AnswersGA-Literature and Composition IIIBeat Movement Spontaneous Prose

Vietnam Literary Journalism Answers

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Which excerpt from A Rumor of War best illustrates Vietnam’s uncomfortable climate?

A
By autumn, what had begun as an adventurous expedition had turned into an exhausting, indecisive war of attrition in which we fought for no cause other than our own survival.
B
But there were no Normandies and Gettysburgs for us, no epic clashes that decided the fates of armies or nations. The war was mostly a matter of enduring weeks of expectant waiting and, at random intervals, of conducting vicious manhunts through jungles and swamps where snipers harassed us constantly and booby traps cut us down one by one.
C
The tedium was occasionally relieved by a large-scale search-and-destroy operation, but the exhilaration of riding the lead helicopter into a landing zone was usually followed by more of the same hot walking, with the mud sucking at our boots and the sun thudding against our helmets while an invisible enemy shot at us from distant tree lines.
D
Weeks of bottled-up tensions would be released in a few minutes of orgiastic violence, men screaming and shouting obscenities above the explosions of grenades and the rapid, rippling bursts of automatic rifles.
4

Which sentence from Dispatches contains the best example of sensory language?

A
Sometimes you’d step from the bunker, all sense of time passing having left you, and find it dark out.
B
There would be dozens of them at once sometimes, trailing an intense smoke, dropping white-hot sparks, and it seemed as though anything caught in their range would be made still, like figures in a game of living statues.
C
Once in a while—I guess I saw it happen three or four times in all—there would be a secondary explosion, a direct hit on a supply of NVA ammunition.
D
If they did, when they did, it might not matter that you were in the best bunker in the DMZ, wouldn’t matter that you were young and had plans, that you were loved, that you were a noncombatant, an observer.
7

Which excerpt from Dispatches uses imagery to reflect the conflicting emotions that soldiers face during a war?

A
Flares were dropping everywhere around the fringes of the perimeter, laying a dead white light on the high ground rising from the piedmont.
B
It was different with the incoming at Khe Sanh. You didn’t get to watch the shells very often. You knew if you heard one, the first one, that you were safe, or at least saved. If you were still standing up and looking after that, you deserved anything that happened to you.
C
Night was when you really had the least to fear and feared the most. You could go through some very bad numbers at night.
D
No wonder everyone became a luck freak, no wonder you could wake at four in the morning some mornings and know that tomorrow it would finally happen, you could stop worrying about it now and just lie there, sweating in the dampest chill you ever felt.
9

Which excerpt from Dispatches is an example of paradox?

A
And at night it was beautiful. Even the incoming was beautiful at night, beautiful and deeply dreadful.
B
One hit anywhere in the chopper would bring you back, bitten lips, white knuckles and all, and then you knew where you were.
C
At night you could lie out on some sandbags and watch the C-47’s mounted with Vulcans doing their work.
D
At night in Khe Sanh, waiting there, thinking about all of them (40,000, some said), thinking that they might really try it, could keep you up.

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