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Which incident taken from O’Connor’s “The Life You Save May Be Your Own” is the best example of irony?

A
Lucynell Crater falls asleep in the diner before she has a chance to eat her food, and she is left there by her husband.
B
Mrs. Crater gives her car to Mr. Shiftlet in hopes that he will marry her one and only daughter.
C
Mrs. Crater thinks she is gaining a son-in-law, when in fact Mr. Shiftlet takes her car, her money, and abandons her daughter at a diner.
D
Mr. Shiftlet appears at the plantation house and explains that even the best doctors cannot know what is in his heart.
4

Read the excerpt from Hemingway’s A Farewell to Arms.The road was crowded and there were screens of corn-stalk and straw matting on both sides and matting over the top so that it was like the entrance at a circus or a native village.Keeping in mind Hemingway’s iceberg principle, what feeling is he trying to convey by describing the scene as an “entrance to a circus or a native village”?

A
a feeling of unease as the narrator is driving into a peculiar and alien location
B
a feeling of sadness at the devastation that has been caused by violence of war
C
a feeling of joy as the narrator realizes that he is alive despite all the carnage
D
a feeling of defeat about a war that has taken so many lives and still continues on
5

Read the excerpt from the song, “Brother, Can You Spare a Dime?”They used to tell me I was building a dream With peace and glory ahead— These lines emphasize the pre-Great Depression belief that

A
peace and glory were the ultimate goals of WWI.
B
the American dream was beyond reach.
C
American businesses were imperishable.
D
there would always be work available.
7

Read the excerpt from Flannery O’Connor’s “The Life You Save May Be Your Own.”He held the pose for almost fifty seconds and then he picked up his box and came on to the porch and dropped down on the bottom step. “Lady,” he said in a firm nasal voice, “I’d give a fortune to live where I could see me a sun do that every evening.”Keeping in mind the ending of the story, which best describes the irony of Mr. Shiftlet’s statement?

A
Mr. Shiftlet does not need a fortune, as he places no value on financial wealth or the security of having a permanent home.
B
Instead of staying at the plantation, where he can see sunsets like these for the rest of his life, he runs away with Mrs. Crater’s car and money.
C
According to Mrs. Crater, the sun sets like this every evening, and if he stays at the plantation, Mr. Shiftlet will see this regularly.
D
No amount of money can ensure that an individual will witness a sunset to equal this one and will see it every single day.
8

Read the excerpt from the interview with E.Y. (Yip) Harburg.I was relieved when the Crash came. I was released. Being in business was something I detested. When I found that I could sell a song or a poem, I became me, I became alive. Other people didn’t see it that way. They were throwing themselves out of windows.Harburg was relieved when the crash occurred because

A
it allowed him to become a man of leisure who did not have to work anymore.
B
it forced him out of his comfort zone and into a brand new environment.
C
it was easier to write songs about the Depression than about prosperity.
D
it gave him the opportunity to develop and profit from his creativity.
11

Which excerpt from The Great Gatsby best indicates that Nick is not fully content with his life?

A
He didn’t say any more, but we’ve always been unusually communicative in a reserved way, and I understood that he meant a great deal more than that.
B
Father agreed to finance me for a year, and after various delays I came East, permanently, I thought, in the spring of twenty-two.
C
Instead of being the warm center of the world, the Middle West now seemed like the ragged edge of the universe—so I decided to go East and learn the bond business.
D
I had a dog—at least I had him for a few days until he ran away—and an old Dodge and a Finnish woman, who made my bed and cooked breakfast and muttered Finnish wisdom to herself over the electric stove.
12

Because of his journalistic background, Ernest Hemingway’s diction tends to be

A
a combination of formal and informal.
B
neither formal nor informal.
C
only formal.
D
only informal.

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