How is Mr. Hossack portrayed similarly in both Midnight Assassin and the article "Indicted Her for Murder"?
Read the excerpt from Betty Friedan’s The Feminine Mystique.I heard echoes of the problem in college dormitories and semiprivate maternity wards, at PTA meetings and luncheons of the League of Women Voters, at suburban cocktail parties, in station wagons waiting for trains, and in snatches of conversation overheard at Schrafft’s. The groping words I heard from other women, on quiet afternoons when children were at school or on quiet evenings when husbands worked late, I think I understood first as a woman long before I understood their larger social and psychological implications.Based on the underlined words and phrases, what is Friedan most likely trying to express?
Read the excerpt from part two of Trifles.MRS. HALE. It’s log cabin pattern. Pretty, isn’t it? I wonder if she was goin’ to quilt or just knot it? (Footsteps have been heard coming down the stairs. The Sheriff enters, followed by Hale and the County Attorney.)SHERIFF. They wonder if she was going to quilt or just knot it. (The men laugh, the women look abashed.)What is ironic about this excerpt?
The fact that women often feel pressured to conform to society’s expectations is a common feminist theme found within literature. As this theme appears within part two of Trifles, which pair of symbols most strengthens this theme?
Read the excerpt from part one of Trifles.HALE. Well, my first thought was to get that rope off. I looked . . . (Stops, his face twitches.) . . . but Harry, he went up to him, and he said, “No, he’s dead all right, and we’d better not touch anything.”How does the use of the word “twitches” in the stage direction most affect this scene?
Read the excerpt from part one of Trifles.SHERIFF. Nothing here but kitchen things. (The County Attorney, after again looking around the kitchen, opens the door of a cupboard closet. He gets up on a chair and looks on a shelf. Pulls his hand away, sticky.) COUNTY ATTORNEY. Here’s a nice mess. (The women draw nearer.) MRS. PETERS (to the other woman). Oh, her fruit; it did freeze. (To the Lawyer). She worried about that when it turned so cold. She said the fire’d go out and her jars would break.What do the underlined stage directions suggest about the women, Mrs. Hale and Mrs. Peters?
How does Midnight Assassin differ from the primary source article "She Prepares to Fight" in its portrayal of Mrs. Hossack?
According to the article "Introduction to Modern Drama Study," which of the following best explains why more women began to emerge as playwrights in the 1960s?
Read the excerpt from The Little Foxes.REGINA. (to BEN) Horace would like to talk to you now.HORACE. Horace would not like to talk to you now. I am very tired, Regina—REGINA. (comes to him) Please. You’ve said we’ll try our best with each other. I’ll try. Really, I will. Please do this for me now. You will see what I’ve done while you’ve been away. How I watched your interests. (Laughs gaily) And I’ve done very well too. But things can’t be delayed any longer. Everything must be settled this week— (HORACE sits down. BEN enters. OSCAR has stayed in the dining room, his head turned to watch them. LEO is pretending to read the newspaper) Now you must tell Horace all about it. Only be quick because he is very tired and must go to bed. (HORACE is looking up at her. His face hardens as she speaks) But I think your news will be better for him than all the medicine in the world. BEN. (looking at HORACE) It could wait. Horace may not feel like talking today. REGINA. What an old faker you are! You know it can’t wait. You know it must be finished this week. You’ve been just as anxious for Horace to get here as I’ve been.What does this excerpt emphasize about the character of Regina?
Read the following scene from The Little Foxes.BEN. (very jovial) I suppose I have been. And why not? Horace has done Hubbard Sons many a good turn. Why shouldn’t I be anxious to help him now?REGINA. (laughs) Help him! Help him when you need him, that’s what you mean.BEN. What a woman you married, Horace. (Laughs awkwardly when HORACE does not answer) Well, then I’ll make it quick. You know what I’ve been telling you for years. How I’ve always said that every one of us little Southern businessmen had great things—(Extends his arm)—right beyond our finger tips. It’s been my dream: my dream to make those fingers grow longer: I’m a lucky man, Horace, a lucky man. To dream and to live to get what you’ve dreamed of. That’s my idea of a lucky man. (Looks at his fingers as his arm drops slowly) For thirty years I’ve cried bring the cotton mills to the cotton. (HORACE opens medicine bottle). Well, finally I got up nerve to go to Marshall Company in Chicago.What would be similar about a stage and a film interpretation of this scene?
Which best describes the style of The Little Foxes?
Read the excerpt from The Little Foxes.REGINA (to BEN, triumphantly) Exactly. (To HORACE) So I did a little bargaining for you and convinced my brothers they weren’t the only Hubbards who had a business sense.HORACE. Did you have to convince them of that? How little people know about each other! (Laughs) But you’ll know better about Regina next time, eh, Ben? (BEN, REGINA, HORACE laugh together. OSCAR’S face is angry) Now let’s see. We’re getting a bigger share. (Looking at OSCAR) Who’s getting less?Which of the following themes does this reinforce?
In The Chaste Adventures of Joseph: A Comedy, the garden outside the Potiphar’s home symbolizes growth and natural beauty, and it highlights the
Which of the following most supports the fact that The Chaste Adventures of Joseph: A Comedy is written in an experimental style?
Read the following scene from The Chaste Adventures of Joseph: A Comedy.THE LADY. Such a lovely house, Madam Potiphar!—But what is this quiet room? Your husband's study? MADAM POTIPHAR. (coming in) Oh, this is nothing—merely the room of one of the slaves. Come, dear Cousin Asenath, and I will show you the garden. The pomegranates are just beginning to blossom. ASENATH. The room of a slave? Indeed! He seems to be an educated person! How would a stage interpretation differ from an audio production of this scene?
Which piece of dialogue from The Chaste Adventures of Joseph: A Comedy most reveals Madam Potiphar’s motives for wanting her husband to replace his secretary, Joseph?
Read the excerpt from the play The Inheritors.EMIL: Oh, well—Lord, you can't say everything you think. If everybody did that, things'd be worse off than they are now.MADELINE: Once in a while you have to say what you think—or hate yourself.EMIL: (with a grin) Then hate yourself.Which feminist literary theme of the early- to mid-twentieth century is best reflected in this excerpt?
In Glaspell’s The Inheritors, which quotation most supports the feminist theme that women often feel a desire to control their own fate?
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