Why do authors use causal relationships in plays? Select three options.
Read the excerpt from act 1, scene 3, of Julius Caesar.[CASSIUS.] Now know you, Casca, I have moved alreadySome certain of the noblest-minded RomansTo undergo with me an enterpriseOf honourable dangerous consequence.And I do know by this, they stay for meIn Pompey’s Porch. For now this fearful nightThere is no stir or walking in the streets;And the complexion of the elementIn favour’s like the work we have in hand,Most bloody, fiery, and most terrible.
Read the excerpt from act 2, scene 1, of Julius Caesar.[BRUTUS.] Let us be sacrificers, but not butchers, Caius.We all stand up against the spirit of Caesar,And in the spirit of men there is no blood.O, that we then could come by Caesar’s spirit,And not dismember Caesar!Why is this passage an example of verbal irony?
Read the excerpt from act 2, scene 1, of Julius Caesar.BRUTUS. O ye gods,Render me worthy of this noble wife![Knocking within]Hark, hark, one knocks. Portia, go in a while,And by and by thy bosom shall partakeThe secrets of my heart.All my engagements I will construe to thee,All the charactery of my sad brows.Leave me with haste.[Exit PORTIA]
Read the excerpt from act 1, scene 3, of Julius Caesar.[CASSIUS.] Cassius from bondage will deliver Cassius.Therein, ye gods, you make the weak most strong;Therein, ye gods, you tyrants do defeat.Nor stony tower, nor walls of beaten brass,Nor airless dungeon, nor strong links of iron,Can be retentive to the strength of spirit;But life, being weary of these worldly bars,Never lacks power to dismiss itself.If I know this, know all the world besides,That part of tyranny that I do bearI can shake off at pleasure.[Thunder still]CASCA. So can I.So every bondman in his own hand bearsThe power to cancel his captivity.
How can you infer a character's motivation? Select three options.by identifying a specific thought, feeling, or actionby analyzing an author's choices for text structureby describing the problem that is central to the play and its resolutionby looking at what the author or others say about the characterby looking for and citing evidence in the text as to why the character might think, feel, or act that way
Read the excerpt from act 1, scene 3, of Julius Caesar.CASSIUS. Am I not stayed for? Tell me.CINNA. Yes, you are.O Cassius, if you couldBut win the noble Brutus to our party—CASSIUS. Be you content. Good Cinna, take this paperAnd look you lay it in the praetor’s chair,Where Brutus may but find it. And throw thisIn at his window. Set this up with waxUpon old Brutus’ statue. All this done,Repair to Pompey’s Porch, where you shall find us.Is Decius Brutus and Trebonius there?CINNA. All but Metellus Cimber, and he’s goneTo seek you at your house. Well, I will hie,And so bestow these papers as you bade me.CASSIUS. That done, repair to Pompey’s Theatre.
Read the excerpt from act 2, scene 1, of Julius Caesar.BRUTUS. The exhalations whizzing in the airGive so much light that I may read by them.[Opens the letter and reads]"Brutus, thou sleep’st. Awake, and see thyself.Shall Rome, etc.? Speak, strike, redress.”—"Brutus, thou sleep’st. Awake!”Such instigations have been often droppedWhere I have took them up."Shall Rome, etc.?” Thus must I piece it out:Shall Rome stand under one man’s awe? What, Rome?My ancestors did from the streets of RomeThe Tarquin drive when he was called a king."Speak, strike, redress!” Am I entreatedTo speak and strike? O Rome, I make thee promise,If the redress will follow, thou receivestThy full petition at the hand of Brutus!
What types of irony are used in Shakespeare's Julius Caesar? Select three options.
What is ironic about discussing whether or not to include Cicero in the conspiracy? Select two options.
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