AnswersCapozzi - Literature and Composition II B - ACTIVEUnit Test

Unit Test — Unit test Answers

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1
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Which tone is most appropriate for a letter to the school board asking for a change in the tardiness policy?

A
aggressive
B
curious
C
persuasive
D
humorous
2
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Read the excerpt from act 5, scene 1, of Julius Caesar.ANTONY. Villains, you did not so, when your vile daggers Hacked one another in the sides of Caesar: You showed your teeth like apes, and fawned like hounds, And bowed like bondmen, kissing Caesar’s feet, Whilst damnèd Casca, like a cur, behind, Struck Caesar on the neck. O you flatterers!

A
Antony wants to praise Casca’s noble standing.
B
Antony has contempt for Casca and is insulting him.
C
Antony blames the entire assassination plot on Casca.
D
Antony wants to describe Casca as a kind and dedicated dog.
3

Read the excerpt from Julius Caesar, act 1, scene 2.SOOTHSAYER. Caesar!15CAESAR. Ha! who calls?CASCA. Bid every noise be still. Peace yet again.CAESAR. Who is it in the press that calls on me? I hear a tongue shriller than all the music Cry "Caesar!” Speak. Caesar is turned to hear.20SOOTHSAYER. Beware the ides of March.CAESAR. What man is that?BRUTUS. A soothsayer bids you beware the ides of March.CAESAR. Set him before me; let me see his face.CASSIUS. Fellow, come from the throng; look upon Caesar 25CAESAR. What say’st thou to me now? Speak once again.SOOTHSAYER. Beware the ides of March.CAESAR. He is a dreamer. Let us leave him. Pass!

A
It illustrates Caesar’s disbelief in omens.
B
It shows conflict between Caesar and Brutus.
C
It introduces the soothsayer’s piercing voice.
D
It reveals that Caesar may be in danger.
4

Read the excerpt from Julius Caesar, act 1, scene 2.CASSIUS. 'Tis just; And it is very much lamented, Brutus,60 That you have no such mirrors as will turn Your hidden worthiness into your eye, That you might see your shadow. I have heard Where many of the best respect in Rome— Except immortal Caesar—speaking of Brutus,65 And groaning underneath this age’s yoke, Have wished that noble Brutus had his eyes.

A
Brutus has been choking because he is ill.
B
Brutus is much older than Cassius.
C
The people of Rome raise horses and cattle.
D
People are suffering under the current leadership.
5

Read the excerpt from act 3, scene 2, of Julius Caesar.[BRUTUS.] Who is here sovile that will not love his country? If any, speak,for him have I offended. I pause for a reply.ALL. None, Brutus, none.BRUTUS. Then none have I offended. I have doneno more toCaesar than you shall do to Brutus. The question ofhis death is enrolled in the Capitol: his glory not extenuated, wherein he was worthy, nor his offencesenforced, for which he suffered death.[Enter ANTONY and others, with CAESAR’s body]Here comes his body, mourned by Mark Antony, who,though he had no hand in his death, shall receivethe benefit of his dying: a place in thecommonwealth—as which of you shall not? With thisI depart: that, as I slew my best lover for thegood of Rome, I have the same dagger for myself,when it shall please my country to need my death.

A
Brutus explains that though he has offended many people, he has not done anything to Caesar that the people will not do to him someday.
B
Brutus questions if anyone in the crowd hates Rome and clarifies that only that person could be offended by Caesar’s death. Brutus explains that he killed Caesar for the good of Rome, he would be willing to die for Rome too someday if it is what the country needed. As Caesar’s body is delivered, Brutus also acknowledges that Antony is not guilty, but will benefit from Caesar’s death, just as everyone will.
C
Brutus tries to justify Caesar’s death by suggesting that the people should kill him someday if it is for the good of Rome.
D
Brutus asks if he has offended anyone, and they say no. He then explains that he has not done anything to Caesar that the people should not have already done to Caesar if only they were brave enough.
6

Read the excerpt from act 5, scene 1, of Julius Caesar.MESSENGER. Prepare you, generals.The enemy comes on in gallant show.Their bloody sign of battle is hung out,And something to be done immediately.ANTONY. Octavius, lead your battle softly on,Upon the left hand of the even field.OCTAVIUS. Upon the right hand, I; keep thou the left.

A
It suggests the enemy is planning a stealthy surprise attack.
B
It shows that the enemy is in a weakened state and tired from the long trek.
C
It reveals that the enemy is distracted by the series of dark omens during their march to battle.
D
It suggests that the enemy is well-decorated and showy in their confident approach.
7

Which word most likely indicates a compare-and-contrast organizational structure?

A
unlike
B
finally
C
because
D
remedy
8

Read the excerpt from Julius Caesar, act 1, scene 2.CASCA. Why, there was a crown offered him: and beingoffered him, he put it by with the back of his hand,thus; and then the people fell a-shouting.230BRUTUS. What was the second noise for?CASCA. Why, for that too.CASSIUS. They shouted thrice. What was the last cry for?CASCA. Why, for that too.BRUTUS. Was the crown offered him thrice?235CASCA. Ay, marry, was’t; and he put it by thrice, everytime gentler than other; and at every putting by,mine honest neighbours shouted.

A
character vs. society
B
character vs. character
C
character vs. nature
D
character vs. self
9

Read the two excerpts from act 3, scene 2, of Julius Caesar.SECOND PLEBEIAN. Peace, silence! Brutus speaks.FIRST PLEBEIAN. Peace, ho!BRUTUS. Good countrymen, let me depart alone,And, for my sake, stay here with Antony.Do grace to Caesar’s corpse, and grace his speechTending to Caesar’s glories, which Mark Antony,By our permission, is allowed to make.I do entreat you, not a man departSave I alone till Antony have spoke.[Exit]SECOND PLEBEIAN. Most noble Caesar! We’ll revenge his death.THIRD PLEBEI

B
Both Brutus and Antony calm the people and reassure them of peace that surely follow Caesar’s death.
B
Both Brutus and Antony speak of how common Caesar really was.
B
Brutus speaks about what he will miss most about Caesar while Antony closes with praise and gratitude to the conspirators.
B
Brutus quiets the crowd so he can slip away, while Antony speaks of Caesar’s generosity and stirs the crowds’ emotions.
10

Read the excerpt from act 3, scene 1, of Julius Caesar.ANTONY. Therefore I took your hands, but was indeed Swayed from the point by looking down on Caesar. Friends am I with you all, and love you all, Upon this hope: that you shall give me reasons Why and wherein Caesar was dangerous.

A
Antony is pleased to shake hands with the conspirators.
B
Antony agrees with the conspirators that Caesar was dangerous.
C
Antony regrets not being included in the conspiracy and wishes he had played a part in Caesar’s murder.
D
Antony wants them to explain why they believed Caesar was dangerous.
11

Which evidence from the text supports the conclusion that Cassius and Brutus have reconciled? Select two options.

A
“Of your philosophy you make no use, / If you give place to accidental evils.”
B
“Portia is dead.”
C
“How scaped I killing when I crossed you so? / O insupportable and touching loss!”
D
“Speak no more of her.”
E
“In this I bury all unkindness, Cassius.”
12

Read the excerpt from act 4, scene 3, of The Tragedy of Julius Caesar.[BRUTUS.] Messala, I have here receivèd letters,That young Octavius and Mark AntonyCome down upon us with a mighty power,Bending their expedition toward Philippi.MESSALA. Myself have letters of the selfsame tenor.BRUTUS. With what addition?MESSALA. That by proscription and bills of outlawry,Octavius, Antony, and LepidusHave put to death an hundred senators.BRUTUS. Therein our letters do not well agree.Mine speak of seventy senators that diedBy their proscriptions, Cicero being one.CASSIUS. Cicero one!MESSALA. Ay, Cicero is dead,And by that order of proscription.

A
It clarifies the relationship between Brutus and Mark Antony.
B
It informs the audience about events that took place off stage.
C
It provides background information about Brutus’s relationship with Messala.
D
It demonstrates the lack of power that Octavius, Antony, and Lepidus hold in Rome.
13

Read the passage from act 5, scene 3, of The Tragedy of Julius Caesar.[TITINIUS.] Why didst thou send me forth, brave Cassius?Did I not meet thy friends, and did not theyPut on my brows this wreath of victory,And bid me give it thee? Didst thou not hear their shouts?Alas, thou hast misconstrued everything!But hold thee, take this garland on thy brow. Thy Brutus bid me give it thee, and IWill do his bidding. Brutus, come apace,And see how I regarded Caius Cassius.By your leave, gods,—this is a Roman’s part:Come, Cassius’ sword, and find Titinius’ heart.

A
Power corrupts those who achieve it.
B
Victory is worth the price.
C
Loyalty to one's superior is more important than life.
D
People in power cannot recognize success.
14

Which action makes a writing process recursive?

A
creating a final version of a text for a specific audience
B
returning to a previous step to review and change a text
C
grouping sentences together in a text to form paragraphs
D
completing each of the five writing steps for a text
15

Read the excerpt from act 1, scene 3, of The Tragedy of Julius Caesar and the background information on the allusion it contains.CASSIUS. And why should Caesar be a tyrant then?Poor man, I know he would not be a wolfBut that he sees the Romans are but sheep.He were no lion, were not Romans hinds.Those that with haste will make a mighty fire Begin it with weak straws. What trash is Rome?What rubbish, and what offal? when it servesFor the base matter to illuminateSo vile a thing as Caesar! But, O grief,Where hast thou led me? I perhaps speak this Before a willing bondman: then I know My answer must be made. But I am armed And dangers are to me indifferent.CASCA. You speak to Casca, and to such a manThat is no fleering tell-tale. Hold, my hand.Be factious for redress of all these griefsAnd I will set this foot of mine as farAs who goes farthest.CASSIUS. There’s a bargain made.Now know you, Casca, I have moved alreadySome certain of the noblest-minded RomansTo undergo with me an enterpriseOf honourable dangerous consequence.And I do know by this, they stay for meIn Pompey’s Porch. For now this fearful nightThere is no stir or walking in the streets;And the complexion of the elementIn favour’s like the work we have in hand, Most bloody, fiery, and most terrible.Background information:Gnaeus Pompeius Magnus, known in English as Pompey the Great, was a Roman general and political leader. Together with Caesar and Crassus, Pompey ruled as a member of the first Roman triumvirate. As a leader, Pompey was a capable administrator and helped Rome grow and prosper. Among other projects, he built a large amphitheater in Rome. This amphitheater was named after him, and its annex became known as Pompey’s Porch. During this time, Pompey married Caesar’s daughter, Julia. After her death, however, Pompey and Caesar began to grow apart, and within a few years, Pompey sided with the senate against Caesar. War followed. In 48 BCE, Pompey’s armies were defeated, and he was murdered by former allies who were afraid of Caesar’s power.

A
Alluding to Pompey’s Porch reminds the audience of the importance of Pompey to Roman culture and wealth.
B
The allusion to Pompey’s Porch reminds everyone of the love Pompey had for Caesar’s daughter.
C
Alluding to Pompey invokes the history of his opposition to Caesar, showing that the conspirators in the play are part of a longstanding battle against a tyrant.
D
The allusion to Pompey references his long and stable relationship with Caesar.

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