AnswersEnglish 2The Human Experience

The Human Experience — Test Answers

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Read the passage from "Marriage Is a Private Affair" by Chinua Achebe. "I shall not call in a native doctor.” Nnaemeka’s father was known to be obstinately ahead of his more superstitious neighbours in these matters. "I will not be another Mrs. Ochuba. If my son wants to kill himself let him do it with his own hands. It is not for me to help him.” "But it was her fault,” said Madubogwu. "She ought to have gone to an honest herbalist. She was a clever woman, nevertheless.” "She was a wicked murderess,” said Jonathan who rarely argued with his neighbours because, he often said, they were incapable of reasoning. "The medicine was prepared for her husband, it was his name they called in its preparation and I am sure it would have been perfectly beneficial to him. It was wicked to put it into the herbalist’s food, and say you were only trying it out.” What are the benefits of analyzing this passage from more than one perspective? Choose two correct answers.

A
Analyzing the passage from a historical perspective would be beneficial because the analysis would focus on times and places rather than people and emotions.
B
Analyzing the passage from a feminist perspective would likely provide insights on how a woman like Mrs. Ochuba would be treated in the Ibo culture of that time.
C
Analyzing the passage from a feminist perspective would likely provide insights on how Ibo women are morally superior to Ibo men.
D
Analyzing the passage from a feminist perspective is not possible in this case because the author, Chinua Achebe, is male.
E
Analyzing the passage from a historical perspective would likely provide insights on how Ibo people of the time viewed native medicine.
3

Which statements describe characteristics of a restrictive clause? Choose three correct answers.

A
It contains a subject and a verb.
B
It adds nonessential information to the sentence.
C
It is not set apart by punctuation.
D
It is essential to the meaning of the sentence.
E
It is set off by commas.
5

Which statements describe characteristics of a nonrestrictive clause? Choose three correct answers.

A
It adds nonessential information to the sentence.
B
It is essential to the meaning of the sentence.
C
It contains a subject and a verb.
D
It is not set apart by punctuation.
E
It is set off by commas.
7

Which scenario is an example of intrinsic motivation?

A
Yannick always studies until midnight because good grades make him happy.
B
Kimi fixed Gordon’s tablet in exchange for a copy of his notes from math class.
C
Evan noticed the flashing lights in his rearview mirror and pulled over to the curb.
D
Marileta bought a $20 gift card for Rick after drawing his name in the office holiday party.
9

Which sentence includes a restrictive clause?

A
I often see my middle school English teacher shopping at the mall.
B
The ceramic cups Birgit bought at the garage sale are all chipped.
C
The English novelist Charles Dickens also wrote plays and articles.
D
American literature, which we study in 11th grade, is my favorite subject.
10

What are two goals of feminist literary criticism? Choose two correct answers.

A
to evaluate why female authors are morally superior to male authors
B
to evaluate the work of female authors who may be unappreciated
C
to explore emotional rather than political or historical aspects of literature
D
to explore restrictions placed on female characters in patriarchal societies
E
to focus exclusively on female authors and female characters
11

Read the line from Rita Dove’s poem "Sonnet in Primary Colors,” then study Frida Kahlo’s painting Self-Portrait with Monkey and Parrot . the thumbprint searing her immutable brow. Expand Image How does this line relate to the artwork?

A
It suggests that Kahlo’s self-portrait reveals weakness.
B
It suggests that Kahlo had finally mastered painting self-portraits.
C
It suggests that the painting is as bold and resilient as Kahlo was.
D
It suggests that the portrait is about anger.
12

Read the passage from "By the Waters of Babylon.” It was close and dry and dusty in the house of the gods. I have said the magic was gone but that is not true—it had gone from the magic things but it had not gone from the place. I felt the spirits about me, weighing upon me. Nor had I ever slept in a Dead Place before—and yet, tonight, I must sleep there. When I thought of it, my tongue felt dry in my throat, in spite of my wish for knowledge. Almost I would have gone down again and faced the dogs, but I did not. Which text evidence from the passage supports the theme that even nonliving things contain a life force? Choose two correct answers.

A
“I have said the magic was gone but that is not true—it had gone from the magic things but it had not gone from the place.”
B
“I felt the spirits about me, weighing upon me.”
C
“Nor had I ever slept in a Dead Place before—and yet, tonight, I must sleep there.”
D
“When I thought of it, my tongue felt dry in my throat, in spite of my wish for knowledge.”
E
“Almost I would have gone down again and faced the dogs, but I did not.”
13

Which excerpt from the poem "Girl Powdering Her Neck” by Cathy Song is an example of a simile?

A
“her legs folded beneath her / as she sits on a buckwheat pillow”
B
“Morning begins the ritual / wheel of the body”
C
“The peach-dyed kimono / patterned with maple leaves”
D
“She dips a corner of her sleeve / like a brush into water”
17

Read the passage from Amy Tan's "Rules of the Game." One day, after we left a shop I said under my breath, "I wish you wouldn’t do that, telling everybody I’m your daughter.” My mother stopped walking. Crowds of people with heavy bags pushed past us on the sidewalk, bumping into first one shoulder, then another. "Aiii-ya. So shame be with mother?” She grasped my hand even tighter as she glared at me. I looked down. "It’s not that, it’s just so obvious. It’s just so embarrassing.” "Embarrass you be my daughter?” Her voice was cracking with anger. "That’s not what I meant. That’s not what I said.” "What you say?” I knew it was a mistake to say anything more, but I heard my voice speaking, "Why do you have to use me to show off? If you want to show off, then why don’t you learn to play chess?” My mother’s eyes turned into dangerous black slits. She had no words for me, just sharp silence. I felt the wind rushing around my hot ears. I jerked my hand out of my mother’s tight grasp and spun around, knocking into an old woman. Her bag of groceries spilled to the ground. "Aii-ya! Stupid girl!” my mother and the woman cried. Oranges and tin cans careened down the sidewalk. As my mother stooped to help the old woman pick up the escaping food, I took off. What conflict occurs in the passage?

A
an external conflict between the mother and the neighborhood over the social pressure on the mother to be successful
B
an external conflict between the mother, who wants to show off her famous daughter, and the daughter, who feels used
C
an internal conflict within the mother, who wants her daughter to grow up but does not want to let her go
D
an internal conflict within the daughter, who wants to be a grand master but does not want anyone to know about it
20

Read the passage from "By the Waters of Babylon.” How can I tell what it was like—you do not know. It was there, in the red light, and they were too big to be houses. It was there with the red light upon it, mighty and ruined. I knew that in another moment the gods would see me. I covered my eyes with my hands and crept back into the forest. Surely, that was enough to do, and live. Surely it was enough to spend the night upon the cliff. The Forest People themselves do not come near. Yet, all through the night, I knew that I should have to cross the river and walk in the places of the gods, although the gods ate me up. My magic did not help me at all and yet there was a fire in my bowels, a fire in my mind. When the sun rose, I thought, "My journey has been clean. Now I will go home from my journey." But, even as I thought so, I knew I could not. If I went to the Place of the Gods, I would surely die, but, if I did not go, I could never be at peace with my spirit again. It is better to lose one's life than one's spirit, if one is a priest and the son of a priest. Which conflicts occur in this passage? Choose three correct answers.

A
Character vs. self: The narrator must convince himself that just seeing the Place of the Gods from a distance is not enough.
B
Character vs. character: The narrator must face the Forest People, since they live directly on the route to the Place of the Gods.
C
Character vs. society: The narrator must go to the Place of the Gods to satisfy his spirit because he is a priest’s son and must follow his father’s teachings.
D
Character vs. nature: The narrator must conquer the challenges of the landscape to visit the Place of the Gods.
E
Character vs. self: The narrator is overwhelmed with fear of what he sees coming from the Place of the Gods and momentarily retreats.

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