Which scenarios are examples of internal conflict? Select two options.a character fighting a battle against an enemya character feeling guilty about a choicea character weighing a decisiona character getting into a fight with a frienda character protesting a new law posed by the government
What does this interaction reveal about Brutus’s character? Select two options.
Read the excerpt from act 4, scene 3, of The Tragedy of Julius Caesar.[Enter the Ghost of CAESAR]How ill this taper burns! Ha! Who comes here?I think it is the weakness of mine eyesThat shapes this monstrous apparition.It comes upon me. Art thou any thing?Art thou some god, some angel, or some devil,That makest my blood cold and my hair to stare? Speak to me what thou art.GHOST. Thy evil spirit, Brutus.BRUTUS. Why comest thou?GHOST. To tell thee thou shalt see me at Philippi.BRUTUS. Well; then I shall see thee again?GHOST. Ay, at Philippi.BRUTUS. Why, I will see thee at Philippi then.[Exit GHOST]
Read the excerpt from act 2, scene 2, of The Tragedy of Julius Caesar and the background information on the allusion it contains.Excerpt:[DECIUS.] It was a vision fair and fortunate.Your statue spouting blood in many pipes,In which so many smiling Romans bathed,Signifies that from you great Rome shall suckReviving blood, and that great men shall pressFor tinctures, stains, relics, and cognizance.This by Calpurnia's dream is signified.Background information:In medieval times, it was customary to dip handkerchiefs into the blood of martyrs and other great people. Doing so turned the handkerchiefs into relics for worship or inspiration.
Which quotation from Julius Caesar is an example of a historical allusion?
Read the excerpt from act 1, scene 1, of The Tragedy of Julius Caesar and the background information on the allusion it contains.Excerpt:[FLAVIUS.] See whether their basest mettle be not moved.They vanish tongue-tied in their guiltiness.Go you down that way towards the Capitol;This way will I. Disrobe the imagesIf you do find them decked with ceremonies.MARULLUS. May we do so?You know it is the feast of Lupercal.FLAVIUS. It is no matter; let no imagesBe hung with Caesar’s trophies. I’ll about,And drive away the vulgar from the streets:So do you too, where you perceive them thick.These growing feathers plucked from Caesar’s wingWill make him fly an ordinary pitch,Who else would soar above the view of men,And keep us all in servile fearfulness.Background information:In Rome, February 15 was Lupercalia, an annual festival celebrating the myth of the she-wolf that saved the lives of the infant twins Romulus and Remus. According to legend, the two boys became the founders of Rome. The festival is also said to have celebrated the god who protected flocks from hungry wolves.
Brutus could be considered a major character who acts as a(n)
Which evidence from the text supports the conclusion that Brutus and Cassius are in conflict? Select two options.
Read the excerpt from act 4, scene 1, of The Tragedy of Julius Caesar.[ANTONY.] And now, Octavius,Listen great things—Brutus and CassiusAre levying powers. We must straight make head.Therefore let our alliance be combined,Our best friends made, our means stretched,And let us presently go sit in council,How covert matters may be best disclosed,And open perils surest answerèd.OCTAVIUS. Let us do so: for we are at the stake,And bayed about with many enemies;And some that smile have in their hearts, I fear,Millions of mischiefs.
Read the excerpt from act 1, scene 3, of The Tragedy of Julius Caesar and the background information on the allusion it contains.Excerpt:CASSIUS. There’s a bargain made.Now know you, Casca, I have moved alreadySome certain of the noblest-minded RomansTo undergo with me an enterpriseOf honourable dangerous consequence.And I do know by this, they stay for meIn Pompey’s Porch. For now this fearful nightThere is no stir or walking in the streets;And the complexion of the elementIn favour’s like the work we have in hand,Most bloody, fiery, and most terrible.Background information:Gnaeus Pompeius Magnus, known in English as Pompey the Great, was a Roman general and political leader. Together with Caesar and Crassus, Pompey ruled as a member of the first Roman triumvirate. As a leader, Pompey was a capable administrator and helped Rome grow and prosper. Among other projects, he built a large amphitheater in Rome. This amphitheater was named after him, and its annex became known as Pompey’s Porch. During this time, Pompey married Caesar’s daughter, Julia. After her death, however, Pompey and Caesar began to grow apart, and within a few years, Pompey sided with the senate against Caesar. War followed. In 48 BCE, Pompey’s armies were defeated, and he was murdered by former allies who were afraid of Caesar’s power.
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