Read the passage from "Marriage Is a Private Affair” by Chinua Achebe."Have you written to your dad yet?” asked Nene one afternoon as she sat with Nnaemeka in her room at 16 Kasanga Street, Lagos."No. I’ve been thinking about it. I think it’s better to tell him when I get home on leave!”"But why? Your leave is such a long way off yet—six whole weeks. He should be let into our happiness now.”Nnaemeka was silent for a while, and then began very slowly as if he groped for his words: "I wish I were sure it would be happiness to him.”"Of course it must,” replied Nene, a little surprised. "Why shouldn’t it?”"You have lived in Lagos all your life, and you know very little about people in remote parts of the country.”"That’s what you always say. But I don’t believe anybody will be so unlike other people that they will be unhappy when their sons are engaged to marry.”"Yes. They are most unhappy if the engagement is not arranged by them. In our case it’s worse—you are not even an Ibo.”This was said so seriously and so bluntly that Nene could not find speech immediately. In the cosmopolitan atmosphere of the city it had always seemed to her something of a joke that a person’s tribe could determine whom he married.
Read the line from Robert Hayden’s poem "Monet’s ‘Waterlilies,’” then look at the painting Water Lilies by Claude Monet.O light beheld as through refracting tears.

Which cultural differences are revealed through this conflict? Select two options.
What is a stanza?
Which term is a synonym for atmosphere?
What types of settings are typical of postapocalyptic fiction? Select two options.a thriving citya grocery storea burned-out citya high-tech factorya destroyed bridge
Read the passage from "By the Waters of Babylon.”Nevertheless, we make a beginning. It is not for the metal alone we go to the Dead Places now—there are the books and the writings. They are hard to learn. And the magic tools are broken—but we can look at them and wonder. At least, we make a beginning. And, when I am chief priest we shall go beyond the great river. We shall go to the Place of the Gods—the place newyork—not one man but a company. We shall look for the images of the gods and find the god ASHING and the others—the gods Lincoln and Biltmore and Moses. But they were men who built the city, not gods or demons. They were men. I remember the dead man's face. They were men who were here before us. We must build again.
Read the passage from "By the Waters of Babylon.”How shall I tell what I saw? There was no smell of man left, on stone or metal. Nor were there many trees in that wilderness of stone. There are many pigeons, nesting and dropping in the towers—the gods must have loved them, or, perhaps, they used them for sacrifices. There are wild cats that roam the god-roads, green-eyed, unafraid of man. At night they wail like demons but they are not demons. The wild dogs are more dangerous, for they hunt in a pack, but them I did not meet till later. Everywhere there are the carved stones, carved with magical numbers or words.
Read the stanza from "Monet’s ‘Waterlilies’” by Robert Hayden.O light beheld as through refracting tears.Here is the aura of that worldeach of us has lost.Here is the shadow of its joy.
Which questions may be applied to a literary analysis from a historical approach? Select two options.How will this story influence future writers?When and where does the story take place?How are critics' reactions to this story likely to change over time?Who was the intended audience at the time of publication?What social, political, and cultural forces prevailed when the text was written?
Which statement best describes the similarities between the feminist and historical approaches to literary analysis?
Read the passage from "Two Kinds.”Last week I sent a tuner over to my parents’ apartment and had the piano reconditioned, for purely sentimental reasons. My mother had died a few months before and I had been getting things in order for my father, a little bit at a time. I put the jewelry in special silk pouches. The sweaters she had knitted in yellow, pink, bright orange—all the colors I hated—I put those in moth-proof boxes. I found some old Chinese silk dresses, the kind with little slits up the sides. I rubbed the old silk against my skin, then wrapped them in tissue and decided to take them home with me.
What are the characteristics of fixed poetry? Select three options.a regular rhyme schemelines of equal lengtha structure that follows emotionsa set number of linesirregular rhyme schemes
Which words from "Monet’s ‘Waterlilies’” by Robert Hayden most appeals to the sense of sight?
Did you find these answers helpful?