Read the passage from A Room of One’s Own . Currer Bell, George Eliot, George Sand, all the victims of inner strife as their writings prove, sought ineffectively to veil themselves by using the name of a man. Thus they did homage to the convention, which if not implanted by the other sex was liberally encouraged by them (the chief glory of a woman is not to be talked of, said Pericles, himself a much-talked-of man), that publicity in women is detestable. Anonymity runs in their blood. The desire to be veiled still possesses them. They are not even now as concerned about the health of their fame as men are, and, speaking generally, will pass a tombstone or a signpost without feeling an irresistible desire to cut their names on it as Alf, Bert or Chas. must do in obedience to their instinct. . . . . . . Write? What's the good of your writing? Here the psychologists of Newnham and Girton might come to our help, I thought, looking again at the blank spaces on the shelves. Which phrases or sentences best build the ideas about why women often choose to remain unknown? Choose two correct answers.
Read the passage from A Room of One’s Own. For surely it is time that the effect of discouragement upon the mind of the artist should be measured, as I have seen a dairy company measure the effect of ordinary milk and Grade A milk upon the body of the rat. They set two rats in cages side by side, and of the two one was furtive, timid and small, and the other was glossy, bold and big. Now what food do we feed women as artists upon? I asked, remembering, I suppose, that dinner of prunes and custard. What perspective is supported by Woolf’s word choices in the underlined sentence?
Read the excerpt from chapter 7 of Obasan by Joy Kogawa. There have been a few others. So counting that last fast visit, there have been nine trips in all. And in between visits, there’s the army, the navy, the air force of letters—all the Aunt Emily correspondence jamming up our small metal box in the Granton PO. What is the effect of using the phrases "the army, the navy, the air force of letters” and "jamming up” to describe Aunt Emily’s correspondence?
Read the passage from "Two Kinds.” In spite of these warning signs, I wasn't worried. Our family had no piano and we couldn't afford to buy one, let alone reams of sheet music and piano lessons. So I could be generous in my comments when my mother bad-mouthed the little girl on TV. "Play note right, but doesn't sound good! No singing sound," complained my mother. "What are you picking on her for?" I said carelessly. "She's pretty good. Maybe she's not the best, but she's trying hard." I knew almost immediately I would be sorry I said that. "Just like you," she said. "Not the best. Because you not trying." She gave a little huff as she let go of the sound dial and sat down on the sofa. The little Chinese girl sat down also to play an encore of "Anitra's Dance" by Grieg. I remember the song, because later on I had to learn how to play it. What conflict occurs in the passage?
When revising an essay, how can a writer best connect ideas more clearly?
Which excerpt is historical evidence that supports Achebe’s claim about why Heart of Darkness is popular despite its racist elements?
In an argument, what is the difference between reasons and evidence?
Poetry that does not follow a specific form and does not have a set rhyme pattern is known as
Which motivators are examples of extrinsic motivation? Choose three correct answers.
Read the passage from "The Tell-Tale Heart.” Why would they not be gone? . . . . Oh God! what could I do? . . . . Was it possible they heard not? Almighty God!—no, no! They heard!—they suspected!—they knew!—they were making a mockery of my horror! . . . . I must scream or die! and now—again!—hark! louder! louder! louder! louder! How does the syntax in this passage help develop the characterization of the narrator?
Which phrase from the paragraph contributes to the charged mood?
Read the stanza from "Sonnet in Primary Colors” by Rita Dove. Each night she lay down in pain and rose to the celluloid butterflies of her Beloved Dead, Lenin and Marx and Stalin arrayed at the footstead. And rose to her easel, the hundred dogs panting like children along the graveled walks of the garden, Diego’s love a skull in the circular window of the thumbprint searing her immutable brow. How does the underlined figurative language contribute to the meaning of the poem?
Read the passage from "Girl.” Wash the white clothes on Monday and put them on the stone heap; wash the color clothes on Tuesday and put them on the clothesline to dry; don’t walk barehead in the hot sun; cook pumpkin fritters in very hot sweet oil; soak your little clothes right after you take them off; when buying cotton to make yourself a nice blouse, be sure that it doesn’t have gum on it, because that way it won’t hold up well after a wash; soak salt fish overnight before you cook it; is it true that you sing benna in Sunday School? What type of characterization is evident in Girl’s recollection of her mother’s instructions?
Which sentence is a counterclaim?
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