Based on part two of Trifles, what did the bird’s singing most likely symbolize to Mrs. Wright?
Which most supports the fact that Trifles is written in a realistic style?
Which of the following stage directions from part one of Trifles is designed to express emotion?
Read the following scene from Trifles.COUNTY ATTORNEY. You mean that they didn’t get on very well? MRS. HALE. No, I don’t mean anything. But I don’t think a place’d be any cheerfuller for John Wright’s being in it. COUNTY ATTORNEY. I’d like to talk more of that a little later. I want to get the lay of things upstairs now. (He goes to the left, where three steps lead to a stair door.) SHERIFF. I suppose anything Mrs. Peters does’ll be all right. She was to take in some clothes for her, you know, and a few little things. We left in such a hurry yesterday. COUNTY ATTORNEY. Yes, but I would like to see what you take, Mrs. Peters, and keep an eye out for anything that might be of use to us. What is one possible advantage of hearing the characters’ voices as opposed to silently reading the scene?
Read the excerpt from part one of Trifles.SHERIFF (unbuttoning his overcoat and stepping away from the stove as if to the beginning of official business).How does the use of the word “official” in this stage direction affect the mood of the scene?
Read the excerpt from part one of Trifles.SHERIFF (unbuttoning his overcoat and stepping away from the stove as if to the beginning of official business).What is the primary purpose of these stage directions?
Which excerpt from Trifles contains a stage direction?
The fact that women often feel pressured to conform to society’s expectations is a common feminist theme found within literature. As this theme appears within part two of Trifles, which pair of symbols most strengthens this theme?
Read the excerpt from The Little Foxes.REGINA (to BEN, triumphantly) Exactly. (To HORACE) So I did a little bargaining for you and convinced my brothers they weren’t the only Hubbards who had a business sense.HORACE. Did you have to convince them of that? How little people know about each other! (Laughs) But you’ll know better about Regina next time, eh, Ben? (BEN, REGINA, HORACE laugh together. OSCAR’S face is angry) Now let’s see. We’re getting a bigger share. (Looking at OSCAR) Who’s getting less?Which of the following themes does this reinforce?
Read the following scene from The Little Foxes.BEN. (very jovial) I suppose I have been. And why not? Horace has done Hubbard Sons many a good turn. Why shouldn’t I be anxious to help him now?REGINA. (laughs) Help him! Help him when you need him, that’s what you mean.BEN. What a woman you married, Horace. (Laughs awkwardly when HORACE does not answer) Well, then I’ll make it quick. You know what I’ve been telling you for years. How I’ve always said that every one of us little Southern businessmen had great things—(Extends his arm)—right beyond our finger tips. It’s been my dream: my dream to make those fingers grow longer: I’m a lucky man, Horace, a lucky man. To dream and to live to get what you’ve dreamed of. That’s my idea of a lucky man. (Looks at his fingers as his arm drops slowly) For thirty years I’ve cried bring the cotton mills to the cotton. (HORACE opens medicine bottle). Well, finally I got up nerve to go to Marshall Company in Chicago.What would be similar about a stage and a film interpretation of this scene?
Which best describes the style of The Little Foxes?
Read the excerpt from The Little Foxes.REGINA. (to BEN) Horace would like to talk to you now.HORACE. Horace would not like to talk to you now. I am very tired, Regina—REGINA. (comes to him) Please. You’ve said we’ll try our best with each other. I’ll try. Really, I will. Please do this for me now. You will see what I’ve done while you’ve been away. How I watched your interests. (Laughs gaily) And I’ve done very well too. But things can’t be delayed any longer. Everything must be settled this week— (HORACE sits down. BEN enters. OSCAR has stayed in the dining room, his head turned to watch them. LEO is pretending to read the newspaper) Now you must tell Horace all about it. Only be quick because he is very tired and must go to bed. (HORACE is looking up at her. His face hardens as she speaks) But I think your news will be better for him than all the medicine in the world. BEN. (looking at HORACE) It could wait. Horace may not feel like talking today. REGINA. What an old faker you are! You know it can’t wait. You know it must be finished this week. You’ve been just as anxious for Horace to get here as I’ve been.What does this excerpt emphasize about the character of Regina?
Which piece of dialogue from The Chaste Adventures of Joseph: A Comedy most reveals Madam Potiphar’s motives for wanting her husband to replace his secretary, Joseph?
In The Chaste Adventures of Joseph: A Comedy, the garden outside the Potiphar’s home symbolizes growth and natural beauty, and it highlights the
Read the following scene from The Chaste Adventures of Joseph: A Comedy.THE LADY. Such a lovely house, Madam Potiphar!—But what is this quiet room? Your husband's study? MADAM POTIPHAR. (coming in) Oh, this is nothing—merely the room of one of the slaves. Come, dear Cousin Asenath, and I will show you the garden. The pomegranates are just beginning to blossom. ASENATH. The room of a slave? Indeed! He seems to be an educated person! How would a stage interpretation differ from an audio production of this scene?
Which of the following most supports the fact that The Chaste Adventures of Joseph: A Comedy is written in an experimental style?
Read the excerpt from The Inheritors.EMIL: Guess you don't know much about the Espionage Act or you'd go and make a little friendly call on your uncle. When your case comes to trial—and Judge Lenon may be on the bench—(whistles) He's one fiend for Americanism.What best describes the effect of the word fiend in this excerpt?
Read the following scene from The Inheritors.FRED JORDAN'S cell. Slowly, at the end left unchalked, as for a door, she goes in. Her hand goes up as against a wall; looks at her other hand, sees it is out too far, brings it in, giving herself the width of the cell. Walks its length, halts, looks up.) And one window—too high up to see out. (In the moment she stands there, she is in that cell; she is all the people who are in those cells. EMIL JOHNSON [who works at the courthouse], appears from outside.)MADELINE: (stepping out of the cell door, and around it) Hello, Emil.EMIL: How are you, Madeline? How do, Mr Morton. (IRA barely nods and does not turn... EMIL turns back to MADELINE) Well, I'm just from the courthouse. Looks like you and I might take a ride together, Madeline. You come before the Commissioner at four.A possible disadvantage to watching this scene, as opposed to reading it silently, is that viewers are
In Glaspell’s The Inheritors, which quotation most supports the feminist theme that women often feel a desire to control their own fate?
Read the excerpt from Section 2 of the Espionage Act, which was enacted by the Congress of the United States on June 15, 1917.Section 2Whoever, with intent or reason to believe that it is to be used to the injury or the United States or to the advantage of a foreign nation, communicated, delivers, or transmits, or attempts to, or aids, or induces another to, communicate, deliver or transmit, to any foreign government, or to any faction or party or military or naval force within a foreign country, whether recognized or unrecognized by the United States, or to any representative, officer, agent, employee, subject, or citizen thereof, either directly or indirectly and document, writing, code book, signal book, sketch, photograph, photographic negative, blue print, plan, map, model, note, instrument, appliance, or information relating to the national defence, shall be punished by imprisonment for not more than twenty years.How does this excerpt relate to the plot of the The Inheritors?
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