Read the poem "Sonnet in Primary Colors” by Rita Dove. How does this poem resemble an Elizabethan sonnet?
Read the stanza from "Sonnet in Primary Colors” by Rita Dove. Each night she lay down in pain and rose to the celluloid butterflies of her Beloved Dead, Lenin and Marx and Stalin arrayed at the footstead. And rose to her easel, the hundred dogs panting like children along the graveled walks of the garden, Diego’s love a skull in the circular window of the thumbprint searing her immutable brow. How does the underlined figurative language contribute to the meaning of the poem?
Read the passage from "Two Kinds.” She walked over and stood in front of the TV. I saw her chest was heaving up and down in an angry way. "No!” I said, and I now felt stronger, as if my true self had finally emerged. So this was what had been inside me all along. "No! I won’t!” I screamed. She yanked me by the arm, pulled me off the floor, snapped off the TV. She was frighteningly strong, half pulling, half carrying me toward the piano as I kicked the throw rugs under my feet. She lifted me up and onto the hard bench. I was sobbing by now, looking at her bitterly. Her chest was heaving even more and her mouth was open, smiling crazily as if she were pleased I was crying. "You want me to be something that I’m not!” I sobbed. "I’ll never be the kind of daughter you want me to be!” "Only two kinds of daughters,” she shouted in Chinese. "Those who are obedient and those who follow their own mind! Only one kind of daughter can live in this house. Obedient daughter!” Which statement best explains the motivation for the actions of the narrator’s mother?
Which motivators are examples of extrinsic motivation? Choose three correct answers.
Read the excerpt from "Children of the Drug Wars." The United Nations High Commissioner for Refugees recently interviewed 404 children who had arrived in the United States from Honduras, El Salvador, Guatemala and Mexico; 58 percent said their primary reason for leaving was violence. (A similar survey in 2006, of Central American children coming into Mexico, found that only 13 percent were fleeing violence.) They aren’t just going to the United States: Less conflicted countries in Central America had a 712 percent increase in asylum claims between 2008 and 2013. Read the excerpt from Enrique’s Journey. Enrique allows himself to doze only on trains farther north, where the gangsters no longer control the tops of the trains. There, he jams his body into the crevice on top of a hopper, next to the trapdoors used to fill the car. Or he waits until the train rounds a curve, giving him a good view of all of the cars. He spots a boxcar with its door open. When the train slows, he jumps off and races to the boxcar, jumping inside for a quick nap. What technique does the author use in each excerpt to support her purpose?
Read the stanza from "Sonnet in Primary Colors” by Rita Dove. Each night she lay down in pain and rose to the celluloid butterflies of her Beloved Dead, Lenin and Marx and Stalin arrayed at the footstead. And rose to her easel, the hundred dogs panting like children along the graveled walks of the garden, Diego’s love a skull in the circular window of the thumbprint searing her immutable brow. How does the underlined figurative language contribute to the meaning of the poem?
Read the passage from A Room of One’s Own. Her mind must have been strained and her vitality lowered by the need of opposing this, of disproving that. For here again we come within range of that very interesting and obscure masculine complex which has had so much influence upon the woman's movement ; that deep-seated desire, not so much that SHE shall be inferior as that HE shall be superior, which plants him wherever one looks, not only in front of the arts, but barring the way to politics too, even when the risk to himself seems infinitesimal and the suppliant humble and devoted. How does the rhetorical technique used in the underlined text best develop the author’s ideas?
Read the passage from A Room of One’s Own . Currer Bell, George Eliot, George Sand, all the victims of inner strife as their writings prove, sought ineffectively to veil themselves by using the name of a man. Thus they did homage to the convention, which if not implanted by the other sex was liberally encouraged by them (the chief glory of a woman is not to be talked of, said Pericles, himself a much-talked-of man), that publicity in women is detestable. Anonymity runs in their blood. The desire to be veiled still possesses them. They are not even now as concerned about the health of their fame as men are, and, speaking generally, will pass a tombstone or a signpost without feeling an irresistible desire to cut their names on it as Alf, Bert or Chas. must do in obedience to their instinct. . . . . . . Write? What's the good of your writing? Here the psychologists of Newnham and Girton might come to our help, I thought, looking again at the blank spaces on the shelves. Which phrases or sentences best build the ideas about why women often choose to remain unknown? Choose two correct answers.
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