause-and-effect relationship in a play?
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