characterizationconflictidiominterpretation
The author’s purpose is
Read the passage from “I Know Why the Caged Bird Sings.”Mrs. Bertha Flowers was the aristocrat of Black Stamps. She had the grace of control to appear warm in the coldest weather, and on the Arkansas summer days it seemed she had a private breeze which swirled around, cooling her. She was thin without the taut look of wiry people, and her printed voile dresses and flowered hats were as right for her as denim overalls for a farmer. She was our side's answer to the richest white woman in town.
Read the excerpt from "Daughter of Invention"."Sticks and stones don't break bones," she chanted. Yoyo could tell, though, by the look on her face, it was as if one of those stones the kids had aimed at her daughters had hit her. But she always pretended they were at fault. "What did you do to provoke them? It takes two to tangle, you know.”
Read the passage from “The Caged Bird.”The caged bird singswith fearful trillof things unknownbut longed for stilland his tune is heardon the distant hill for the caged birdsings of freedom.
How do authors present and develop characters? Choose four answers.the way characters are describedthe situations in which the characters interactthe number of characters in each chapterdialogue between charactersconflicts within and between characters
Read the conversation that takes place between Mrs. Flowers and Momma Henderson from "I Know Why the Caged Bird Sings.”"I don't need to see the inside, Mrs. Henderson, I can tell . . ." But the dress was over my head and my arms were stuck in the sleeves. Momma said, "That'll do. See here, Sister Flowers, I French-seams around the armholes."
Read the passage from “Initiation.”And from that time on, initiations didn't bother Millicent at all. She went gaily about Lewiston Square from store to store asking for broken crackers and mangoes, and she just laughed inside when people stared and then brightened, answering her crazy questions as if she were quite serious and really a person of consequence. So many people were shut up tight inside themselves like boxes, yet they would open up, unfolding quite wonderfully, if only you were interested in them. And really, you didn't have to belong to a club to feel related to other human beings.
Read the excerpt from "Daughter of Invention".But Laura had gotten used to the life here. She did not want to go back to the old country where, de la Torre or not, she was only a wife and a mother (and a failed one at that, since she had never provided the required son). Better an independent nobody than a high-class houseslave. She did not come straight out and disagree with her husband's plans. Instead, she fussed with him about reading the papers in bed, soiling their sheets with those poorly printed, foreign tabloids. "The Times is not that bad!" she'd claim if her husband tried to humor her by saying they shared the same dirty habit.
Read the passage from “Initiation.”The door behind her opened and a ray of light sliced across the soft gloom of the basement room."Hey Millicent, come on out now. This is it." There were some of the girls outside."I'm coming," she said, getting up and moving out of the soft darkness into the glare of light, thinking: This is it, all right. The worst part, the hardest part, the part of initiation that I figured out myself.
In “Initiation,” one example of a character vs. self conflict is when Millicent
Some sections of “Initiation” imply that Millicent will decline the sorority’s invitation.
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