Read the excerpt from Gary Soto’s short story "Like Mexicans.”My grandmother gave me bad advice and good advice when I was in my early teens. For the bad advice, she said that I should become a barber because they made good money and listened to the radio all day. “Honey, they don’t work como burros,” she would say every time I visited her. She made the sound of donkeys braying. “Like that, honey!” For the good advice, she said that I should marry a Mexican girl. “No Okies, hijo”—she would say— “Look, my son. He marry one and they fight every day about I don’t know what and I don’t know what.” For her, everyone who wasn’t Mexican, black, or Asian were Okies. The French were Okies, the Italians in suits were Okies. . . . she lectured me on the virtues of the Mexican girl.The complex narrative structure used in the excerpt is an example of
Read the excerpt from Judith Ortiz Cofer’s poem “El Olvido.” a bare, cold room with no pictures on the walls, a forgetting place where she fears you will die of loneliness and exposure. Jesús, María, y José, she says, el olvido is a dangerous thing.Which strategy would be most helpful in enhancing the reader’s comprehension of the poem?
Read the excerpt from "How the Internet and Other Technologies Came About."Because most cities would no longer exist, messages would have to be broken up into pieces, scattered throughout the system, moved around cities that no longer existed, and then reassembled at the destination. ARPA combined these ideas with an existing system to create what is now called e-mail.Which reading strategy would most help in comprehending the excerpt?
Look at the diagram.This diagram is best used for helping a reader

What is the advantage of reading from three different perspectives in Cristina Garcia’s Dreaming in Cuban?
Which sentence from Cristina Garcia’s Dreaming in Cuban is an example of magic realism?
Lourdes buys a round box of sticky dates and considers the centuries of fratricide converging on this street corner in Brooklyn. She ponders the transmigrations from the southern latitudes, the millions moving north.
Read the excerpt from Cristina Garcia’s Dreaming in Cuban.I don’t really want to talk about my father but I end up telling Minnie how he used to take me horseback riding on our ranch, strapping me in his saddle with a leather seat belt he designed just for me. Dad’s family owned casinos in Cuba, and had one of the largest ranches on the island. There were beef cattle and dairy cows, horses, pigs, goats, and lambs. Dad fed them molasses to fatten them, and gave the chickens corn and sorghum until they laid vermilion eggs, rich with vitamins. He took me on an overnight inspection once. We camped out under a sapodilla tree and listened to the pygmy owls with their old women’s voices. My father knew I understood more than I could say. He told me stories about Cuba after Columbus came. He said that the Spaniards wiped out more Indians with smallpox than with muskets.How does the structure of the excerpt add meaning to the passage?
Which best describes why Cristina Garcia chose a multi-narrative structure for Dreaming in Cuban?
Read the excerpt from Cristina Garcia’s Dreaming in Cuban.Lourdes considers herself lucky. Immigration has redefined her, and she is grateful. Unlike her husband, she welcomes her adopted language, its possibilities for reinvention. Lourdes relishes winter most of all—the cold scraping sounds on sidewalks and windshields, the ritual of scarves and gloves, hats and zip-in coat linings. Its layers protect her. She wants no part of Cuba, no part of its wretched carnival floats creaking with lies, no part of Cuba at all, which Lourdes claims never possessed her.Which sentence is an example of magic realism?
Which complex narrative structure is underutilized by Cristina Garcia in Dreaming in Cuban?
My father knew I understood more than I could say. He told me stories about Cuba after Columbus came. He said that the Spaniards wiped out more Indians with smallpox than with muskets.
Draya is a student who does not understand the following sentence from Dreaming in Cuban.She reads the newspapers page by page for leftist conspiracies, jams her finger against imagined evidence and says, “See. What did I tell you?”Which previous segment should Draya reread to make the excerpt easier to understand?
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Read the excerpt from Cristina Garcia’s Dreaming in Cuban.My mother says that Abuela Celia’s had plenty of chances to leave Cuba but that she’s stubborn and got her head turned around by El Líder. Mom says “Communist” the way some people says “cancer,” low and fierce.Which element from this excerpt best characterizes Garcia’s story as one of magic realism?
Read the two excerpts about Jorge del Pino from Dreaming in Cuban.Excerpt 1: My grandfather came running and said, “Celia, let the girl go. She belongs with Lourdes.” Excerpt 2: “Pilar doesn’t hate you, hija. She just hasn’t learned to love you yet.”Which statement best synthesizes the ideas in these two excerpts?
Read the excerpt from Cristina Garcia’s Dreaming in Cuban.That’s it. My mind’s made up. I’m going back to Cuba. I’m fed up with everything around here. I take all my money out of the bank, $120, money I earned slaving away at my mother’s bakery, and buy a one-way bus ticket to Miami. I figure if I can just get there, I’ll be able to make my way to Cuba, maybe rent a boat or get a fisherman to take me. I imagine Abuela [grandmother] Celia’s surprise as I sneak up behind her. She’ll be sitting in her wicker swing overlooking the sea and she’ll smell of salt and violet water. There’ll be gulls and crabs along the shore. She’ll stroke my cheek with her cool hands, sing quietly in my ear.The complex narrative structure used in the excerpt is an example of
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I was only two years old when I left Cuba but I remember everything that’s happened to me since I was a baby, even word-for-word conversations. I was sitting in my grandmother’s lap, playing with her drop pearl earrings, when my mother told her we were leaving the country. Abuela Celia called her a traitor to the revolution. Mom tried to pull me away but I clung to the Abuela and screamed at the top of my lungs. My grandfather came running and said, “Celia, let the girl go. She belongs with Lourdes.” This was the last time I saw her.
Read the excerpt from Cristina Garcia’s Dreaming in Cuban.If it were up to me, I’d record other things. Like the time there was a freak hailstorm in the Congo and the women took it as a sign that they should rule . . . Why don’t I know anything about them? Who chooses what we should know or what’s important? I know I have to decide these things for myself. Most of what I’ve learned that’s important I’ve learned on my own, or from my grandmother.What does the excerpt reveal about Cristina Garcia?
Students who have read a section of a text and do not understand it should
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