Which excerpt from the poem "Girl Powdering Her Neck” by Cathy Song is an example of a simile?
Read the passage from "By the Waters of Babylon.”Surely, that was enough to do, and live. Surely it was enough to spend the night upon the cliff. The Forest People themselves do not come near. Yet, all through the night, I knew that I should have to cross the river and walk in the places of the gods, although the gods ate me up. My magic did not help me at all and yet there was a fire in my bowels, a fire in my mind. When the sun rose, I thought, "My journey has been clean. Now I will go home from my journey." But, even as I thought so, I knew I could not. If I went to the Place of the Gods, I would surely die, but, if I did not go, I could never be at peace with my spirit again. It is better to lose one's life than one's spirit, if one is a priest and the son of a priest.
Read the lines from "Girl Powdering Her Neck” by Cathy Song, then look at the artwork by Kitagawa Utamaro.Her hair is blackwith hints of red,the color of seaweedspread over rocks.Morning begins the ritualwheel of the body,the application of translucent skins.She practices pleasure:the pressure of three fingertipsapplying powder.Fingerprints of pollensome other hand will trace.The peach-dyed kimonopatterned with maple leavesdrifting across the silk,falls from right to leftin a diagonal, revealingthe nape of her neckand the curve of a shoulderlike the slope of a hillset deep in snow in a countryof huge white solemn birds.Her face appears in the mirror,a reflection in a winter pond,rising to meet itself.

Which conflicts occur in this passage? Select three options.
Read the passage from "By the Waters of Babylon.”I went north—I did not try to hide myself. When a god or a demon saw me, then I would die, but meanwhile I was no longer afraid. My hunger for knowledge burned in me—there was so much that I could not understand.
Which details from the text best support the analysis that the narrator is in awe of the city at night? Select three options.
Which details most reveal the setting of the passage? Select three options.
Which themes are supported by the resolution of the narrator’s internal conflicts in this passage? Select two options.
Read the passage from "By the Waters of Babylon.”At first I was afraid to approach him—then the fear left me. He was sitting looking out over the city—he was dressed in the clothes of the gods. His age was neither young nor old—I could not tell his age. But there was wisdom in his face and great sadness. You could see that he would have not run away. He had sat at his window, watching his city die—then he himself had died. But it is better to lose one's life than one's spirit—and you could see from the face that his spirit had not been lost. I knew, that, if I touched him, he would fall into dust—and yet, there was something unconquered in the face.
Read the passage from "By the Waters of Babylon.”Nevertheless, we make a beginning. It is not for the metal alone we go to the Dead Places now—there are the books and the writings. They are hard to learn. And the magic tools are broken—but we can look at them and wonder. At least, we make a beginning. And, when I am chief priest we shall go beyond the great river. We shall go to the Place of the Gods—the place newyork—not one man but a company. We shall look for the images of the gods and find the god ASHING and the others—the gods Lincoln and Biltmore and Moses. But they were men who built the city, not gods or demons. They were men. I remember the dead man's face. They were men who were here before us. We must build again.
Which phrase from the poem "Monet’s ‘Waterlilies’” by Robert Hayden is an example of a simile?
The way a story’s narrator and characters are presented and developed is called
What are the characteristics of fixed poetry? Select three options.
What evidence supports the conclusion that the poem is written in free verse? Select two options.
What is a stanza?
Read the passage from "By the Waters of Babylon.”All the same, when I came to the Place of the Gods, I was afraid, afraid. The current of the great river is very strong—it gripped my raft with its hands. That was magic, for the river itself is wide and calm. I could feel evil spirits about me, I was swept down the stream. Never have I been so much alone—I tried to think of my knowledge, but it was a squirrel's heap of winter nuts. There was no strength in my knowledge any more and I felt small and naked as a new-hatched bird—alone upon the great river, the servant of the gods.
Read the passage from "By the Waters of Babylon.”When I woke, the sun was low. Looking down from where I lay, I saw a dog sitting on his haunches. His tongue was hanging out of his mouth; he looked as if he were laughing. He was a big dog, with a gray-brown coat, as big as a wolf. I sprang up and shouted at him but he did not move—he just sat there as if he were laughing. I did not like that. When I reached for a stone to throw, he moved swiftly out of the way of the stone. He was not afraid of me; he looked at me as if I were meat. No doubt I could have killed him with an arrow, but I did not know if there were others. Moreover, night was falling.
Which details best reveal the setting of the passage? Select two options.
How does setting influence character? Select three options.
How do conflicts throughout a story most affect the plot?
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