What is an adaptation?
Read the sentence.Keisha will run in the spring 5K race, so she had started a training program next Monday.Which correction of the underlined verb phrase fixes the inappropriate shift in tense in this sentence?
Read the definitions.bio = life anthrop = human micro- = small meteoro = high in the air -logy = study of
Read the passage from A Raisin in the Sun.RUTH: Why don't you answer the door, man WALTER (suddenly bounding across the floor to embrace her): 'Cause sometimes it hard to let the future begin! (Stooping down in her face.I got wings! You got wings! All God's children got wings!He crosses to the door and throws it open. Standing there is a very slight little man in a not-too-prosperous business suit and with haunted frightened eyes and a hat pulled down tightly, brim up, around his forehead. TRAVIS passes between the men and exits. WALTER leans deep in the man's face, still in his jubilance.When I get to heaven gonna put on my wings, Gonna fly all over God's heaven . . .The little man just stares at him.Heaven—Suddenly he stops and looks past the little man into the empty hallway.Where's Willy, man?BOBO: He ain't with me.
Read the definition.censorcen·sor[Latin censor, the Roman magistrate tasked with registering Roman citizens]noun1. a person who supervises conduct and moralsverb1. to examine something in order to suppress it2. to delete anything considered objectionablesensorsen·sor[Latin sentire, "to perceive”]noun1. a device that responds to a physical stimulus and transmits an impulse in response
Read the passage from A Raisin in the Sun.MAMA (to WALTER): Son—(She goes to him, bends down to him, talks to his bent head.) Son . . . Is it gone? Son, I gave you sixty-five hundred dollars. Is it gone? All of it? Beneatha's money too?WALTER (lifting his head slowly): Mama . . . I never . . . went to the bank at all . . .MAMA (not wanting to believe him): You mean . . . your sister's school money . . . you used that too . . . Walter? . . .WALTER: Yessss! All of it . . . It's all gone . . .There is total silence. RUTH stands with her face covered with her hands; BENEATHA leans forlornly against a wall, fingering a piece of red ribbon from the mother's gift. MAMA stops and looks at her son without recognition and then, quite without thinking about it, starts to beat him senselessly in the face.BENEATHA goes to them and stops it.BENEATHA: Mama!MAMA stops and looks at both of her children and rises slowly and wanders vaguely, aimlessly away from them.MAMA: I seen . . . him . . . night after night . . . come in . . . and look at that rug . . . and then look at me . . . the red showing in his eyes . . . the veins moving in his head . . . I seen him grow thin and old before he was forty . . . working and working and working like somebody's old horse . . . killing himself . . . and you—you give it all away in a day— (She raises her arms to strike him again.) BENEATHA: Mama—MAMA: Oh, God . . . (She looks up to Him.) Look down here—and show me the strength.
Read the sentence.Will you pick up the dog's toys in the yard, please?What is the mood of this sentence?
Read the excerpt from Pygmalion and Galatea by Josephine Preston Peabody.He drew near in wonder and delight, and felt, instead of the chill air that was wont to wake him out of his spell, a gentle warmth around her, like the breath of a plant. He touched her hand, and it yielded like the hand of one living! Doubting his senses, yet fearing to reassure himself, Pygmalion kissed the statue.In an instant the maiden’s face bloomed like a waking rose, her hair shone golden as returning sunlight; she lifted her ivory eyelids and smiled at him. The statue herself had awakened, and she stepped down from the pedestal, into the arms of her creator, alive!There was a dream that came true.Read the excerpt from Pygmalion by George Bernard Shaw.LIZA [defiantly non-resistant]. . . . Aha! Now I know how to deal with you. What a fool I was not to think of it before! You can’t take away the knowledge you gave me. You said I had a finer ear than you. And I can be civil and kind to people, which is more than you can. Aha! That’s done you, Henry Higgins, it has. Now I don’t care that [snapping her fingers] for your bullying and your big talk. I’ll advertize it in the papers that your duchess is only a flower girl that you taught, and that she’ll teach anybody to be a duchess just the same in six months for a thousand guineas. Oh, when I think of myself crawling under your feet and being trampled on and called names, when all the time I had only to lift up my finger to be as good as you, I could just kick myself.HIGGINS [wondering at her]. . . . By George, Eliza, I said I’d make a woman of you; and I have. I like you like this.LIZA. Yes: you turn round and make up to me now that I’m not afraid of you, and can do without you.
Which sentence is the best use of passive voice?
Read the sentence.Luz has written several poems about her travels to Mexico.Which verb tense is underlined?
Read the excerpt from Pygmalion and Galatea by Josephine Preston Peabody.Day after day the ivory maiden looked down at him silently, and he looked back at her until he felt that he loved her more than anything else in the world. He thought of her no longer as a statue, but as the dear companion of his life; and the whim grew upon him like an enchantment. He named her Galatea, and arrayed her like a princess; he hung jewels about her neck, and made all his home beautiful and fit for such a presence.Read the excerpt from Pygmalion by George Bernard Shaw.MRS. HIGGINS. Be quiet, Henry. Colonel Pickering: don’t you realize that when Eliza walked into Wimpole Street, something walked in with her?PICKERING. Her father did. But Henry soon got rid of him.MRS. HIGGINS. It would have been more to the point if her mother had. But as her mother didn’t something else did.PICKERING. But what?MRS. HIGGINS [unconsciously dating herself by the word] A problem.PICKERING. Oh, I see. The problem of how to pass her off as a lady.HIGGINS. I’ll solve that problem. I’ve half solved it already.MRS. HIGGINS. No, you two infinitely stupid male creatures: the problem of what is to be done with her afterwards.HIGGINS. I don’t see anything in that. She can go her own way, with all the advantages I have given her.
Read the passage from A Raisin in the Sun.MAMA: Lord have mercy, baby. You done gone and bought your grandmother a hat?TRAVIS (very proud): Open it!She does and lifts out an elaborate, but very elaborate, wide gardening hat, and all the adults break up at the sight of it.RUTH: Travis, honey, what is that?TRAVIS (who thinks it is beautiful and appropriate): It's a gardening hat! Like the ladies always have on in the magazines when they work in their gardens.BENEATHA (giggling fiercely): Travis—we were trying to make Mama Mrs. Miniver—not Scarlett O'Hara!MAMA (indignantly): What's the matter with you all! This here is a beautiful hat! (Absurdly.) I always wanted me one just like it!She pops it on her head to prove it to her grandson, and the hat is ludicrous and considerably oversized.RUTH: Hot dog! Go, Mama!WALTER (doubled over with laughter): I'm sorry, Mama—but you look like you ready to go out and chop you some cotton sure enough!They all laugh except Mama, out of deference to Travis’s feelings.MAMA (gathering the boy up to her): Bless your heart—this is the prettiest hat I ever owned—
How are prefixes and suffixes alike? Select two options.Both are a type of affix.Both are the root of a word. Both can change a word’s meaning.Both can be added to the end of a word. Both can be added to the beginning of a word.
Read the definitions. shear = v., to cut sheer = adj., thin soar = v., to fly at a great height sore = adj., feeling pain
Which quotations from the texts best support the theme that the way to deal with racism is to stand up to it? Select three options.
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