AnswersCA-Common Core English Language Arts 9 A-CRImproving Vocabulary with Word Parts and Context Clues

Improving Vocabulary with Word Parts and Context Clues — Unit test Answers

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9

Draya is a student who does not understand the following sentence from Dreaming in Cuban.She reads the newspapers page by page for leftist conspiracies, jams her finger against imagined evidence and says, “See. What did I tell you?”Which previous segment should Draya reread to make the excerpt easier to understand?

A
I take all my money out of the bank, $120, money I earned slaving away at my mother’s bakery, and buy a one-way bus ticket to Miami.
B
Mom tried to pull me away but I clung to the Abuela and screamed at the top of my lungs.
C
I was only two years old when I left Cuba but I remember everything that’s happened to me since I was a baby, even word-for-word conversations.
D
Mom says “Communist” the way some people says “cancer,” low and fierce.
11

Students who have read a section of a text and do not understand it should

A
keep reading until the end of the story, when things will become clear.
B
ask themselves when comprehension was lost.
C
begin to copy any remaining text into their notes.
D
push themselves to read faster in order to finish early and review.
13

Read the sentence from Flannery O’Connor’s “The Life You Save May Be Your Own.”The ugly words settled in Mr. Shiftlet’s head like a group of buzzards in the top of a tree.How does the simile in the sentence develop the Southern gothic character of Mr. Shiftlet?

A
The image hints at Mr. Shiftlet’s pending tragic death.
B
The image emphasizes that Mr. Shiftlet lives in an uncaring world.
C
The image reminds readers that Mr. Shiftlet is a damaged character.
D
The image reveals that Mr. Shiftlet will leave Lucynell behind.
14

Why did Gilman most likely choose an unreliable narrator to tell the story of "The Yellow Wallpaper"?

A
It helps the reader understand that the narrator is not getting the help she needs.
B
It encourages the reader to question every detail of the story.
C
It helps the reader understand the necessity of the narrator’s treatment.
D
It encourages the reader to sympathize more with all of the other characters.
16

Which excerpt from Cristina Garcia’s Dreaming in Cuban best exemplifies magic realism?

A
Her name is Minnie French but she’s weirdly old-looking for a young person. Maybe it’s her name or the three shopping bags of food she has under her seat.
B
I stared at them, tried to make them go away. I remember thinking, Okay, I’ll start with their hair, make it fall out strand by strand. They always left wearing kerchiefs to cover their bald patches.
C
There were beef cattle and dairy cows, horses, pigs, goats, and lambs. Dad fed them molasses to fatten them, and gave the chickens corn and sorghum until they laid vermilion eggs, rich with vitamins.
D
Our house is on a cement plot near the East River. At night, especially in the summer when the sound carries, I hear the low whistles of the ships as they leave New York harbor.
17

Read the excerpt from Flannery O’Connor’s “The Life You Save May Be Your Own.”“A body and a spirit,” he repeated. “The body, lady, is like a house: it don’t go anywhere; but the spirit, lady, is like a automobile: always on the move, always . . .”How does the figurative language used by Mr. Shiftlet develop his character?

A
The imagery reveals that Mr. Shiftlet is an extremely cruel and inexplicably violent nature.
B
The imagery emphasizes that he is a poorly educated individual from the rural South.
C
The imagery highlights that Mr. Shiftlet received his disability while fighting overseas during World War II.
D
The imagery underscores Mr. Shiftlet’s restlessness and his reluctance to remain in one place.
18

Which of the narrator’s statements in "The Yellow Wallpaper" suggests that she does not think women are too frail to be intellectual?

A
I verily believe she thinks it is the writing which made me sick!
B
Of course I didn’t do a thing. Jennie sees to everything now.
C
I don’t feel as if it was worth while to turn my hand over for anything, and I’m getting dreadfully fretful and querulous.
D
So I walk a little in the garden or down that lovely lane, sit on the porch under the roses, and lie down up here a good deal.

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