Which excerpt from The War of the Worlds uses a sensory detail for aesthetic impact?
Read the excerpt from a paper on The War of the Worlds.And then he perceived that, very slowly, the circular top of the cylinder was rotating on its body. It was such a gradual movement that he discovered it only through noticing that a black mark that had been near him five minutes ago was now at the other side of the circumference. Even then he scarcely understood what this indicated, until he heard a muffled grating sound and saw the black mark jerk forward an inch or so. Then the thing came upon him in a flash. The cylinder was artificial—hollow—with an end that screwed out! Something within the cylinder was unscrewing the top!
Which excerpt from A Princess of Mars most supports the conclusion that the narrator is reckless?
Read the chapter title from How to Live on Twenty-Four Hours a Day.CONTROLLING THE MINDThe author includes the title as a way to
Read the passage from How to Live on Twenty-Four Hours a Day.Bring it back by the scruff of the neck. Ere you have reached the station you will have brought it back about forty times. Do not despair. Continue. Keep it up.Which revision uses signal words to clarify the sequence of events for readers?
Read the passage from How to Live on Twenty-Four Hours a Day.Hence, it seems to me, the first business of the day should be to put the mind through its paces. You look after your body, inside and out; you run grave danger in hacking hairs off your skin; you employ a whole army of individuals, from the milkman to the pig-killer, to enable you to bribe your stomach into decent behaviour. Why not devote a little attention to the far more delicate machinery of the mind, especially as you will require no extraneous aid? It is for this portion of the art and craft of living that I have reserved the time from the moment of quitting your door to the moment of arriving at your office.
Read the passage from A Princess of Mars.While Sola was away I took occasion to examine more minutely the room in which I found myself captive. The mural painting depicted scenes of rare and wonderful beauty; mountains, rivers, lake, ocean, meadow, trees and flowers, winding roadways, sun-kissed gardens—scenes which might have portrayed earthly views but for the different colorings of the vegetation. The work had evidently been wrought by a master hand, so subtle the atmosphere, so perfect the technique; yet nowhere was there a representation of a living animal, either human or brute, by which I could guess at the likeness of these other and perhaps extinct denizens of Mars.
cultural contextlocationsocial contexttime
After Sola had replenished my coverings I again slept, nor did I awaken until daylight. The other occupants of the room, five in number, were all females, and they were still sleeping, piled high with a motley array of silks and furs. Across the threshold lay stretched the sleepless guardian brute, just as I had last seen him on the preceding day; apparently he had not moved a muscle; his eyes were fairly glued upon me, and I fell to wondering just what might befall me should I endeavor to escape.
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