Read the excerpt from Midnight Assassin.As Glaspell struggled to understand and describe Margaret Hossack, her accounts alternated between those that portrayed Margaret Hossack as maternal and frail—anxious to see her family; tired and worn by the course of events—and those that depicted her as lacking in the typical emotional and feminine traits—not hysterical, but emotionless and dry-eyed; not weak, but determined and willful; not soft-featured, but square-jawed and hard.The excerpt supports the idea that the newspaper stories Glaspell wrote about Margaret Hossack were
Read the excerpt from part one of Trifles.COUNTY ATTORNEY (with the gallantry of a young politician). And yet, for all their worries, what would we do without the ladies?What is the primary purpose of these stage directions?
Based on part two of Trifles, the symbolism of the dead bird implies that Mr. Wright
A sentimental drama with stereotypical characters is known as
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Read the excerpt from part two of Trifles.MRS. HALE. It’s log cabin pattern. Pretty, isn’t it? I wonder if she was goin’ to quilt or just knot it? (Footsteps have been heard coming down the stairs. The Sheriff enters, followed by Hale and the County Attorney.)SHERIFF. They wonder if she was going to quilt or just knot it. (The men laugh, the women look abashed.)What is ironic about this excerpt?
Read the excerpt from part one of Trifles.COUNTY ATTORNEY. How did she seem to feel about you coming?HALE. Why, I don’t think she minded—one way or the other. She didn’t pay much attention. I said, “How do, Mrs. Wright, it’s cold, ain’t it?” And she said, “Is it?”—and went on kind of pleating at her apron. . . . And then she—laughed. I guess you would call it a laugh.How does this dialogue further develop the idea that Mrs. Wright may have had a motive for killing her husband?
Read this paragraph.Derek entered Room 101 and asked the teacher if he was in the right place for his drivers’ education class. When the teacher assured him that he was, Derek chose a textbook and a seat.
In part two of Trifles, which is an example of dramatic irony?
Read the following scene from Trifles.MRS. PETERS. She was piecing a quilt. (She brings the large sewing basket, and they look at the bright pieces.) MRS. HALE. It’s log cabin pattern. Pretty, isn’t it? I wonder if she was goin’ to quilt or just knot it? (Footsteps have been heard coming down the stairs. The Sheriff enters, followed by Hale and the County Attorney.) SHERIFF. They wonder if she was going to quilt it or just knot it. (The men laugh, the women look abashed.) COUNTY ATTORNEY (rubbing his hands over the stove). Frank’s fire didn’t do much up there, did it? Well, let’s go out to the barn and get that cleared up. (The men go outside.) How would a film version most likely emphasize the men’s emotions during this scene?
Which of the following stage directions from part one of Trifles supports the idea that the two women, Mrs. Hale and Mrs. Peters, are stronger than they may at first appear?
Read the excerpt from part two of Trifles.MRS. HALE. It’s a log cabin pattern. Pretty, isn’t it? I wonder if she was goin’ to quilt or just knot it? (Footsteps have been heard coming down the stairs. The Sheriff enters, followed by Hale and the County Attorney.)SHERIFF. They wonder if she was going to quilt or just knot it. (The men laugh, the women look abashed.)Which theme is best reinforced by the excerpt?
Read this dialogue.Randy: My bike tire is flat. I tried the air pump, but it isn’t helping.Hal: I bet the tube inside the tire is flat. I had to replace mine last fall. The guy at the bike shop showed my mom how to do it.Randy: That sounds complicated, and I really wanted to ride to the park this afternoon.
Read the following scene from The Little Foxes.BEN. (very jovial) I suppose I have been. And why not? Horace has done Hubbard Sons many a good turn. Why shouldn’t I be anxious to help him now?REGINA. (laughs) Help him! Help him when you need him, that’s what you mean.BEN. What a woman you married, Horace. (Laughs awkwardly when HORACE does not answer) Well, then I’ll make it quick. You know what I’ve been telling you for years. How I’ve always said that every one of us little Southern businessmen had great things—(Extends his arm)—right beyond our finger tips. It’s been my dream: my dream to make those fingers grow longer: I’m a lucky man, Horace, a lucky man. To dream and to live to get what you’ve dreamed of. That’s my idea of a lucky man. (Looks at his fingers as his arm drops slowly) For thirty years I’ve cried bring the cotton mills to the cotton. (HORACE opens medicine bottle). Well, finally I got up nerve to go to Marshall Company in Chicago.What would be similar about a stage and a film interpretation of this scene?
Read the excerpt from The Little Foxes.REGINA (to BEN, triumphantly) Exactly. (To HORACE) So I did a little bargaining for you and convinced my brothers they weren’t the only Hubbards who had a business sense.HORACE. Did you have to convince them of that? How little people know about each other! (Laughs) But you’ll know better about Regina next time, eh, Ben? (BEN, REGINA, HORACE laugh together. OSCAR’S face is angry) Now let’s see. We’re getting a bigger share. (Looking at OSCAR) Who’s getting less?Which of the following themes does this reinforce?
Read the excerpt from The Little Foxes.REGINA. (to BEN) Horace would like to talk to you now.HORACE. Horace would not like to talk to you now. I am very tired, Regina—REGINA. (comes to him) Please. You’ve said we’ll try our best with each other. I’ll try. Really, I will. Please do this for me now. You will see what I’ve done while you’ve been away. How I watched your interests. (Laughs gaily) And I’ve done very well too. But things can’t be delayed any longer. Everything must be settled this week— (HORACE sits down. BEN enters. OSCAR has stayed in the dining room, his head turned to watch them. LEO is pretending to read the newspaper) Now you must tell Horace all about it. Only be quick because he is very tired and must go to bed. (HORACE is looking up at her. His face hardens as she speaks) But I think your news will be better for him than all the medicine in the world. BEN. (looking at HORACE) It could wait. Horace may not feel like talking today. REGINA. What an old faker you are! You know it can’t wait. You know it must be finished this week. You’ve been just as anxious for Horace to get here as I’ve been.What does this excerpt emphasize about the character of Regina?
Which best describes the style of The Little Foxes?
Which of the following most supports the fact that The Chaste Adventures of Joseph: A Comedy is written in an experimental style?
Read the following scene from The Chaste Adventures of Joseph: A Comedy.THE LADY. Such a lovely house, Madam Potiphar!—But what is this quiet room? Your husband's study? MADAM POTIPHAR. (coming in) Oh, this is nothing—merely the room of one of the slaves. Come, dear Cousin Asenath, and I will show you the garden. The pomegranates are just beginning to blossom. ASENATH. The room of a slave? Indeed! He seems to be an educated person! How would a stage interpretation differ from an audio production of this scene?
Which piece of dialogue from The Chaste Adventures of Joseph: A Comedy most reveals Madam Potiphar’s motives for wanting her husband to replace his secretary, Joseph?
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