In The Chaste Adventures of Joseph: A Comedy, the garden outside the Potiphar’s home symbolizes growth and natural beauty, and it highlights the
In Glaspell’s The Inheritors, which quotation most supports the feminist theme that women often feel a desire to control their own fate?
Read the excerpt from Section 2 of the Espionage Act, which was enacted by the Congress of the United States on June 15, 1917.Section 2Whoever, with intent or reason to believe that it is to be used to the injury or the United States or to the advantage of a foreign nation, communicated, delivers, or transmits, or attempts to, or aids, or induces another to, communicate, deliver or transmit, to any foreign government, or to any faction or party or military or naval force within a foreign country, whether recognized or unrecognized by the United States, or to any representative, officer, agent, employee, subject, or citizen thereof, either directly or indirectly and document, writing, code book, signal book, sketch, photograph, photographic negative, blue print, plan, map, model, note, instrument, appliance, or information relating to the national defence, shall be punished by imprisonment for not more than twenty years.How does this excerpt relate to the plot of the The Inheritors?
Read the excerpt from The Inheritors.EMIL: Guess you don't know much about the Espionage Act or you'd go and make a little friendly call on your uncle. When your case comes to trial—and Judge Lenon may be on the bench—(whistles) He's one fiend for Americanism.What best describes the effect of the word fiend in this excerpt?
Read the following scene from The Inheritors.FRED JORDAN'S cell. Slowly, at the end left unchalked, as for a door, she goes in. Her hand goes up as against a wall; looks at her other hand, sees it is out too far, brings it in, giving herself the width of the cell. Walks its length, halts, looks up.) And one window—too high up to see out. (In the moment she stands there, she is in that cell; she is all the people who are in those cells. EMIL JOHNSON [who works at the courthouse], appears from outside.)MADELINE: (stepping out of the cell door, and around it) Hello, Emil.EMIL: How are you, Madeline? How do, Mr Morton. (IRA barely nods and does not turn... EMIL turns back to MADELINE) Well, I'm just from the courthouse. Looks like you and I might take a ride together, Madeline. You come before the Commissioner at four.A possible disadvantage to watching this scene, as opposed to reading it silently, is that viewers are
Read the excerpt from part one of Trifles.SHERIFF. Nothing here but kitchen things. (The County Attorney, after again looking around the kitchen, opens the door of a cupboard closet. He gets up on a chair and looks on a shelf. Pulls his hand away, sticky.) COUNTY ATTORNEY. Here’s a nice mess. (The women draw nearer.) MRS. PETERS (to the other woman). Oh, her fruit; it did freeze. (To the Lawyer). She worried about that when it turned so cold. She said the fire’d go out and her jars would break.What do the underlined stage directions suggest about the women, Mrs. Hale and Mrs. Peters?
Read the following scene from Trifles.MRS. HALE (resentfully). I don’t know as there’s anything so strange, our takin’ up our time with little things while we’re waiting for them to get the evidence. (She sits down at the big table, smoothing out a block with decision.) I don’t see as it’s anything to laugh about.A possible disadvantage to hearing this scene, as opposed to reading it silently, is that Mrs. Hale may not
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