Read the excerpt from "London's Summer Morning." Now pastry dainties catch the eye minute Of humming insects, while the limy snare Waits to enthrall them. What does this excerpt from the poem describe?
Which best describes the speaker of "London's Summer Morning"?
Read the sentences. Fellow students, I know I will be a wonderful class president because I truly care about all of you, and I want this school to be the best place that it can possibly be. I am open and willing to listen, and do whatever I need to do to help all of you. In these sentences, the speaker is appealing to
Which is a trait of participatory drama?
Read the poem “Roses,” by George Eliot. You love the roses—so do I. I wishThe sky would rain down roses, as they rainFrom off the shaken bush. Why will it not?Then all the valley would be pink and whiteAnd soft to tread on. They would fall as lightAs feathers, smelling sweet; and it would beLike sleeping and like waking, all at once! What is the main style difference between “Roses” and "Night"?
There are many time references in "Rhapsody on a Windy Night," such asTwelve o'clock. Half-past one, Half-past three, The lamp said, "Four o'clock, What is the most likely explanation for these repeated references?
Read the excerpt from "Rhapsody on a Windy Night."I could see nothing behind that child's eye. I have seen eyes in the street Trying to peer through lighted shutters, And a crab one afternoon in a pool, An old crab with barnacles on his back, Gripped the end of a stick which I held him. The excerpt is an example of what type of narration?
Read the excerpt from "Rhapsody on a Windy Night."The lamp hummed: "Regard the moon, La lune ne garde aucune rancune, She winks a feeble eye, She smiles into corners. She smoothes the hair of the grass. The moon has lost her memory. The French line “La lune ne garde aucune rancune” translates to “The moon never holds a grudge.” Which best describes the meaning of this line?
Read the excerpt from "Rhapsody on a Windy Night."Twelve o'clock. Along the reaches of the street Held in a lunar synthesis, Whispering lunar incantations Dissolve the floors of memory And all its clear relations, Its divisions and precisions, Every street lamp that I pass Beats like a fatalistic drum, And through the spaces of the dark Midnight shakes the memory As a madman shakes a dead geranium. Which phrase from the excerpt best indicates that the narrator is lost in thought?
Read the excerpt from "The Lady Maid's Bell."But that wasn’t the only queer thing in the house. The very next day I found out that Mrs. Brympton had no nurse; and then I asked Agnes about the woman I had seen in the passage the afternoon before. Agnes said she had seen no one, and I saw that she thought I was dreaming. To be sure, it was dusk when we went down the passage, and she had excused herself for not bringing a light; but I had seen the woman plain enough to know her again if we should meet. I decided that she must have been a friend of the cook’s, or of one of the other women servants: perhaps she had come down from town for a night’s visit, and the servants wanted it kept secret. Some ladies are very stiff about having their servants’ friends in the house overnight. At any rate, I made up my mind to ask no more questions. How does this excerpt support the idea that the story is told by an unreliable narrator?
Read the excerpt from "The Lady Maid's Bell."Then he turned his back on me, and went on talking to his wife; and I knew what that meant, too. I was not the kind of morsel he was after. The typhoid had served me well enough in one way: it kept that kind of gentleman at arm’s-length.What does the narrator mean when she refers to Mr. Brympton as “that kind of gentleman”?
Read the excerpt from "The Lady Maid's Bell."But that wasn’t the only queer thing in the house. The very next day I found out that Mrs. Brympton had no nurse; and then I asked Agnes about the woman I had seen in the passage the afternoon before. Agnes said she had seen no one, and I saw that she thought I was dreaming. To be sure, it was dusk when we went down the passage, and she had excused herself for not bringing a light; but I had seen the woman plain enough to know her again if we should meet. I decided that she must have been a friend of the cook’s, or of one of the other women servants: perhaps she had come down from town for a night’s visit, and the servants wanted it kept secret. Some ladies are very stiff about having their servants’ friends in the house overnight. At any rate, I made up my mind to ask no more questions. Which statement describes a gothic element in this excerpt that reflects a social attitude of Wharton’s time?
Read the excerpt from "The Lady Maid's Bell."I had been near a week at Brympton before I saw my master. Word came that he was arriving one afternoon, and a change passed over the whole household. It was plain that nobody loved him below stairs. Mrs. Blinder took uncommon care with the dinner that night, but she snapped at the kitchen-maid in a way quite unusual with her; and Mr. Wace, the butler, a serious, slow-spoken man, went about his duties as if he'd been getting ready for a funeral. He was a great Bible-reader, Mr. Wace was, and had a beautiful assortment of texts at his command; but that day he used such dreadful language that I was about to leave the table, when he assured me it was all out of Isaiah; and I noticed that whenever the master came Mr. Wace took to the prophets.Which best describes a gothic element in the excerpt and the social attitude it reveals?
Read the following scene from The Little Foxes.BEN. (very jovial) I suppose I have been. And why not? Horace has done Hubbard Sons many a good turn. Why shouldn’t I be anxious to help him now?REGINA. (laughs) Help him! Help him when you need him, that’s what you mean.BEN. What a woman you married, Horace. (Laughs awkwardly when HORACE does not answer) Well, then I’ll make it quick. You know what I’ve been telling you for years. How I’ve always said that every one of us little Southern businessmen had great things—(Extends his arm)—right beyond our finger tips. It’s been my dream: my dream to make those fingers grow longer: I’m a lucky man, Horace, a lucky man. To dream and to live to get what you’ve dreamed of. That’s my idea of a lucky man. (Looks at his fingers as his arm drops slowly) For thirty years I’ve cried bring the cotton mills to the cotton. (HORACE opens medicine bottle). Well, finally I got up nerve to go to Marshall Company in Chicago.What would be similar about a stage and a film interpretation of this scene?
Read the excerpt from The Little Foxes.REGINA (to BEN, triumphantly) Exactly. (To HORACE) So I did a little bargaining for you and convinced my brothers they weren’t the only Hubbards who had a business sense.HORACE. Did you have to convince them of that? How little people know about each other! (Laughs) But you’ll know better about Regina next time, eh, Ben? (BEN, REGINA, HORACE laugh together. OSCAR’S face is angry) Now let’s see. We’re getting a bigger share. (Looking at OSCAR) Who’s getting less?Which of the following themes does this reinforce?
Which best describes the style of The Little Foxes?
Read the excerpt from The Little Foxes.REGINA. (to BEN) Horace would like to talk to you now.HORACE. Horace would not like to talk to you now. I am very tired, Regina—REGINA. (comes to him) Please. You’ve said we’ll try our best with each other. I’ll try. Really, I will. Please do this for me now. You will see what I’ve done while you’ve been away. How I watched your interests. (Laughs gaily) And I’ve done very well too. But things can’t be delayed any longer. Everything must be settled this week— (HORACE sits down. BEN enters. OSCAR has stayed in the dining room, his head turned to watch them. LEO is pretending to read the newspaper) Now you must tell Horace all about it. Only be quick because he is very tired and must go to bed. (HORACE is looking up at her. His face hardens as she speaks) But I think your news will be better for him than all the medicine in the world. BEN. (looking at HORACE) It could wait. Horace may not feel like talking today. REGINA. What an old faker you are! You know it can’t wait. You know it must be finished this week. You’ve been just as anxious for Horace to get here as I’ve been.What does this excerpt emphasize about the character of Regina?
Read the following scene from The Chaste Adventures of Joseph: A Comedy.THE LADY. Such a lovely house, Madam Potiphar!—But what is this quiet room? Your husband's study? MADAM POTIPHAR. (coming in) Oh, this is nothing—merely the room of one of the slaves. Come, dear Cousin Asenath, and I will show you the garden. The pomegranates are just beginning to blossom. ASENATH. The room of a slave? Indeed! He seems to be an educated person! How would a stage interpretation differ from an audio production of this scene?
Which of the following most supports the fact that The Chaste Adventures of Joseph: A Comedy is written in an experimental style?
Which piece of dialogue from The Chaste Adventures of Joseph: A Comedy most reveals Madam Potiphar’s motives for wanting her husband to replace his secretary, Joseph?
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