AnswersLA-Business EnglishPart 1: Text Details and Context Clues in an Informational Text

Part 2: Summarizing an Author’s Viewpoint in an Informational Text Answers

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Read the excerpt from "Hokusai's The Great Wave.”Hokusai has taken more than colour from the West – he has also borrowed the conventions of European perspective to push Mount Fuji far into the distance. It is clear that Hokusai must have studied European prints, which the Dutch had imported into Japan and which circulated among artists and collectors. So The Great Wave, far from being the quintessence of Japan, is a hybrid work, a fusion of European materials and conventions with a Japanese sensibility. No wonder this image has been so loved in Europe: it is an exotic relative, not a complete stranger.

A
Hokusai uses Japanese painting techniques in The Great Wave.
B
Hokusai uses the wave to represent Japanese culture.
C
The Great Wave is popular because it is a classic example of traditional Japanese art.
D
The Great Wave is popular because it includes both Japanese and European elements.
23

Which line would be best to include in a summary of "Early Victorian Tea Set”?

A
British citizens should not have been so aggressive when planting tea in India.
B
Do you like to drink tea? Me, too! This chapter is about tea in Great Britain.
C
I disagree with MacGregor’s opinion that the quest for tea caused much violence worldwide.
D
MacGregor shows that the British desire for tea changed many nations around the world.
24

Which line would be best to include in a summary of "Hokusai's The Great Wave”?

A
You can only really appreciate Japanese art by going to Tokyo.
B
Japanese art is so fascinating to me, and The Great Wave is a favorite.
C
MacGregor explains that The Great Wave symbolizes Japan’s changing position in the world.
D
MacGregor is absolutely correct in his opinions about the woodblock print and its deeper meaning.
25

Read the excerpt from "Hokusai's The Great Wave” by Neil MacGregor.The Japanologist Donald Keene, from Columbia University, sees the wave as a metaphor for the changes in Japanese society:The Japanese have a word for insular which is literally the mental state of the people living on islands: shimaguni konjo. Shimaguni is ‘island nations’ konjo is ‘character’. The idea is they are surrounded by water and, unlike the British Isles, which were in sight of the continent, are far away. The uniqueness of Japan is often brought up as a great virtue. A new change of interest in the world, breaking down the classical barriers, begins to emerge. I think the interest in waves suggests the allure of going elsewhere, the possibility of finding new treasures outside Japan, and some Japanese at this time secretly wrote accounts of why Japan should have colonies in different parts of the world in order to augment their own riches.The Great Wave, like the other images in the series, was printed in at least 5,000 impressions, possibly as many as 8,000, and we know that in 1842 the price of a single sheet was officially fixed at 16 mon, the equivalent of a double helping of noodles. This was cheap, popular art; but when printed in such quantities, to exquisite technical standards, it could be highly profitable.

A
“The Japanologist Donald Keene, from Columbia University, sees the wave as a metaphor for the changes in Japanese society . . .”
B
“The Japanese have a word for insular which is literally the mental state of the people living on islands: shimaguni konjo.”
C
“The Great Wave, like the other images in the series, was printed in at least 5,000 impressions, possibly as many as 8,000 . . .”
D
“This was cheap, popular art; but when printed in such quantities, to exquisite technical standards, it could be highly profitable.”
26

Which statement expresses a viewpoint?

A
At the top of the lighthouse is a small museum.
B
Every child should visit an art history museum.
C
A new Japanese paper exhibit has opened at the museum.
D
The Metropolitan Museum of Art is New York’s largest museum.
27

What factors affect an author’s viewpoint? Select 4 options.the author’s knowledgethe author’s publisherthe author’s opinionthe author’s worldviewthe author’s experiencethe author’s illustrations

A
the author’s knowledge
B
the author’s publisher
C
the author’s opinion
D
the author’s worldview
E
the author’s experience
F
the author’s illustrations
28

Read the excerpt from "Hokusai's The Great Wave” by Neil MacGregor.In the early nineteenth century Japan had been effectively closed off from the world for 200 years. It had simply opted out of the community of nations.Kings are burning somewhere,Wheels are turning somewhere,Trains are being run,Wars are being won,Things are being doneSomewhere out there, not here.Here we paint screens.Yes . . . the arrangement of the screens.This is Stephen Sondheim’s musical tableau of the secluded and calmly self-contained country in 1853, just before American gunships forced its harbours to open to the world. It is a witty caricature of the dreamy and aesthetic Japanese, serenely painting screens while across the seas Europe and America industrialize and political turmoil rages.

A
college textbook
B
magazine article
C
musical lyrics
D
historical website

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