Read the excerpt from act 3 of A Doll's House.Helmer: How unreasonable and how ungrateful you are, Nora! Have you not been happy here?Nora: No, I have never been happy. I thought I was, but it has never really been so.Helmer: Not—not happy!Nora: No, only merry. And you have always been so kind to me. But our home has been nothing but a playroom. I have been your doll-wife, just as at home I was papa's doll-child; and here the children have been my dolls. I thought it great fun when you played with me, just as they thought it great fun when I played with them. That is what our marriage has been, Torvald.
Read the passage from A Doll’s House.Helmer: [calls out from his room]. Is that my little lark twittering out there?Nora: [busy opening some of the parcels]. Yes, it is!Helmer: Is it my little squirrel bustling about?Nora: Yes!Helmer: When did my squirrel come home?Nora: Just now. [Puts the bag of macaroons into her pocket and wipes her mouth.] Come in here, Torvald, and see what I have bought.Helmer: Don't disturb me. [A little later, he opens the door and looks into the room, pen in hand.] Bought, did you say? All these things? Has my little spendthrift been wasting money again?Nora: Yes but, Torvald, this year we really can let ourselves go a little. This is the first Christmas that we have not needed to economize.
Read the excerpt from act 3 of A Doll's House.Mrs. Linde: We have a great deal to talk about.Krogstad: I shouldn't have thought so.Mrs. Linde: No, you have never properly understood me.Krogstad: Was there anything else to understand except what was obvious to all the world—a heartless woman jilts a man when a more lucrative chance turns up?Mrs. Linde: Do you believe I am as absolutely heartless as all that? And do you believe that I did it with a light heart?Krogstad: Didn't you?Mrs. Linde: Nils, did you really think that?Krogstad: If it were as you say, why did you write to me as you did at the time?Mrs. Linde: I could do nothing else. As I had to break with you, it was my duty also to put an end to all that you felt for me.Krogstad [wringing his hands]. So that was it. And all this—only for the sake of money!Mrs. Linde: You must not forget that I had a helpless mother and two little brothers. We couldn't wait for you, Nils; your prospects seemed hopeless then.Krogstad: That may be so, but you had no right to throw me over for anyone else's sake.Mrs. Linde: Indeed, I don't know. Many a time did I ask myself if I had the right to do it.
Read the passage from A Doll’s House.Nora: Nurse, I want you to tell me something I have often wondered about—how could you have the heart to put your own child out among strangers?Nurse: I was obliged to, if I wanted to be little Nora's Nurse.Nora: Yes, but how could you be willing to do it?Nurse: What, when I was going to get such a good place by it? A poor girl who has got into trouble should be glad to. Besides, that wicked man didn't do a single thing for me.Nora: But I suppose your daughter has quite forgotten you.Nurse: No, indeed she hasn't. She wrote to me when she was confirmed, and when she was married.
Read the excerpt from act 1 of A Doll's House.Helmer: Nora! [Goes up to her and takes her playfully by the ear.] The same little featherhead! Suppose, now, that I borrowed fifty pounds today, and you spent it all in the Christmas week, and then on New Year's Eve a slate fell on my head and killed me, and—Nora: [putting her hands over his mouth]. Oh! don't say such horrid things.Helmer: Still, suppose that happened, —what then?Nora: If that were to happen, I don't suppose I should care whether I owed money or not.Helmer: Yes, but what about the people who had lent it?Nora: They? Who would bother about them? I should not know who they were.Helmer: That is like a woman! But seriously, Nora, you know what I think about that. No debt, no borrowing. There can be no freedom or beauty about a home life that depends on borrowing and debt. We two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle.Nora: [moving towards the stove]. As you please, Torvald.
Read the excerpt from act 2 of A Doll's House.Mrs. Linde: When you introduced him to me yesterday, he declared he had often heard my name mentioned in this house; but afterwards I noticed that your husband hadn't the slightest idea who I was. So how could Doctor Rank—?Nora: That is quite right, Christine. Torvald is so absurdly fond of me that he wants me absolutely to himself, as he says. At first he used to seem almost jealous if I mentioned any of the dear folk at home, so naturally I gave up doing so. But I often talk about such things with Doctor Rank, because he likes hearing about them.Mrs. Linde: Listen to me, Nora. You are still very like a child in many things, and I am older than you in many ways and have a little more experience. Let me tell you this—you ought to make an end of it with Doctor Rank.
best
Read the passage from A Room of One’s Own.This may be true or it may be false—who can say?—but what is true in it, so it seemed to me, reviewing the story of Shakespeare's sister as I had made it, is that any woman born with a great gift in the sixteenth century would certainly have gone crazed, shot herself, or ended her days in some lonely cottage outside the village, half witch, half wizard, feared and mocked at. For it needs little skill in psychology to be sure that a highly gifted girl who had tried to use her gift for poetry would have been so thwarted and hindered by other people, so tortured and pulled asunder by her own contrary instincts, that she must have lost her health and sanity to a certainty.
Read the excerpt from act 2 of A Doll's House.Rank: And what other nice things am I to be allowed to see?Nora: Not a single thing more, for being so naughty. [She looks among the things, humming to herself.]Rank: [after a short silence] When I am sitting here, talking to you as intimately as this, I cannot imagine for a moment what would have become of me if I had never come into this house.Nora: [smiling] I believe you do feel thoroughly at home with us.Rank: [in a lower voice, looking straight in front of him] And to be obliged to leave it all—Nora: Nonsense, you are not going to leave it.Rank: [as before] And not be able to leave behind one the slightest token of one's gratitude, scarcely even a fleeting regret—nothing but an empty place which the first comer can fill as well as any other.Nora: And if I asked you now for a—? No!Rank: For what?Nora: For a big proof of your friendship—Rank: Yes, yes!Nora: I mean a tremendously big favour—Rank: Would you really make me so happy for once?Nora: Ah, but you don't know what it is yet.Rank: No—but tell me.Nora: I really can't, Doctor Rank. It is something out of all reason; it means advice, and help, and a favour—Rank: The bigger a thing it is the better. I can't conceive what it is you mean. Do tell me. Haven't I your confidence?Nora: More than anyone else. I know you are my truest and best friend, and so I will tell you what it is. Well, Doctor Rank, it is something you must help me to prevent. You know how devotedly, how inexpressibly deeply Torvald loves me; he would never for a moment hesitate to give his life for me.
Read the passage from A Doll’s House.Nora: Well, then I have found other ways of earning money. Last winter I was lucky enough to get a lot of copying to do; so I locked myself up and sat writing every evening until quite late at night. Many a time I was desperately tired; but all the same it was a tremendous pleasure to sit there working and earning money. It was like being a man.Read the passage from A Room of One’s Own.She stood at the stage door; she wanted to act, she said. Men laughed in her face. The manager—a fat, looselipped man—guffawed. He bellowed something about poodles dancing and women acting—no woman, he said, could possibly be an actress. He hinted—you can imagine what. She could get no training in her craft.
What types of evidence support inferences about characters in a play? Select three options.characters’ thoughts and actionsthe number of characters on stagecharacters’ appearances and ways of dressingcharacters’ responses to other charactersthe names of the characters
Read the excerpt from act 2 of A Doll's House.Mrs. Linde: Listen to me, Nora. You are still very like a child in many things, and I am older than you in many ways and have a little more experience. Let me tell you this—you ought to make an end of it with Doctor Rank.Nora: What ought I to make an end of?Mrs. Linde: Of two things, I think. Yesterday you talked some nonsense about a rich admirer who was to leave you money—Nora: An admirer who doesn't exist, unfortunately! But what then?Mrs. Linde: Is Doctor Rank a man of means?Nora: Yes, he is.Mrs. Linde: And has no one to provide for?Nora: No, no one; but—Mrs. Linde: And comes here everyday?Nora: Yes, I told you so.Mrs. Linde: But how can this well-bred man be so tactless?Nora: I don't understand you at all.Mrs. Linde: Don't prevaricate, Nora. Do you suppose I don't guess who lent you the two hundred and fifty pounds?
Read the passage from A Room of One’s Own.Indeed, I would venture to guess that Anon, who wrote so many poems without singing them, was often a woman. It was a woman Edward Fitzgerald, I think, suggested who made the ballads and the folk-songs, crooning them to her children, beguiling her spinning with them, or the length of the winter's night.
Read the excerpt from act 2 of A Doll's House.Rank: Let me play for her.Helmer [getting up]. Yes, do. I can correct her better then.[RANK sits down at the piano and plays. NORA dances more and more wildly. HELMER has taken up a position beside the stove, and during her dance gives her frequent instructions. She does not seem to hear him; her hair comes down and falls over her shoulders; she pays no attention to it, but goes on dancing. Enter MRS. LINDE:]Mrs. Linde: [standing as if spell-bound in the doorway] Oh!—Nora: [as she dances] Such fun, Christine!Helmer: My dear darling Nora, you are dancing as if your life depended on it.Nora: So it does.Helmer: Stop, Rank; this is sheer madness. Stop, I tell you! [RANK stops playing, and NORA suddenly stands still. HELMER goes up to her.] I could never have believed it. You have forgotten everything I taught you.Nora: [throwing away the tambourine]. There, you see.Helmer: You will want a lot of coaching.Nora: Yes, you see how much I need it. You must coach me up to the last minute. Promise me that, Torvald!Helmer: You can depend on me.
Read the passage from A Room of One’s Own.To have lived a free life in London in the sixteenth century would have meant for a woman who was poet and playwright a nervous stress and dilemma which might well have killed her. Had she survived, whatever she had written would have been twisted and deformed, issuing from a strained and morbid imagination.
Which statement best describes the dramatic structure of the play A Doll’s House?
What is an effective claim in an argumentative essay?
Read the excerpt from act 2 of A Doll's House.Mrs. Linde: [goes on sewing. A short silence] Does Doctor Rank come here everyday?Nora: Everyday regularly. He is Torvald's most intimate friend, and a great friend of mine too. He is just like one of the family.Mrs. Linde: But tell me this—is he perfectly sincere? I mean, isn't he the kind of man that is very anxious to make himself agreeable?Nora: Not in the least. What makes you think that?Mrs. Linde: When you introduced him to me yesterday, he declared he had often heard my name mentioned in this house; but afterwards I noticed that your husband hadn't the slightest idea who I was. So how could Doctor Rank—?Nora: That is quite right, Christine. Torvald is so absurdly fond of me that he wants me absolutely to himself, as he says. At first he used to seem almost jealous if I mentioned any of the dear folk at home, so naturally I gave up doing so. But I often talk about such things with Doctor Rank, because he likes hearing about them.Mrs. Linde: Listen to me, Nora. You are still very like a child in many things, and I am older than you in many ways and have a little more experience. Let me tell you this—you ought to make an end of it with Doctor Rank.
Which sentence correctly uses parallel structure?
Did you find these answers helpful?